Art Practice Commons^™

Southern Steam Prints: Large Scale, Relief Printmaking, Allison Mueller

Honors College Theses

Southern Steam Prints, a steamroller printmaking festival for Georgia Southern University I directed and organized. The project helped create community involvement in printmaking as an art form, gained notoriety for the Betty Foy Sanders Department of Art and especially the Print, Paper, and Book Arts Program. The project taught valuable skill mastery in relief print techniques, commercialism, and leadership for the kinds of event that artists plan, jury, and participate in, in the professional world. The Southern Steam Prints festival took place on April 23, 2016. Artworks created at the event were exhibited at the Center of Art and Theater …

Cold Lapse, Tressa Jones

Graduate Student Theses, Dissertations, & Professional Papers

cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …

Basic Printmaking, Brandon Scott

Curricula

No abstract provided.

Process As Practice : Expressions Of The Numinous, Morgan Dowty

Undergraduate Theses—Unrestricted

This statement explores the ways in which language and art making approach description of spiritual and largely ineffable experiences. Through the lens of Rudolf Otto’s discussion of the numinous, visual languages, including darkness, scale and silence, are explored as methods for expression of the spiritual. Throughout the exploration of material and process, an emphasis is placed on exploring a relationship between the transcendental and the everyday, between the physical and spiritual world. The making process is highlighted for its ability to create space and time to reflect on these questions. Printmaking as a translator of both object and image plays …

A Language In Becoming, Camille C. Hawbaker

School of Art, Art History, and Design: Theses and Student Creative Work

Words as I have known them are evolving concepts in the landscape of human language, where the meanings of words are interwoven with layers of history and culture. The boundaries of language are defined by words, and around the edges are instinctive sounds that precede and exceed meaning. These sounds are an interrupting force that unsettles the linguistic structure. We often use them for expression in the form of sobs, grunts, moans, murmurs, chants, obscenities and exclamations. They appear in times of spontaneous emotion that words cannot convey. They can also be used purposely, poetically, “…to shatter [one’s] judging consciousness …

Dan S. Wang Interview, Katy Canzone

Asian American Art Oral History Project

Artist Bio:

Dan S. Wang is a writer, artist, organizer, and printer who was born in the American Midwest in 1968 to immigrant parents. Dan’s constant concerns are the relationships between art + politics, critical reflection + social action, place + history. His research includes inquiries into the postindustrial cultural politics of the Midwest, letterpress printing as an archaeology of obsolescence, race and difference in the theater of crisis capitalism, and the cultural landscape of postsocialist China.

As a print media artist he primarily uses letterpress printing and hand set typography but avails himself of other media as words and …

Roger Shimomura Interview, John Beale

Asian American Art Oral History Project

Artist Bio: (The following biography was taken from Roger Shimomura’s Press Release Biography on his website http://www.rshim.com/) Roger Shimomura’s paintings, prints, and theatre pieces address sociopolitical issues of ethnicity. He was born in Seattle, Washington and spent two early years of his childhood in Minidoka (Idaho), one of 10 concentration camps for Japanese Americans during WWII.

Shimomura received a B.A. degree from the University of Washington, Seattle, and an M.F.A. from Syracuse University, New York. He has had over 130 solo exhibitions of paintings and prints, as well as presented his experimental theater pieces at such venues as the …

Phillip Chen Interview, Christina Morris

Asian American Art Oral History Project

Artist Bio: Phillip Chen received the B.F.A. degree from University of Illinois at Chicago and the M.F.A. degree from The School of the Art Institute of Chicago. His prints have been exhibited in over one hundred and fifty locations nationally and internationally and are held by public collections that include The Brooklyn Museum, The New York Public Library, The Carnegie Institute Museum of Art, The Art Institute of Chicago, The San Francisco Museum of Fine Arts, and The Hunterian Museum, Glasgow, Scotland. He has traveled extensively as a visiting artist and has served as an evaluator for the National Endowment …

Path - Loss, Gregory S. Cook

School of Art, Art History, and Design: Theses and Student Creative Work

The term “path loss” could be considered somewhat idiomatic – it refers at once to a very specific technical definition and an easily relatable conceptualization, but perhaps its most immediate read is one of defeat, literally “a path, lost.” I find this beautifully problematic. In its original end as a term in radio-engineering, it’s used to describe the attenuation of a signal through physical space on its way to a receiver – that is, “path loss” describes some kind of thin-ness of intensity, the parts of something snagged along the way; parts caught in bedrock, lost in soil, or tangled …

Don't Shoot The Messenger, Wayon C. Collins

All Student Theses and Dissertations

My hope is to inform people through my art, thus creating a spark that might motivate people to bring about a change in how corporations do business. My art touches mainly on the issues of corporations polluting the environment, massive layoffs, breaking up unions, controlling the media output and sometimes creating situations that harm people, with no accountability.

Taken Of The Land., Charlesey Lee Charlton

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition at the Reece Museum at East Tennessee State University from April 28-June 25, 2009. The exhibition is comprised of 19 monotype prints on paper. The exhibition presents the artist's investigation using natural materials combined with traditional printmaking techniques. Subjects discussed include ideas, methods, influences, and process of integrating natural materials that evoke a sense of place, earth, and memory.

Alternative Spaces, Wright State University Art Galleries

Exhibition and Program Catalogs

Alternative Spaces was a collaborative exhibit of 4 artists on a variety of subjects that acted much like workshops for the graduate students of the respective colleges that hosted them between the years of 1979-1980. The artist that were included in this workshop exhibit were: Dennis Adams, Michael Brewster, Steve Davis, Joan Jonas. With a focus on storytelling, these artist sought to tell stories and ideas through the mediums of sculpture, painting, film, and so on sought to teach expression in a metaphorical method. The colleges that hosted these artist were: Creative Arts Center, Wright University, California State University, Long …

Images And Content, Robert C. Ellis Jr.

All Master's Theses

My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.

Investigations In Mixed-Media Printmaking, Jarold H. Powell

All Master's Theses

The device man uses to transport himself is one of his dearest possessions and one of his biggest problems. The relationship between man and his machine is the basis for the content of this thesis. Since walking became impractical, men have grown dependent physically, emotionally, psychologically, economically, and socially on a personal means of transportation. My own ideas and experiences are the source for the content of this series of works.

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.