Art Practice Commons^™

Refigured: Separations In Portraiture, Caroline Myers

All Theses

Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.

Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …

Ritual And Digital Craftsmanship: Imprudent Practices, Mik Patrik Mcdonnell

Bachelor of Fine Arts Senior Papers

This essay explores the role of traditional and digital craftsmanship in my art practice as it relates to provocative imagery. I tackle the question of how my practice is influenced by my audience. My process and products both aim to agitate the ascetic individual. The argument opens on a poetic, personal note, before defining craft/craftsmanship and its social reception according to scholarship. I outline the intended audience for my work being those akin to my mother: christian, middle-aged, and leaning conservative. Because I employ devotional, virtuosic craftsmanship I argue my work is effective at provoking dialogue with these persons who …

Interweaving: Play, Craft, And Femininity, Glory Loflin

All Theses

My thesis Interweaving: Play, Craft, and Femininity pulls from the visual language of Craft materials and practices to generate large-scale, often colorful works that reflect on my current understanding of being a woman in America. Raised in the conservative South, this body of work arose out of an attempt to understand the American political climate with respect to women’s bodies and where my artistic voice is present in that conversation. My research for my thesis exhibition began with an investigation into the matriarchal history of craft-based fiber practices in my family. Soon thereafter, I actively wove traditional Craft processes in …

Artificial: A Study On The Use Of Artificial Intelligence In Art, Hayden Ernst

Theses/Capstones/Creative Projects

In the past three to five years there have been significant improvements made in AI due to improvements in computing capacity, the collection and use of big data, and an increase in public interest and funding for research. Programs such as ChatGPT, DALL•E, and Midjourney have also gained tremendous popularity in a relatively short amount of time. This led me to this project in which I aimed to gain a deeper understanding of these art generator AI and where they fit into art as a whole. My goal was to give recommendations to museums and exhibits in Omaha on what …

Props, Bianca Walker

LSU New Orleans Theses and Dissertations

In their artwork Bianca Walker takes a refreshing and historically engaging approach to the act of painting. After researching through photographic references of black people from the early 1900s the artist reimagines these photographs as painted portraits using a drip painting method purposely eliminating paint brushes from their practice. Incorporating more utilitarian materials such as drop cloth and palms, the artist’s relationship to the traditional act of paintings versus their current practice mirrors the current point of view placed upon and change of view that they would like to be seen in conversations around black working-class people from this period.

Ni De Aqui Ni De Alla..., Jc Santistevan

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Ni de aqui ni de alla navigates the complexities of belonging to two cultures-Mexican

and American-while not fully identifying with either. By visualizing liminal spaces,

migratory patterns, and quotidian subject matter the work serves as a metaphor for

the Latinx experience in the United States-an experience defined by conflicts between

conformity and resistance, individuality and community, spirituality and secularism,

alienation and belonging. "Black and white are the colors of photography…..they

symbolize the alternatives of hope and despair," Robert Frank once said, and it is

through a nonlinear installation of black and white imagery that I seek to describe the

push …

Rethinking Graphic Design Pedagogy For The Cuny Academic Commons: On Process, Generosity, And Creative Collaboration In Mapping A Foundation Graphic Design Course For Faculty And Instructors, Suzanne Dell'orto

Publications and Research

The creation of an Open Education Resource with the CUNY Academic Commons for a foundation course in graphic communication at Bernard M. Baruch College, City University of New York (CUNY) is a natural extension of the generous visual and written communication that is at the heart of Graphic Design. Graphic designers are inherently collaborative, working through a shared visual and written language to communicate. This Open Educational Resource (OER) serves as a base template to be shared department-wide with all instructors at CUNY and beyond to provide a framework for instruction for this studio course that is taught as a …

The Birds That Embrace Both Illusions: An Intersemiotic Translation Of All Watched Over By Machines Of Loving Grace By Richard Brautigan, Veronika Yadukha

Comparative Literature M.A. Essays

This essay analyzes the influence of various worldviews on Richard Brautigan's poetry, which form his particular language. A combination of Zen Buddhism, Japanese aesthetics, American poetic tradition, and echoes of the philosophy of absurdism are some of the core themes that serve as mechanisms for Brautigan's poems.

For each chapter of the book All Watched Over by Machines of Loving Grace, I make an intersemiotic translation transposing Brautigan's poems into ceramic tea bowls. By combining different art forms and translating from an abstract symbolic art – poetry – to a form of applied art that is much more physically …

Espacio, Edgar Perez Peña, Edgar Perez Peña

Electronic Theses, Projects, and Dissertations

Edgar Perez Peña (He, Him, His) is a Queer, Chicanx contemporary figurative painter, who lives and works in the Los Angeles County. A native of Los Angeles, California, his paintings, and assemblages are a strong combination of process, materials, and content that displays his fascination on how physical/psychological space (from where he resides), reflects on the Queer Brown body and its comfort/discomfort in relation to public and private space.

Peña looks at his artistic practice as an opportunity to explore the human condition from the Queer and Brown perspective as well the beginning of healing through the meditative process of …

Preparing Teachers For Integrating Visual Arts For Academic Success Of Elementary School Students, Jennifer Roux

Capstone Projects and Master's Theses

The majority of people agree that students’ education should provide them with the essential skills to be successful in the 21st-century workforce. Although these same sets of skills are commonly practiced through the process of making art, art education continues to hold an inferior status in schools. This disconnection raises the question, what has led to the devaluation of art in academics? This senior capstone will explore how teachers are prepared to integrate visual arts into the classroom. Through the use of a literature review, interviews with three in-service teachers, and a survey of students majoring in Liberal Studies at …

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Visual Representation Of Black Individuals At The Forefront Of Underground Railroad Interpretation, Alison Spongr

Museum Studies Theses

This thesis is grounded in a reflection and analysis of the building of an institution whose foundation and visuals position the narratives of Black individuals at the forefront of Underground Railroad interpretation. In 2018, the Niagara Falls Underground Railroad Heritage Center opened to the public after decades in the making. Its permanent exhibition, One More River to Cross, set in motion a shift in power – of whose stories are represented and shared – generated by visual activism.

“Between the American Revolution in 1776 and the end of the Civil War in 1865, thousands of freedom seekers escaped slavery …

Reflections On The Heuristic Power Of Contemplative Art In Teaching And Research, Patricia Morgan

Journal of Contemplative and Holistic Education

In this article I discuss the heuristic power of combining contemplative and creative practices using different stages of my research into learning through contemplation. This began with a realisation I had, in my first meditation retreat, about the similarities between creative and contemplative consciousness. It initiated twenty-three years of applied and theoretical research that started with contemplative art workshops I ran in rehabilitation centres. In PhD research that followed I tested a hypothesis of learning through contemplation founded on the concept of an elemental ground of learning that contained an integrating force I termed the feeling nexus. In later …

The Impact Of Art As A Catalyst For Social Change, Bob Madden

Undergraduate Research Symposium

In today's dynamic socio-cultural landscape, the intersection of art and societal practices serves as a pivotal nexus for fostering understanding, empathy, and progress. Art transcends mere aesthetic expression; it becomes a powerful medium through which individuals engage with and critique the world around them. At the beginning of my studies on the UMSL campus, I very quickly realized the impact that the arts could have to make a difference in the world around me. Connecting with several groups both on campus and off such as the Make a Wish Foundation, United Way, Faces not Forgotten and The Red Circle we …

Marina Abramović: Conveying Pain Through Performance, Danielle Filiowich

Student Academic Conference

A speech about Marina Abramović, some of her most well known pieces, and how that by being a woman performance artist, she injects a deeper meaning within her work.

Coded Ceramics: Computational Design Of Persian Ceramics, Nasrin Iravani

LSU Doctoral Dissertations

This research explores the use of computer-aided technology and robotics in the creation of digital art and crafts, while also considering the cultural history of digital design. It begins with an examination of the most recognizable styles of Persian ewers made between the years 1,000 and 1,400 AD in the Islamic era. After analyzing a hundred ewers from this period, I classified them based on distinctive features such as openings, necks, bodies, spouts, handles, and bases. Then I designed a series of 3D printed ceramic vessels – titled Coded Ceramics – that were inspired by elements of the historic ewers. …

Am I Another You?, Laura Diane Cobb

School of Art, Art History, and Design: Theses and Student Creative Work

On my birth certificate are the names of my parents, though the name of my father stands in opposition to my genealogy. The script of his signature conceals my birth as donor conceived (DC). The truth of my origin would lay dormant for years behind his scrawl, burying my true heritage beneath the stories of my social father’s ancestry.

Learning the truth, I began to reevaluate my identity. Searching for myself along waterways, I explored the shores of the Platte River as if by knowing its sandbars, flora, and fauna, I would come to know myself. In searching the land, …

Interactive Sculpture/Audio Installation - World Tree Melody - World Science Festival (Queensland Museum), Guy A. Cooper

Staff Scholarship - Australia & Dubai

World Tree Melody is an interactive sculptural and sonic installation by Guy Cooper, exhibited at the World Science Festival Brisbane (Queensland Museum) in 2023. This work explores the fusion of creative technologies and public art through motion-activated sound, custom Arduino programming, multi-channel audio sampling, and evolving music composition. Visitors become active participants in the work, triggering a generative soundscape through physical interaction with the sculpture.

Constructed from copper pipe, hand-crafted leaves, and an organic tree core, the piece is powered by two Arduino microcontrollers, four motion sensors, and seven-channel 24-bit/48kHz audio samplers. Over 400 lines of custom code manage a …

Putting The Pieces Together: Inside/Outside Box Collage As A Group Art Therapy Directive For Supporting Emotional Containment In An Inpatient Psychiatric Hospital, Rachel Rogalski

Expressive Therapies Capstone Theses

Finding an art therapy directive that can be effective in engaging patients with a wide range of mental health diagnoses can be challenging. Even more so is a clinician’s ability to foster a sense of safety within the therapeutic group space of a psychiatric hospital. Many patients feel vulnerable in these settings given the history of institutionalism, as well as their experience of being uprooted from their typical environments and routines. As an art therapist in this setting, understanding which materials can best suit this population may be challenging, often achieved through a process of trail-and-error. The implementation of art …

Ideation And Iteration For Creatives, Sandee M. Chamberlain

KSU Distinguished Course Repository

This course addresses the development of visual literacy including concepting, initial approaches of creating an encompassing aesthetic, creating timelines for production, and exploring the refining aspects of creative production. Students will devise an advanced creative problem and provide a documented account of their creative journey to present as a process journal at the end of the course.

Echo: Spring 2023, Columbia College Chicago

Echo

Student-produced magazine formerly published as Chicago Arts and Communication, changed to Echo magazine in 1997. Articles: Spread: stories about the future, Sprout: stories about the present, Seed: stories about the past. 76 pages.

Blanket Statements, Issue 158, Spring 2023

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 158, Spring 2023

All I Am, All I Am Not, Courtney Kuehn

School of Art, Art History, and Design: Theses and Student Creative Work

“If the whole universe can be found in our own body and mind, this is where we need to make our inquires.” -Ayya Khema

The physical making of drawing is a meditative way of coping with the struggles I am facing as well as a way of self-discovery. I have always felt this severe indifference about myself that has forced an unhealthy view of my body. Drawing my body makes me view myself differently and forces me to really confront the innate and learned shameful view I have of myself both physically and mentally. I do not think I know …

Love And Freedom, Allen Michael Hopkins

Theses and Dissertations

I have created my thesis body of work by researching children's book illustrations and distorted portraits by various artists. My illustrations are based on my book, The Adventures of Henry and Isabella: Battle of Proerable, inspired by the Disney films The Chronicles of Narnia, The Voyage of the Dawn Treader, How to Build a Better Boy, and Kim Possible series. My distorted portraits of friends and family represent their personality traits. Even though the illustrations and portraits follow the style of European artists Franz Marc, Wassily Kandinsky, and Paul Klee, they are distinguished from the artists’ styles. The …

How Do Arts Contribute To Educational Research? A Book Review Of Arts-Based Research In Education: Foundations For Practice, Niroj Dahal

The Qualitative Report

I write this review as a recommendation for potential readers: those who are new to and veterans with respect to arts-based research. Arts-Based Research in Education: Foundations for Practice is edited by Melisa Cahnmann-Taylor and Richard Siegesmund, with contributions from 22 authors and a cover artist. In addition to providing some information from a usual structure around contents, central themes and concepts, intended audience, genres of writing styles, strengths and weaknesses, and uniquenesses, I primarily focus on the content of the chapter entitled “Four guiding principles for arts-based research practice” which I found extraordinarily significant in the second edition of …

Hi-05 Helen Dupré Moseley: Painter, Author, Roller-Coaster Fan, And Air Stewardess Of Flying Saucers, Lizzie Richards, Karen H. Goodchild Dr., Youmi Efurd Dr.

SC Upstate Research Symposium

Without having any formal training in the arts, Helen Dupré Moseley (1887-1984) made art for around fifty years of her life in Spartanburg, South Carolina. Utilizing different media and formal qualities, Moseley created fantastic works of art that forced viewers to use their imagination and make their own choices in interpretation.

In addition to works of art, she was also an avid writer and thinker, producing many short stories and unpublished children’s books. What makes her distinct is how she was formally untrained as an artist yet was not excluded from the art world, as she had the ability to …

Until Morning, Asher Berard

School of Art, Art History, and Design: Theses and Student Creative Work

Until Morning is an installation-based body of work that is rooted in fantasy through storytelling. It’s focused on a narrative about processing trauma through the self at their various stages of recovery. This exhibition consists of paintings, sculptures, audio, and videos reflecting a world built to regain authorship over unsettling memories that demand closure. The films are performative extensions of self in familiar southern Louisiana landscapes. The viewer shares perspective through the point of view of Memory, the main character depicted with pink hair. The fictional scenes all toy with notions of remembering, forgetting, and coping, while also provoking reactions …

Korean American Young Adults: Spiritual And Emotional Formation Though Art, Hesed Lee

Doctor of Ministry

It is a well-known phenomenon in America that many young adults are disengaged from the Church, at the same time they are battling internal emotional conflicts while trying to understand their faith journey. Even though most of them grew up in the Church, participated in church programs, and learned about God, they are anxious, lonely, and struggling to discover their spiritual identity. What then, what are we missing? After conducting an anonymous online survey with Korean American young adults and gathering narrative research from Korean American young adults as well as Asian American English Ministry pastors, this paper explores the …

Life’S A Pattern, Adam Manning

The Transdisciplinary STEAM+ Journal

Life's a Pattern - questions one's capacity to infer patterned stimulus. Stimulus that's representative of one's lifetime, but into a twelve-minute visual/sonic experience. This experience reminds us that one's life experiences are full of varying patterns, and suggests, if one can understand these patterns as a detached observer (free of time), they'll most likely produce rhythmic joy for others. To extenuate this notion - this experience concludes with world-renowned drummer Keith Carlock, whose credits include: Sting, Toto, John Mayor & Steely Dan – a master producer of patterned stimulus.

Light Leaf: Observations Of Leaves In Light, Paul Kelley

The Transdisciplinary STEAM+ Journal

For me, spending time in isolation yielded some interesting findings, as I began to closely observe the various leaves that engulf my backyard. Every new day brought with it a new detail, a subtlety with every shift in light, revealing an endless array of abstractions, textures and colors. I was seeing the hidden life of leaves dancing in the sunlight. Naturally, I began documenting my observations.