Chinese Studies Commons^™

高密詩學的理論品格及其批評實踐, Yin Jiang

嶺南學報 Lingnan Journal of Chinese Studies

作爲清代自乾隆中葉一直綿延到晚清的地域性詩歌流派，高密詩派，始終是在對前人詩學的批判中深化，同時也是在與當代詩學的對話中展開的，其中不只包含着對王漁洋神韻詩學、沈德潛正统詩學、袁枚性靈詩學的揚棄，也包含了對明代以來山東格調詩學的繼承和改造。它通過《重訂中晚唐詩主客圖》對中唐詩歌的獨到發掘和把握，爲詩壇引入一種新的美學理想和藝術典範，并以縝密的批評为其師法路徑加以定位與拓展，以其平易近人的品格再度摇撼“詩必盛唐”的傳统壁壘，給乾隆後期到嘉、道之際的詩歌以有力的影響。

道光詞壇的典範建構 : 兼論晚清詞學從流派意識向典範意識的轉移, Shuiyun Chen

嶺南學報 Lingnan Journal of Chinese Studies

從乾隆末年開始，清代詞壇漸現批評浙派的聲音，嘉慶、道光時期常州、吳中兩派同時崛起，以《宋四家詞選》、《宋七家詞選》、《心日齋十六家詞録》先後出現爲標誌，重塑典範，更新觀念，崇尚比興寄託，講求聲律諧美，在清初曾經盛行的南北宋之爭趨於消解，浙西與常州兩派由對抗走向交融，這表明晚清詞學從流派意識向典範意識轉移的重大變化。

儀式與象徵 : 清順治十七年冒襄得全堂夜宴演劇述論, Yingde Guo

嶺南學報 Lingnan Journal of Chinese Studies

清順治十七年(明永曆十四年，1660)五月，太倉 (今屬江蘇蘇州)著名學者陳瑚(1613—1675)率門人瞿有仲(1626—?)，拜訪如皋(今屬江蘇南通)名士冒襄(1611—1693)。冒襄在冒氏祖宅的得全堂開樽夜宴，出家樂，先後演出《燕子箋》、《邯鄲夢》兩部劇作。

賓主觀演《燕子箋》，激發起他们“故國不堪回首月明中”的追憶，冒襄以此説服陳瑚，不妨享受人生的有限逸樂，從而使這一觀劇活動成爲晚明風流生活的象徵儀式。而賓主觀演《邯鄲夢》，則唤醒了他们“别有一番滋味在心頭”的憤慨，陳瑚以此感召冒襄，應該堅守儒者的永恒氣節，從而使這一觀劇活動成爲清初隱逸生活的象徵儀式。

著意選取藴含興亡感慨與人生況味的劇目，藉以傳達心中難以抑止的新愁舊恨，這是冒襄别具慧心的文化選擇，並成爲得全堂演劇活動含藴丰富的儀式性象徵。作爲一種文化儀式，得全堂賞心悦目的演劇活動彌漫著明清易代之际士人的悲憤情绪與悼念氣息，並象徵著他们的往迹追懷和恢復憧憬。

冒襄纂辑、刊刻的《同人集》，作爲一种文本影像和文化記憶，强化了得全堂演劇的象徵儀式和儀式象徵。得全堂演劇活動是冒襄與同人精神對話的最佳方式，也是冒襄進行自我救贖的有效媒介，還是冒襄生存意義的鮮明象徵。

從"法相唯識"論《牡丹亭》和《南柯記》, Sau Ieng Sitou

嶺南學報 Lingnan Journal of Chinese Studies

本文因應湯顯祖以“情”“心”探察生命底藴的客觀性而採用論“識體”最是透澈的唯識學理念分析《牡丹亭》和《南柯記》。爲辨明湯顯祖戲文與佛教思想微妙密切之關係而選用法相唯識觀念，如“識所緣境”、“偏計所執”、“萬法唯識”和“轉識作智”分析兩個作品呈現的生命現象。在玄奘大師《八識規矩頌》闡釋八識的架構下，《牡丹亭》的杜麗娘、柳夢梅和《南柯記》的淳于棼展示的情感現象不但與作家本身，還與文化集體習氣相關。本文亦藉“相”“性”和情“至”“盡”之互相觀照，探討湯顯祖理想的人生境地和戲曲美學境界：即莊嚴生命情感現象中的“至真”和傳统文學中之“大美”。

水神、溺籍與歷險 : 論《聊齋誌異‧織成》, Yin Ping, Grace Lau

嶺南學報 Lingnan Journal of Chinese Studies

《聊齋誌異》三會本卷----《織成》一文，述柳生在洞庭歷險。篇中出現洞庭水神、水將：柳毅、南將軍和毛將軍，鮮見於其他文獻，因而顯得珍貴。有關“溺籍”(溺水而死者)之載亦相當特别，有助了解遇溺及水鬼之謎。至於柳生因洞庭奇遇，娶神婢織成，並獲赠財富，便爲其下第，失意於科舉的欠缺，作出補償。

清代越南使節於中國廣東的文學活動 : 兼為《越南漢文燕行文獻集成》進行補充, Yiyuan Chen

嶺南學報 Lingnan Journal of Chinese Studies

17—19世紀，廣東與越南一直有很密切的文學交流，其中19世紀内奉派到北京難得途經廣東的燕行使，以及直接到廣東公幹的越南派員，都扮演著十分重要的腳色。本文廣搜清代越南使節潘輝益、武輝瑨、段波、阮提、吳仁静、鄭懷德、李文馥、汝伯仕、范富庶、潘輝泳、范芝香、鄧輝躇、范慎逋、阮述等人在廣東（以廣州爲主，兼及佛山等地）與港澳地區活動的漢字文獻記録，以掌握這些越南使節們在廣東購書、刻書的經過，及其與諸多廣東文人的交往互動情況，藉以從“他者”的角度重現中越文學交流的若干真相，豐富嶺南文學發展史的内涵，並兼爲中越合作出版的《越南漢文燕行文獻集成（越南所藏編）》進行補充。

明初文化格局中的地方儒家與臺閣文風, Wenxin Chen, Xian Fang

嶺南學報 Lingnan Journal of Chinese Studies

明初文學中一個引人注目的現象是永樂至宣德間臺閣文風的盛行。以朝廷爲主導的臺閣文風，如何成功地覆蓋了在野的、地方的、下層的廣泛社會文化場域？追溯其來龍去脈，地方儒學官是值得關注的群體。相較於明中後期學校的荒廢，明初是地方儒學發展的興盛期。地方儒學官在政治、文化生活中作用顯著，永宣時代的臺閣要員就多有任教地方的仕宦經歷；經由考竅選拔、親族鄉誼等聯結因素，地方儒學官與臺閣要員往來密切，交流頻繁，大量酬赠詩序體現出受臺閣影響的旨趣和文風。臺閣體的長期風行，是廣泛的士人群體參與的結果，體現了不同社會階層之間的文化整合。臺閣文風可視爲明初打破朝與野、地方與中央二元對立從而實現以皇權爲中心的政治大一统格局的文化操誌。

《燕轅直指》的清朝觀, Hong Cao

嶺南學報 Lingnan Journal of Chinese Studies

朝鮮士人金景善出使清朝的時間是道光十二年(1832),他將此次入燕經歷撰成《燕轅直指》一書，是燕行録文獻中的一部佳善之作。他充分發揮這種紀行體裁在清朝認識上的功能，所顯現的對清觀察有其較爲深刻的歷史感與時代感。他咨訪和記録的清朝，雖參考融合了前輩燕行使者的見聞，但更直觀地反映了19世紀頭數十年政情民生相沿而來的社會諸相，值得與清朝中期史研究視野相參證。

《朴通事諺解》及其所引《西遊記》新探, Jianguo Pan

嶺南學報 Lingnan Journal of Chinese Studies

在《西遊記》成書史研究中，研究者經常使用到朝鮮漢語會話書《朴通事諺解》所引資料，但是，對於該文獻的年代層次缺少必要的考證,並往往將其正文和注文所引《西遊記》混爲一書不加區分。本文利用中韓漢語史研究成果，論定《朴通事諺解》正文雖經詞彙和語法層面的修訂，然其所引《西遊記》仍可視作元代文本予以採信；其注文則源自朝鮮中宗十二年(明正德十 二年，1517)左右成書的《老朴集覽》，注文所引《西遊記》並非元代文本，而是一部明代早期的 “舊本”。論文進而分别對元本和舊本《西遊記》的文貌，進行了初步的探考，揭示它們與百回本之間的學術關係，指出百回本《西遊記》雖建立在一個相當成熟的舊本基礎上，但即便是對於相同的故事情節，它也作出了更爲細緻豐富和更具文學性的删改增飾，因此，並不能據此而質疑甚至否定百回本《西遊記》編訂者的藝術貢獻。

前言, Chunhong Wang

嶺南學報 Lingnan Journal of Chinese Studies

2015年春，嶺南大學召開以“明清文學與文論”爲主題的國際研討會，與會者均屬學界資深專家，他們所發表的論文代表著古典文學研究的前沿態勢，具有較高的學術價值。《嶺南學報》編委會經討論，決定以專輯形式，刊登此次會議成果，以與海内外同道切磋分享。

本輯《嶺南學報》之編輯，大致根據會議之主旨，即“小説、戲曲及文化”以及“明清詩學、詞學及文化”，這樣兩個板塊來安排，既凸顯縱向的歷史脈絡，也呈現横向的域内與域外的聯繫。

論說"戲曲資料"之五種類型, Yung-Yi Tseng

嶺南學報 Lingnan Journal of Chinese Studies

治戲曲之艱難，不下於治經史。就其學程而言，經 史已逾兩千年，可資憑藉者甚富；戲曲不過百年，苑囿新開，花果未蕃。就其資料而言，經史基本上爲文獻，兼及考古文物；戲曲則文獻、文物之外，亦應顧及訪查與觀賞。觀賞用於對現存戲曲劇種表演藝術的評論，訪查用於對現存戲曲劇種及其表演者情況的認知，考古則通過文物了解古代戲曲，文獻則從記載中探索古代戲曲。可見研究戲曲，文獻、文物、調查、訪問、觀賞五種資料缺一不可。

明代 "古詩" 總集的編纂、出版、接受 : 從宏觀角度的考察, Jing Chen

嶺南學報 Lingnan Journal of Chinese Studies

近年來，明清時期“古詩”總集的編撰與出版逐漸得到學界注意。多數研究以出版業的興起爲時代背景，檢析一部或幾部重要選本的内容及其所體現的文學觀點。這些考證及研究則爲本文的分析提供了可能與基礎。本文嘗試另闢蹊徑，以副文本(paratext)的閲讀爲中心，兼及文本，從宏觀層面勾勒有明一代“古詩”總集的編撰與出版，以及這類書籍可能的流通與接受之宏觀趨勢。第一部分以筆者檢索書目所累計的條目爲基礎，對先唐詩文集在明代的編纂出版進行量化分析，從而進一步確認明代是先唐詩文集產生的高峰；随後三個部分各以不同的 副文本(paratext)要素爲討論中心：首先，以書名爲中心，對書名加以分組語義詞頻考察，探尋先唐詩類總集的命名策略與所呈現的編纂趨勢；其次，以序言爲中心，管窥總集編纂動機的變化； 然後，以書目爲中心，討論明代這類書的價格、目標讀者、閲讀體驗等。最後，本文將明代古詩總集的產生與發展分爲三個階段， 進而總結出明代古詩總集的編纂、出版、流通在不同時期的特點。

World Churches Vertical File, Mcgarvey Ice

Center for Restoration Studies Vertical Files Finding Aids

This set of files is especially useful to scholars of the history missions, particularly among Churches of Christ in the twentieth century. Students and researchers interested in applied missiology among Restorationist traditions, Stone-Campbell movements, and Churches of Christ will also find them helpful. For assistance with specific files or items, contact Mac Ice - [email protected], or 325.674.2144.

Evolving Patterns: Conflicting Perceptions Of Cultural Preservation And The State Of Batik’S Cultural Inheritance Among Women Artisans In Guizhou, China, Katherine B. Uram

Lawrence University Honors Projects

My exploration features Miao batik-making in Guizhou Province and explores several sets of overlapping questions. The first set focuses on the status of the craft of Miao batik-making and the perceptions of its future. Is batik-making a dying art form? To what extent is Batik-making a thriving cultural practice today, or do Miao in China (and other ethnic groups involved in batik-making) perceive an inheritance crisis? My next focus is on the role of institutions and the tourism industry. If taught less and less in the domestic sphere (traditions passed from mother to daughter), what role do public domains such …

The Price Of Cosmopolitanism: Globalization, Class Structure, And Language Endangerment In Shanghai, Fang Xu

Dissertations, Theses, and Capstone Projects

Over the last two decades, Shanghai has experienced an unprecedented transformation, as China’s economic globalization and urban expansion have increased rapidly. Looking beyond statistics and architectural spectacles, I examine a seemingly personal choice in Shanghai, speaking Putonghua Mandarin, the official language, or the Shanghai dialect. This study contextualizes the contested urban linguistic space, and illustrates the political, social, and cultural conditions in this China’s globalizing city.

Through archival research, fifty in-depth interviews, two hundred and fifty survey questionnaires, and ethnographic fieldwork in Shanghai in the fall and winter of 2013, I document the impact of three sets of state policies …

How Liberal Korean And Taiwanese Textbooks Portray Their Countries’ “Economic Miracles”, Frances Chan

Student Work

A 2015-2016 William Prize for best essay in East Asian Studies was awarded to Frances Chan (Timothy Dwight College '16) for her essay submitted to the Department of History, “How Liberal Korean and Taiwanese Textbooks Portray their Countries’ “Economic Miracles”.” (Peter C. Perdue, Professor of History, advisor.)

Frances Chan’s essay “How Liberal Korean and Taiwanese Textbooks Portray their Countries’ “Economic Miracles,” is a fascinating exploration of the creation of historical memory as seen in textbooks on the history of postwar economic development in Korea and Taiwan. Drawing on her remarkable linguistic skills in both Korean and …

The Inheritance Of Misty Poetry's Tradition And The Crisis Of New Poetry, Guoyuan Xu

Theoretical Studies in Literature and Art

The paper aims to analyze how the Misty Poetry inherited Chinese poetry tradition and how the inheritance resulted in the spiritual crisis and the entailing crisis of Chinese contemporary poetry. The Misty Poetry tries to conceal its inheritance of Chinese modern poetry with an explicit anti-traditional gesture, but due to the unbridgeable gap between the poets' self and the cultural and historical tradition, the Misty poets could not but fall into the deep trap of nihilism. The essential influence on the Misty Poetry has been the early Western modernism, especially the Symbolism, and the Misty Poetry could hardly be said …

The Influence Of Shangqing Taoist Sect's Meditation Method On The Pre-Song-Dynasty Fictions, Qingchuan Wan

Theoretical Studies in Literature and Art

Shangqing Taoist Sect's meditation method of "thought-holding" was similar to literary imagination in that it was characterized by a pictorial thinking, and this method inserted deep influence on the Taoist fiction writing in the pre-Song Dynasty. Some authors writing about immortal beings sat in meditation in front of the portraiture and wrote their novels, and some authors wrote out of their mystic illusions resulted from long and intensive meditation, and some authors wrote out of supernatural inspirations. The descriptions about the geography, plants, the clothes and pageants of the immortals reflected the influence from the Taoist portraiture and the process …

The Logic Construction Of The Principles Of "Aesthetics Of Pleasant Feeling", Zhixiang Qi

Theoretical Studies in Literature and Art

This paper is a general introduction to aesthetics of pleasant feeling, aiming at explicating its logic structure. The fundamental function of aesthetics as a philosophy of beauty is to produce pleasant feeling, and the paper claims that the principles of aesthetics can be termed as the principles of aesthetics of pleasant feeling. On the basis of reconstruction after deconstruction of the definition and methodology, this paper argues that beauty is pleasant object with values, and built on this definition of beauty, the paper explores into the category, laws, characteristics, forms and styles of aesthetics and the characteristics of aesthetic practice. …

The Principles And Significance Of A Research Paradigm For Deep Integration And Transformation In Liberal Arts And Humanities Studies, Lili Liu

Theoretical Studies in Literature and Art

The paper proposes a research paradigm for the deep integration and transformation in the liberal arts and humanities. It takes as its cases the three categories of literary canons, story and methodology and their deep integration and transition. Through case studies, the paper concludes that the new issue emerged from the deep integration and transformation presents a better approach to deepen the research because a new issue raised for any category in the liberal arts and humanities implies an internal mechanism which requires for deep integration and transformation of issues so as to find a new approach and logic to …

The Two Worlds And The Tragic Sense In Chen Yinque's Poetics, Jingru Pan

Theoretical Studies in Literature and Art

Chen Yinque was also a prolific poet, and his poems were full of metaphor and innuendo. Chen's poetry can be traced in spirit and culture back to his father Chen Sanli's influence, and also allows the reader to have a glimpse of his melancholic nature. These two strands of influence contribute to the two distinct worlds of images in his poetry, one pointing to the impermanent yet everlasting realistic world, and the other pointing to the other side of this world. The former world is composed of flowers and people and human affairs, while the latter is composed of the …

On The Literary Ideas Of The Yangming School, Qingtao Xue

Theoretical Studies in Literature and Art

The literary idea of the Yangming School is grounded in their concept of "conscience," which differs in part from Cheng-Zhu school. In terms of relationship between the literature and Confucian ideas, Yangming School's belief is that literary reation may not be necessarily in conflict with those idleas, which is against Chengzhu School's claim of "literalure does harm to Confucian ideas," and Yaming Schol's argument helps to relieve the intense relationship between literature and Cunfucianism. Inlerms of literariness, Yangming School advocates sincerity in expression instead of indulgence in the art of rhetoric. In terms of literary creation, it opposes the simulation …

The Cultural Nature Of Material Objects And The Return Route Of Material Culture, Liang Xu

Theoretical Studies in Literature and Art

Material object is a sign which exists in the system of meaning discrimination and expression, and it is a concept in culture. Material objects in consumer society show the features of a system that is dominated by cultural ideas with the human sense of orientation. The development of material culture in consumer society necessitates the insatiable pursuit of material objects, because the prospect of material objects comprises the man-material relationship in consumer society and the foothold of consumer society falls on material. As the pursuit is based on the substantiality of material and it tries to avoid the certainty of …

The Cultural Political Significance Of Form: On The Musical Practices Of The New Worker's Art Troupe, Chunlin Guo

Theoretical Studies in Literature and Art

The paper examines the musical practice of the New Worker's Art Troupe from the perspective of cultural study, and focuses on the cultural political significance of forms in their practice. As a new kind of organization, the New Worker's Art Troupe purposely keeps a defiant posture to distance itself from cultural industry. They showcase many popular music works to the grass roots free of charge and their music works are usually imbued with keen sense of reality, adopting folk song's melodies and singing in dialects, and the paper observes that their musical practice is realizing the concept of "people's literature …

The Destiny Of Art: On Jean Baudrillard's Aesthetic Thought, Shuyuan Wan

Theoretical Studies in Literature and Art

Baudrillard claims that contemporary world is a transparent world characterized by excess, while contemporary art is an obscene world in which the reality is excessive and illusion is deficient. Art has been made entirely deviated from its essence. Therefore, Baudrillard therefore calls for the return of art to its inherent way from "something" back to "nothing," returning to a form of illusion or a form of other-worldness. At the same time, Baudrillard also points out that art as a form has its own destiny, a destiny of seduction. As form of seduction, art should also become a symbolic poetics, a …

The Encounter Between François Cheng And Contemporary French Poetry, Chunfeng Wu

Theoretical Studies in Literature and Art

François Cheng is the first person of Chinese origin elected to the French Academy. He has authored creative writings of poetry and fiction, with both Chinese Daoist philosophical wisdom and Western logical reasoning. This paperattempts to adopt a synchronic perspective and the thematic approach of criticism to explore how Cheng's poetry encounters contemporary French poetry so as to find out the common spirit behind the two cultures. The shared concept ofliterary writingbetween Cheng and the French poets is investigated from three aspects of the unknownness of the world, feeling and its subject, and the art of in-between writing so as …

Xia Chengtao's Ballad-Form Poetry And His Innovational Thought About Poetry Types, Xiaojuan Xin

Theoretical Studies in Literature and Art

Famous ci-poetry scholar Xia Chengtao also attained highly in ancient poetry creation, and he was especially devoted to the song-form poetry but his achievements have not been done justice to in the academic circle. His poetic idea shown in his writing turns from his early unconventional diction to later plain style, and it reflects his pursuit of transformation of poetic forms. In the 1930s and 1940s when the social changes were drastic, Xia Chengtao tried to blend the ballad form with ci-poetic lyrics so as to create a new form. This paper examines Xia Chengtao's comments on ballad-form poetry in …

A Critique Of Chernyshevsky, Jianjun Li

Theoretical Studies in Literature and Art

In Chernyshevsky's literary criticism practice, reality has the absolute dominance over arts, and this leads to the extremity in his aesthetic concept, resulting in the one-dimensional, closed and narrow understanding of his aesthetics. This paper takes his concept of "life" as starting point to analyze his key views and examine the legitimacy and limitations of his utilitarianism, and tries to do justice to the acuteness, straightforwardness and prejudice in his literature criticism.

A New Terrain Of Textual Research: On Xia Chengtao's Study On Jiang Kui'sci-Poetry, Qin Guan

Theoretical Studies in Literature and Art

Prof. Xia Chengtao started his studies on ci-poetry in the late 1920s, with a focus on Jiang Kuia. Prof. Xia's remarkable contributions to Jiang Kui Studies include his final colloation of Jiang Kui's music for ci-poems, textual studies on various editions of Jiang Kui's works, and insightful examination and interpretation of Jiang Kui's poetic intent upon explorations into his life. His grand and detailed book Annotations to Jiang Baishi’s Ci-Poems in Chronological Order is a classic and model in ancient texts collation and research, and his methods opens a new terrain of textual criticism for 20th-century study on ci-poetry.

A Synopsis Of China Literary Theory Association Academic Symposium On "Reflection On And Prospect Of The Study Of Literary Theory As A Discipline", Zilu Yang

Theoretical Studies in Literature and Art

No abstract provided.