Art Practice Commons^™

Art's Disclosive Dimensions: Reflections On The Work Of Peter London, Aaron Darrisaw

Artizein: Arts and Teaching Journal

When I initially came to this project, I vaguely remembered hearing of Peter London once before – in passing perhaps. Yet I knew nothing really of his art or his work as an educator. Each day I came into work, however, I was met with a series of very interesting correspondences, articles, conference presentations, lecture notes, and more that offered a thoroughgoing vision of art as a personally, socially, and spiritually transformative and enriching enterprise. The collection contained document after document of valuable contributions to the instrumental role that art can and does play in opening up individuals to their …

Front Matter Of Artizein: Special Edition, Jodi A. Patterson

Artizein: Arts and Teaching Journal

Contents includes: Editor/Editorial Board page, Table of Contents, Peter London quote, copyright information

Searching For The Sublime, Kheng Saik Lim

Theses and Dissertations

The influential philosophers Edmund Burke and Emmanuel Kant understand the sublime as events and objects that cause an emotional reaction so magnificent that the intellect fails to comprehend it. It is thus deeply felt and experienced but remains undefined and non-understood. Searching for the Sublime is a suite of paintings that seek to respond to these definitions of the sublime. Together they address and evoke themes of mystery, fear, power, and the unknowable through the medium of painting.

Tmbldry, Kay Kennedy

Fine Arts

No abstract provided.

The Abcs Of Curating

DePaul Magazine

Art exhibitions are merely the final product of months—even years—of hard work on the curator’s part. It’s not just about selecting pretty or evocative pieces of art to show—there’s a delicate art to curating as well. Several DePaul alumni in the profession share their insights on the art of curating.

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti

Artl@s Bulletin

An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine, …

Moving From The Gray Area : What Is (My) Art [{At Hunter} Right Now]?, Rachel Schragis

Theses and Dissertations

My thesis at Hunter College is a culmination of three years of investigation of the potential to create an artistic practice in service of popular organizing in NYC. In my thesis paper, I trace the history, and challenges of this work during my time in the Hunter MFA program. I lay out goals and core questions of my thesis exhibition in relationship to both my political life and my studio practice.

20,082,026, Ruoxi Li

CGU MFA Theses

The whole idea of my work came from me questioning about the relationship between industrialization and human beings. Our generation look and think conforming to a public standard. When being asked question our answer is not based on our preferences, but whether it matches what we’ve been taught.

Sharon Si-Chen Ye Artist Statement, Si-Chen Ye

CGU MFA Theses

Everyone is a separate individual. When individuals become aware that they are alone in this world, they can spend more time getting along with themselves and listening to the voice coming from the depths of their heart. This is the main idea of my works. I want to build a silent world with many creatures to make people feel and know that they are alone without feeling lonely.

Aesthesia, Cindy G. Garcia

CGU MFA Theses

My art practice in itself, is first and foremost about me as a Human on this planet. Second, I am drawn to the cognitive dissonance that happens within each individual, this is key to the majority of my work. For this show I really wanted to emphasize; A: The textural, corporal involvement that I personally really enjoy and get satisfaction out of. B: The color of Life. C: The beauty in very introspective particular instances that happen in day to day life.

Lili Zhong Artist Statement, Lili Zhong

CGU MFA Theses

Appreciating beauty, the universe’s natural essence, is an innate and indispensable human ability that helps us learn about the world. Everyone has their own definition, even on the degree to which beauty represents something abstract or realistic. It could mean elegance or romance, be from an audio or visual source, pertain to religious wisdom or even human value. Regardless, art always address beauty.

'Stillwater' : An Exhibition That Explores Touch And The Everyday Through Ceramic Objects And Photography, Lily Fein

Art - All Scholarship

The exhibition, stillwater, is a Capstone Project that showcases ceramic-based installations in addition to photographs by Ian Sherlock. Both Ian and myself use material and process in its raw form. The work that Sherlock exhibits in stillwater is a series of pinhole camera exposures of the sun passing. He sees this simple yet profound passing of time as an opportunity to gain tacit knowledge of the sun. In my work, I gain parallel knowledge in the medium of clay, as I am physically invested in every mark that I make. There is no smoothing over or correcting; every moment is …

Threshold, Kristin King

CGU MFA Theses

My work explores the nature of interiority and exteriority, the relationship between the centered inner self and the peripheral, the physicality of occupying the inside of a space or viewing that space from the outside.

Taking In: A Juried Selection Of Undergraduate Photography 2016, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

The Art Of Exile: A Narrative For Social Justice In A Modern World, Dakota D. Homsey

Student Publications

In this paper I will illustrate what exile art is, how it is influenced on a global platform, and the change it engenders. My research reveals a central theme of globalization in the exchange, mix, and clash of cultures and political views that accompany it as well as the spread of art and ideas. In my research I illustrate how political circumstance, and sense of responsibility to share a political narrative, propelled exile art from a personal to a political narrative. My research illustrates how, as displaced people stripped of a homeland, exiled artists have surfaced as a voice of …

Capstone 2016 Art And Art History Senior Projects, Art And Art History Department

Student Publications

This booklet profiles Art Senior Projects by Maura B. Conley, Caroline G. Cress, Carolyn E. McBrady, Alesha R. Miller, Emma S. Shaw, Eleanor E. Soule, Katherine G. Warwick, and Rebecca T. Wiest.

This booklet profiles Art History Senior Projects by Deirdre E. D'Amico, Rebecca S. Duffy, Megan R. Haugh, Molly R. Lindberg, Kelly A.B. Maguire, and Lucy K. Riley.

Cultivating Creative Spiritual Leadership: The Role Of Art-Making As A Spiritual Practice For Ministers

Journal of Applied Christian Leadership

The findings suggest that the practice of art-making serves as a vehicle for personal and communal spiritual development for these religious leaders. The practice requires discipline, preparation, and immersion in process. It involves practicing presence, attending, and embracing vulnerability. Engaging in creative activity as a spiritual practice produces spiritual and bodily shifts which heighten an awareness of interconnectedness. Thus, it makes space for encounter—with oneself, God, and others.

Contact Points, Megan A. Mcgrain

CGU MFA Theses

My practice investigates intimacy and connection over time.

Enekas, Shabnam Yousefian

CGU MFA Theses

My works are all a reflection of my own life, beliefs, experiences and goal. For me art is an oasis of opportunities. It allows me to utilize my innate abilities and imaginations without any obstructions.

I am drawn to painting because of its capacity to reflect the world I live in. My goal is to demonstrate the fact that what is done in life has a reflection on us as well as our surrounding environment. My paintings are abstractions of the real places. Reflection implies clarity; however it is unclear at the same time. To me reflection is clearer than …

Pattern, Ritual And Thresholds, Jessica Amber Egbert

Theses and Dissertations

The work in this show reflects my interest in the role of the ceramic vessel historically as well as its place in the dialogue of contemporary art. Traditionally thought of as an object of craft and function, the vessel has found footing also as a conceptual container of ideas and artistic expression. It teeters on the threshold between craft and art, between art and life. Because of its strong association with the domestic, I find the vessel to be a fitting form on which to paint ornamental patterns and imagery associated with my own home life and to put into …

Me Artsy Compiled And Edited By Drew Hayden Taylor, Nathalie N. Hager 2159876

The Goose

Review of Me Artsy compiled and edited by Drew Hayden Taylor.

I Don't Want You To Work As Me, I Want You To Work For Me, Emma Hedditch

Publications and Research

Performance, video scripts, and other writings, 2008 - 2015. This self-published ebook collects together performance and video scripts made by artist Emma Hedditch. These scripts take a poetic and informative form. They were performed at Flat-time House, London, Kunsthaus, Bregenz, Musee de Montmatre, Paris amongst other venues between 2008 and 2015.

Transitors, Sarah B. Crofts

Theses and Dissertations

As an expression of integrated languages and an extension of my art practice, Transitors operates at the intersection of data, photography and language to explore the fragmentation and disintegration of the human psyche and bodily awareness through the effects of digital technology and contemporary social dissociation. Elements of the text simultaneously function as formulas, facts, and data interspersed with expository and narrative writing, all relating mimetically to various registers of this dissociation. The text moves amongst these levels, shifting from the personal to hints of a technological sublime to exemplify the predicament of the individual in relation to systems of …

Southern Steam Prints: Large Scale, Relief Printmaking, Allison Mueller

Honors College Theses

Southern Steam Prints, a steamroller printmaking festival for Georgia Southern University I directed and organized. The project helped create community involvement in printmaking as an art form, gained notoriety for the Betty Foy Sanders Department of Art and especially the Print, Paper, and Book Arts Program. The project taught valuable skill mastery in relief print techniques, commercialism, and leadership for the kinds of event that artists plan, jury, and participate in, in the professional world. The Southern Steam Prints festival took place on April 23, 2016. Artworks created at the event were exhibited at the Center of Art and Theater …

Old Wet Paint, Michael G. Hansen

Graduate Student Theses, Dissertations, & Professional Papers

Contemporary living can cause stress that is detrimental to creativity. Most of the world’s population has grown dependent on technology to connect us to, and keep track of daily, monthly, and hourly actions. Our plans fill us with the illusion of control over random events. I do not trust technology to help me find my way in the world. I want to find my way in life using limited technology. My art practice is an example of this trajectory and has become my way of embracing random events. The logic I use to employ order in the pandemonium of everyday …

Please Read, Joseph W. Anthony-Brown

Theses and Dissertations

This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.

A Statement, Cein Watson

Theses and Dissertations

The thesis paper is a map of my studio practice. It is meant to be a resource to help the viewer read my artwork. By laying out the tools of my practice the paper gives the reader a context on how I digest and synthesis works of art. These tools range from references to art history, architecture, and a grounding in traditional craftsmanship. The result is a culmination of influences that situate the work and give the reader an intimate understanding of the final art exhibition. With this map, the viewer can navigate the processes and contexts of the artwork.

Threshold, Kristin King

CGU MFA Theses

My work explores the nature of interiority and exteriority, the relationship between the centered inner self and the peripheral, the physicality of occupying the inside of a space or viewing that space from the outside.

The Room Without A View, Antione L. Leonard

CGU MFA Theses

My work excites conversation about the creation of aesthetic sensations on the human eye while confronting ideas about the pervasive effects of beauty on the mind, body, and emotional sensitivities. Imagination is integral to my work, both in terms of how I make paintings and how they demand to be seen by viewers. I create individuality with the use of an anti-institutional spray paint next to institutional oil paint. I search my everyday lived experiences to find information that has been taken for granted to enhance my art, through natural behaviors within and outside of my studio environment, physically drawing …