Classics Commons^™

The Case For Another Son Of P. Quinctilius Varus: A Re-Examination Of The Textual And Scholarly Traditions Around Joseph. Bj 2.68 And Aj 17.288, Daniel J. Crosby

Graduate School of Arts and Sciences

This paper addresses the issue of the historicity of another, older son of P. Quinctilius Varus who is attested in Joseph. AJ 17.288, but not in the parallel version at BJ 2.68. Modern scholarship, as evidenced by Ladislav Vidman (1998) and Klaus Wachtel (1999), finds itself at a loss as to which opinion, that of Walther John (1958) or of Meyer Reinhold (1972), to support. Whereas John rejects the evidence for an older son of Varus in AJ and proposes L. Nonius Asprenas (cos. suff. 6 CE) instead, Reinhold tersely rebuts John, supporting the validity of the text. This article …

The Sword And The Dove, Natalie Grazian

Canterbury Scholars

The opening chapters of a young adult historical fiction novel set in 16th-century Spain. Drawing on the tradition of Spanish picaresque literature, The Sword and the Dove is the story of a young girl who runs away from home. On the road, she makes friends and finds adventure, but also witnesses the corruption and cruelty that has taken root in her country. She must both disguise her identity and find strength in it to stay a step ahead of the evil forces that surround her.

Insight Into The Community: Bee Similes In The Iliad And The Aeneid, Sara Heist

Montview Journal of Research & Scholarship

This paper offers a comparative analysis of the bee similes in Homer’s Iliad and Virgil’s Aeneid to demonstrate that there are significant thematic connections between the similes in the two epics. In both works, bee similes illustrate the structure of the ideal society, as a close reading of each simile reveals. This paper demonstrates that both Homeric and Virgilian bee similes focus on the concept of community. In the Iliad, Homer’s first extended simile compares the Greek forces to a colony of bees. This prominent placement foreshadows the significance of bee similes in the Homeric epic. As a Greek poet, …

Dante’S Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries, Michael J. Rupers

Dissertations, Masters Theses, Capstones, and Culminating Projects

Dante Alighieri (1265-1321) takes his readers on a pilgrimage through what he calls the Inferno, Purgatorio and Paradiso (ostensibly Hell, Purgatory and Heaven) in his epic poem The Divine Comedy, originally titled Commedia. This paper concentrates exclusively on Dante’s contemporaries, those people who lived during his lifetime, and examines his possible motivation for targeting enemy Ghibellines, Black Guelphs, treacherous White Guelphs, corrupt popes, and others who either crossed him or caused him trouble. He vindictively used his masterpiece to lash out at his contemporary enemies, exacting retribution against many who angered him in his lifetime or otherwise offended his religious, …

Finding The Truth: An Examination Into The Use Of Rhetoric In Thucydides, Eryn Pritchett

Scholars Week

For centuries, scholars have looked to Thucydides as truth--a factual and accurate account of the Peloponnesian War--due to his thorough use of critical analysis and logical deduction. Unlike his predecessor, Herodotus, Thucydides dodged the critical and literary analysis that has plagued Herodotus for years. However, in the past few decades historians have began to realize that Thucydides is far more than facts on paper. This research project will show that Thucydides use of Athenian rhetoric transforms his work from that of historical accuracy into a "possession for all time," redefining the way other historians would construct their own narrative. (Thucydides, …

Constitutional Utopianism, Susan N. Herman

UTOPIA500

The sixth and final UTOPIA500 presentation was April 21, 2016. Professor Susan Herman, Centennial Professor of Law at Brooklyn Law School and President of the American Civil Liberties Union, received the official "Me and Tommy More" polo shirt from Dr. Michael P. Malloy, organizer of the UTOPIA500 project. Professor Herman delivered a presentation on Constitutional Utopianism. She explored the literary devices that More employed as narrative strategies in Utopia, and argued that his intention may have been to give focus to discussion about important issues of governance and societal structures, rather than to provide definitive answers. Professor Herman also compared …

1st Place: "The Art Of Storytelling" Literature Collection, Lauren Cruz

John and Margaret Class Student Book Collection Contest

This is Lauren Cruz's submission essay, annotated bibliography, and annotated wishlist for the 2016 John and Margaret Class Student Book Collection Contest, which won first place.

Lauren is a graduate student at Chapman University in the War and Society program.

Feral And Isolated Children From Herodotus To Akbar To Hesse: Heroes, Thinkers, And Friends Of Wolves, Karl Steel

Publications and Research

"In 1304, a small child of Hesse was taken by wolves, and lived with them for a while, eating well, learning to run on all fours, perhaps joining them in their raids on sheep and humans, until he was taken by hunters and forced to live, unhappily, in human society, compelled to learn to walk upright, and exhibited as a spectacle. This account, almost certainly legendary, belongs to a small set of similar stories of feral children from roughly the same time, which, unlike so many modern accounts of wild children, are not about isolation, deprivation, or a catastrophic separation …

St. Thomas More And His Utopia In Antebellum American Lawyer's Thought, Michael H. Hoeflich

UTOPIA500

The fifth UTOPIA500 presentation was April 7, 2016 about St. Thomas More and his Utopia in Antebellum American Lawyers' Thought. A former dean at Kansas Law and a renowned historian of colonial and pre-Civil War America, Professor Michael H. Hoeflich is also a fellow of the Royal Historical Society. He explored the publication history of More's UTOPIA, and the extent to which editions of the book were available in antebellum America. Professor Hoeflich noted that the novel, as a work of "politics," was well known by the likes of Jefferson, Madison, and John Adams, but its influence thereafter ebbed and …

Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough

Senior Honors Theses

The portrayal of women in Ancient Greek drama seems at times opposed to the societal gender roles within Classical Athens. In the plays, women are strong and dynamic figures who enact change and upheaval in their world. Ancient dramas, like Agamemnon, Medea, Antigone, and Lysistrata, portrayed women with strong autonomy and minds which matched their male counterparts; whereas the women in Classical Athens found themselves in more limited circumstances. In analyzing the nature of these disparities, it seems that the constant factor is that the plays concern the violation of the household. The female characters respond in one of …

Penelope’S Daughters, Barbara Dell`Abate-Çelebi

Zea E-Books Collection

A feminist perspective of the myth of Penelope in Annie Leclerc’s Toi, Pénélope, Margaret Atwood’s The Penelopiad and Silvana La Spina’s Penelope.

At the origin of Western literature stands Queen Penelope—faithfully waiting for her husband to come home: keeping house, holding on to the throne, keeping the suitors at arm’s length, preserving Odysseus’ place and memory, deserted for the pursuit of war and adventures, and bringing up a son alone, but always keeping the marriage intact. Yet recently the character of Penelope, long the archetype of abandoned, faithful, submissive, passive wife, has been reinterpreted by feminist criticism and re-envisioned by …

Did The Shrew Tame You: An Exploration Of Sexual Politics In Shakespeare's The Taming Of The Shrew, Marisa Stickel

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

This paper explores the sexual politics present in Shakespeare's The Taming of the Shrew, examining the gender roles that influence the relationship between Katherine and Petruccio. By analyzing Petruccio’s attempts at taming Katherine, in comparison to the ending of the play where she is supposedly tamed, I will emphasize Katherine's abilities to manipulate a patriarchal society’s rule over women. While she seems to demonstrate acquiescing full sovereignty to her husband, my argument will pose that Katherine assumes the role of a proper wife to trick Petruccio, allowing her access to marital dominance. By examining the patriarchal society of the time …

Marriage, Honor And Religion: Three Social Constraints Challenging Women’S Lives In Miguel De Cervantes’ The Ingenious Gentleman Don Quixote Of La Mancha, Ovidiu Breahna

Senior Honors Projects

No abstract provided.

The Communisitic Inclinations Of Sir Thomas More, David Papke

UTOPIA500

The fourth UTOPIA500 presentation was march 10, 2016. Dr. David R. Papke, Professor of Law at Marquette University Law School, received an official "Me and Tommy More" polo shirt from Dr. Malloy. Dr. Papke then spoke about The Communistic Inclinations of Sir Thomas More. A well-known scholar of legal history and law in popular culture, Dr. Papke noted the affinity that existed between the themes in Utopia and the views of Karl Marx as well as those of leaders of the Bolshevik Revolution. He also explored the problem of competing approaches to literary analysis and criticism - whether to seek …

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Notes On Contributors

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No abstract provided.

A Man Out Of Time: Aias 646-692 By Sophocles, Emily Anhalt

Transference

Translated from the Greek by Emily Anhalt.

A Community In The Open, An Autumnal Fossil, On Skeletons, And Orpheus At The Butcher Shop By Shiro Murano, Goro Takano

Transference

Translated from the Japanese by Goro Takano.

Catullus 101, 48, 81, Samuel N. Rosenberg

Transference

Translated from the Latin by Samuel N. Rosenberg.

Excerpt From A Pilgrimage To Sumiyoshi By Ashikaga Yoshiakira, Kendra D. Strand

Transference

Translated from the Japanese by Kendra Strand.