Classics Commons^™

Young Romans: Status, Dress, And Gender, Mary Harlow, Lena Larsson Lovén

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The demographics of the Roman world suggest that it was a world full of children. Demographers argue that in order simply to maintain population levels in a period where life expectancy was very short by modern standards, and infant mortality high, a woman should, on average, have six children, on the assumption that not all would live to adulthood. Despite much research in the last fifty years, children still remain partly invisible in the Roman world. This is primarily because they leave little evidence produced by themselves and are seen through the prism of adult eyes. Inevitably, given the nature …

Narrative And Material Tools Of Resistance: Mobilizing Textile Crafts, Heritage, And Fashion In The Context Of The Invasion Of Ukraine (2022–2023), Magali-An Berthon, Sophia Hayda, Tetiana Krupa, Yuliia Lazorenko, Marie-Louise Nosch

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

In 2022–2024, textile and fashion scholars came together to write an anthology sharing a new vision of European history as seen through textiles, in the COST Action EuroWeb. During this period, the continent was still dealing with the consequences of the COVID-19 pandemic and was then faced with Russia’s full-scale invasion of Ukraine in February 2022. Contemporary European history will be markedly defined by the ongoing war in Ukraine. One remarkable aspect of this conflict is the way textiles and dress appear daily in a variety of media outlets, mobilized as visual and semiotic means to communicate issues of war …

A Sensory Perspective On High-Ranked Women’S Dress In The 8th To 4th Century Bc In The Mediterranean And Central Europe, Karina Grömer, Susanna Harris, Audrey Gouy, Cecilie Brøns

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

In the late 20th century, the study of western science was dominated by a philosophical approach to evidence as text and meaning. In archaeology, material culture was treated like text, to be read through systems of signs, symbols, and indices put together in syntax. For studies of dress, this was influential in understanding dress as a cognitive system compiled to create identities and meaning. In this approach, textiles, fastenings, hairstyles, and gestures are presented as signs and symbols used to form a statement about identity, to be read by others. There was a focus on the visuality of dress and …

Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang

The Coastal Review

This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …

Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney

The Coastal Review

This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).

Global Communities: The Potential Of Street Art And The Public Space, Elena Picech

The Coastal Review

This paper highlights the significance of physical proximity and the potentiality of socio-spatial situations as tools to enrich study abroad programs. Particular attention is given to street art and the public space. While, studying on-site can be somewhat uncomfortable, it can potentially prompt unique reflections, enhance student’s learning and encourage introspection. Being on-site provides the opportunity to come into contact and to connect with the physical objects and their environment. It enables a multisensory and immersive embodied experience. Leveraging art for communicative educational activities can facilitate a participatory experience, promote critical thinking and enhance cultural understanding.

The Femme-Fatale “Bear’Ing Her Teeth: The Relation Between Women And Animals In Prosper Mérimée’S Lokis, William B. Holley

The Coastal Review

Abstract: Many French fantastic texts from the nineteenth century employ the use of a femme-fatale to highlight and underscore the dangers inherit with the female figure. This can be seen in vampires, ghosts, fairies, and other supernatural phenomena wherein a female character takes on incredible attributes. Propser Mérimée’s Lokis offers readers a tale wherein those same female figures are given traits that resemble the traditional femme-fatale, but in doing so they highlight the deadly nature of the titular half-man/half-bear creature. This paper offers a reading of Lokis which brings together an understanding of the social and political climate in which …

Queering The Future Through Speculative Drag: Posthumanism, Critique, And Queer Worldbuilding In The Art Of Devan Shimoyama, Maximiliano Mamani, And Sin Wai Kin, Finley Hayes Cowlishaw

Graduate Research Theses & Dissertations

Contemporary queer artists enact futures that resist abjection and reevaluate the state of our hierarchical classifications of human beings by invoking posthuman drag - constructed assemblages of identities - and combining them with speculative fiction, mythologies, and folklore. Devan Shimoyama, a queer bi-racial Black-identified artist, drags images of parts of his body to present queer Black masculinity in multitudes of ways while simultaneously imbuing them with magical powers and crafting their mythological origins. Maximiliano Mamani, a queer Indigenous Argentinian artist and performer, invokes the historical and political figure of eighteenth-century rebel Bartolina Sisa in his drag persona, Bartolina Xixa, as …

Self-Authorship And Professional Identity Formation In Professional-Level Athletic Training Students, Matthew Rivera

All-Inclusive List of Electronic Theses and Dissertations

The development of a professional identity is a crucial component of health professions’ education programs and aids in interprofessional collaboration, communication, efficiency, and patient outcomes. Yet, limited research on the development of the individual as a component of professional identity development exists. The use of curricular strategies rooted in the self-authorship theory can close this gap in the development of a professional identity. Self-authorship is a developmental continuum whereby individuals move from following external formulas to building an internal foundation where they make meaning and integrate beliefs into how they think and act. This study aimed to investigate the self-authorship …

Evaluating The Influence Of Some Factors On Capability Maturity Model Integration For Development (Cmmi-Dev) Maturity Level, Sakawa Ogega

All-Inclusive List of Electronic Theses and Dissertations

Capability Maturity Model Integration for Development (CMMI-DEV) is a collection of characteristics of effective processes that guide improving an organization's operations and ability to manage software projects' development. The CMMI-DEV maturity levels range from 1 to 5 for the staged model; however, there are no certifications for maturity level 1. Organizations appraised may seek higher CMMI-DEV maturity levels. Most clients will seek to do business with organizations with at least CMMI Maturity Level 3 certification. This research aimed to find if software development methodology (SDM), CMMI training, and other process improvement (OPI) standards affect CMMI maturity level rating. The dependent …

Us Manufacturing Readiness Assesment For Industry 4.0, Yogesh Bhutani

All-Inclusive List of Electronic Theses and Dissertations

Industry 4.0 is the next frontier in manufacturing evolution. Industry 4.0 is the term coined by the German government based on the research work of Henning Kaegermann. Multiple studies have been published worldwide, showing the slow or no adoption of Industry 4.0 technologies. Factors such as high costs, unproven technologies, integration, and others impacting the adoption are areas of concern. Readiness is an important factor that impacts adoption. Understanding the current readiness for Industry 4.0 to predict future adoption levels is important. It is vital to understand the readiness of manufacturing companies to adopt Industry 4.0 technologies, as this is …

Adopting Open-Source Methodology For Improving Business Processes And Public Trust, Lawrence Bosek

All-Inclusive List of Electronic Theses and Dissertations

Technology and the Internet have given rise to the availability of information at our fingertips. While the public, particularly consumers, are more commonly described as being the leading users and beneficiaries of electronic information services, businesses and governments are also players in the same information technology resource arena. Technology is also being integrated more in our everyday lives. Important information can now be easily stored on Internet websites for the public, businesses, and other governmental offices to search and peruse when needed. The Internet has also allowed for electronic devices to connect and communicate with each other in ways that …

Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane

The Coastal Review

This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …

Jane Eyre, The Invisible Bisexual: Bisexual Erasure In Historical Literature, Christine L. Roland

PANDION: The Osprey Journal of Research and Ideas

The purpose of this article is to reveal Charlotte Brontë’s canonized heterosexual character Jane Eyre as bisexual and explain why critics unintentionally erase bisexuality in historical literature. Homosexuality emerged as a species in the 1800s, but the heterosexual-versus-homosexual binary scale overlooked bisexuality. Yet, bisexuality existed—and Victorian society encouraged it between women. Lesbianism and female “friendships” were promoted within female boarding schools and between women in heterosexual marriages; the precise relationships exemplified in Jane Eyre. Though Jane marries a man, her heterosexual “familial” marriage emerges only out of her bisexual nature, for she does not marry Rochester until he becomes effeminate. …

The Avenging Women: Grendel’S Mother, Signy, And Kriemhild, Kayla J. Baur

Publications and Research

The three respective texts, the Old English poem Beowulf, the Old Norse The Saga of the Volsungs, and the Middle High German text Nibelungenlied, feature female characters who fulfill the avenging woman archetype. In each of the three works, the female character uses unfeminine strength or cunning to exact vengeance for being wronged. In Beowulf, the avenging woman takes the form of Grendel’s mother, whose descriptions of monstrosity are owed to her acts of bloodshed to avenge the death of her son. In The Saga of the Volsungs, the vengeful plot enacted by Signy reveals her unusual display of cunning …

The Death And Rebirth Of The Feminine Muse: Edgar Allan Poe And Sylvia Plath, Noha Ibrahim

Theses and Dissertations

While drawing on mythology and a literary history that associated women with death as well as creativity, Edgar Allan Poe and Sylvia Plath experimented with binary oppositions such as masculine/feminine, composition/decomposition, and death/(re)birth. They gained inspiration from the same source, the dead muse, but how do they transform traditions that derive from classical and medieval literary precedent, perhaps in ways that are inherently critical of patriarchal modes of gender dynamics? Why is Poe fixated on a feminine dead muse while Plath is inspired by what she calls her “father-sea-god muse”? How do both authors represent the female body, and how …

Enigmatic, Tragic, Crip; Or, Crip Time In Sophocles’S Oedipus And Aristotle’S Poetics, Maxwell Gray

Journal of Gender, Ethnic, and Cross-Cultural Studies

Tragedy represents a classical literary genre the field of disability studies often prefers not to approach too closely, lest disability also be called a tragedy by association. At the same time, my thinking is organized around my personal experience of chronic illness, pain, and disability that appear in early adulthood, when it’s maybe least expected and most difficult to comprehend; or, in a word, tragic. I turn to the literary genre of classical Greek tragedy to think about/with more enigmatic and tragic forms of disability and crip temporality. In particular, I read Sophocles’s classic tragedy Oedipus and Aristotle’s foundational interpretation …

In A Condition Of No Light, Alana Perino

Masters Theses

In a Condition of No Light is an autofictional investigation into lineages of familial domesticity. The performances therein circumnavigate one family in one domestic environment, yet are in dialogue with repertoires learned and rehearsed within legacies of myth, literature, theater, film, music, and image; as well as through the otherwise untraceability of embodied memory and inherited trauma. The methodologies used are primarily photographic but also encompass practices reaching towards sculpture, installation, and performance. The line of questioning reserved for this inquiry is how a home, its objects, and inhabitants generate, spacialize, and embody the conditions of wealth, whiteness, and gender. …

Sexual Agency And Erotic Depictions Of Sexually Non-Normative Women In Ancient Roman Art, Laura Young

School of Art Undergraduate Honors Theses

Ancient Roman women, regardless of their status, were to some extent bound by the sexual norms of their time. Much of the textual and visual evidence constructs the ideal Roman woman as a chaste and sexually submissive matron figure, loyal to her husband and the bearer of his citizen descendants. These patriarchal norms appear to have given women little room to exercise their own agency in and out of their sexual relationships. Accepting these ideals of female sexuality, scholars have often characterized normative male-female sex in the ancient Roman world as a sexual act in which the woman is in …

Androgynous Figures On Etruscan Cista Handles From Praeneste, Melanie Naples

LSU Master's Theses

Muscular women and effeminate men adorn the lids of Etruscan Cistae found in Praeneste (modern Palestrina, 23 miles southeast of Rome, Italy). Cistae (Latin plural of cista) are storage containers used by the Etruscans for women’s beauty items. This thesis focuses on the androgynous, mostly nude, figures that serve as handles and are often displayed in pairs. These pairs frequently depict a man and a woman together and androgynous qualities are usually emphasized on the female figures. Discussions of the androgynous body in the ancient world have centered around Greece and Rome. Only recently (Sandhoff 2007, 2009, 2011), scholarship has …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

Feminist Retellings Of Homer's The Odyssey, 2005-2022, Brenna R. Bretzinger

Honors Capstones

Over the past two decades, there has been a significant increase in the number of feminist retellings of Greek mythology. These retellings serve to give voice to the marginalized female characters from ancient stories whose characterizations were deprioritized over their male counterparts. Furthermore, these stories connect the plights of ancient women with modern feminists to champion issues that women continue facing today. This study focuses on retellings of Homer’s The Odyssey, but these ideas and arguments are still largely applicable to other retellings of Greek mythology. Along with discussing The Odyssey, this project also analyzes three feminist retellings: …

Rape Jokes, Sexual Violence, And Empire In Revelation And This Is The End, Meredith J.C. Warren

Journal of Religion & Film

The Book of Revelation is one of the most borrowed-from texts of the New Testament when it comes to popular culture. Although there are dozens of other ancient apocalyptic writings, it is John’s apocalyptic visions that directly inform contemporary ideas of apocalypse. The apocalyptic comedy This Is The End (Dir. Seth Rogen and Evan Goldberg, 2013) not only invokes imagery from Revelation but also adapts portions of the text in its portrayal of the end times. However, it also reproduces and expands upon the use of sexual violence as a means of punishment found in Revelation. This paper will examine …

A Female Pharaoh And The Emperor’S Wife: Hatshepsut, Julia Domna, And Female Authority In Antiquity, Gabriella E. Ramalho

Dissertations, Theses, and Capstone Projects

This thesis analyzes how historical notions of masculinity and femininity shaped perceptions of power between the Egyptian female pharaoh Hatshepsut and Roman empress Julia Domna. Both rulers carefully created visual narratives of masculinity and femininity to leverage respect from their citizens, in accordance with what was contextually appropriate for their respective societies.

It will be shown that there are blatant disconnects between how others perceived them and how they wished to be portrayed. Hatshepsut, a rare female pharaoh, depicted herself in the regalia of a male king with a false ceremonial beard, scepters and crowns. Domna was described as the …

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

Ovid's Caeneus As A Queer Hero: Understanding Gender And Gender Variance In The Ancient Mediterranean., Rj Palmer

Theses and Dissertations--Modern and Classical Languages, Literature and Cultures

Caeneus, as written in Ovid’s Metamorphoses, is a notable blend of ancient and Hellenistic versions of the myth. Ovid’s Caeneus can be understood as a transgender man, since he was assigned female at birth, but asks for his gender to be changed by the god Neptune, and goes on to live the rest of his life with the body, appearance, and social roles of a man. Ovid incorporates Caeneus’ trans identity with his use of grammatical gender endings for Caeneus, using masculine gender for Caeneus except when discussing his pre-transition childhood, or when the centaurs address him mockingly while fighting. …

Feminist Retellings Of Homer's The Odyssey, 2005-2022, Brenna R. Bretzinger

CURE Proceedings

Over the past two decades, there has been a significant increase in the number of feminist retellings of Greek mythology. These retellings serve to give voice to the marginalized female characters from ancient stories whose characterizations were deprioritized over their male counterparts. Furthermore, these stories connect the plights of ancient women with modern feminists to champion issues that women continue facing today. This study focuses on retellings of Homer’s The Odyssey, but these ideas and arguments are still largely applicable to other retellings of Greek mythology. Along with discussing The Odyssey, this project also analyzes three feminist retellings: …

Elite Women In The Mediterranean 31 Bc – 1380 Ad: An Investigation Into Female Agency, Identity, And Patriarchy Across Classical And Christian Paradigms, Julia Maurer

Capstone Showcase

This paper explores the responses of elite women to patriarchal regimes across the Classical Pagan and Medieval Christian paradigms in the Mediterranean from 31 BC to 1380 AD. While the current historiography acknowledges the radical differences between the two worldviews fundamental to the core values of Western Civilization, an investigation of three women that can be taken to be emblematic examples of the periods in which they lived reveals a striking continuity in the nuanced social roles available to women. This continuity contradicts expectations of significant changes reflective of this revolutionary paradigm shift.

I utilize Julia Augusti, Vibia Perpetua, and …

The Sanctuary Of Demeter And Kore: The Portrayal Of Corinthian Gender Ideologies In Ritual Landscape, Kaia C. Brose

Dissertations and Theses

The Sanctuary of Demeter and Kore on Acrocorinth reflects gender ideologies and concerns within the larger region of Korinthia. Archaeological finds particularly serve to illustrate the sanctuary’s role in maintaining these gender ideologies and concerns. This thesis focuses on the depiction of gender ideologies that reflect a shift toward a wealthier material culture in sixth-century Corinth with themes of feminine virtue and fertility prevalent in the sanctuary. The study of certain ceramics shapes and iconography serves to reveal the sanctuary’s role within the larger religious landscape it was located in. The kalathos, pyxis/Frauenfest scene, and the liknon illustrate the presence …

Women's Marital Roles In Classical Athens: Male Understanding And Portrayal In Aeschylus' Agamemnon And Euripides' Medea, Elena Graf, Mary Boyes

Undergraduate Research Posters

Abstract

The Classical Period of Athens (500-336 BCE) was an era of sociocultural growth and stability for the ancient Greeks, renowned for its development of tragic theatre. While Classical Athens nurtured the public sociocultural success of male citizens, women adopted a submissive role, confined to their marital responsibilities. Women were forbidden from directly taking part in politics, philosophy, and above all, the theatrical scene of Athens. Due to these societal perceptions of traditional gender roles, the literature of the Classical Period was heavily influenced by a male bias. This study investigates the connections between women’s role in Classical Athenian society …