Art Practice Commons^™

Smoke Break, Caitlin Lanning

Allusions

No abstract provided.

Apologies For The Apologies, Caitlin Lanning

Allusions

No abstract provided.

Lilith Provides The Password To The Speakeasy, Skyla Allen

Allusions

No abstract provided.

I Would Not Be Lonely In The Slightest, Laura Gentry

Allusions

No abstract provided.

Demophobia - Fear Of Crowds, Gracelyn Lebaw

Allusions

No abstract provided.

When The World Paused, Jamie Nichols

Allusions

No abstract provided.

The Importance Of Social Distancing, Jamie Nichols

Allusions

No abstract provided.

Please Stay At Least 6 Feet Apart, Jamie Nichols

Allusions

No abstract provided.

There Once Was A Boy, Emiley Bailey

Allusions

No abstract provided.

Home, Gabriella Tschudy

Allusions

No abstract provided.

Bricks, Laura Gentry

Allusions

No abstract provided.

Blanket Statements, Issue 152, Winter 2021–2022

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 152, Winter 2021–2022

The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine

MA Theses

The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …

Beside| |Between, Brooke J. Armstrong

Graduate Student Theses, Dissertations, & Professional Papers

Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.

An Escapist Utopia, Sara Eh Denney

Theses and Dissertations

As an active pursuit of avoiding excellence, my work acts as a space for failure, play, experimentation and imperfection. This document and final installation acts as a pause along a lifelong journey of object-making, creation, and spirituality. My work, specifically my working practice, rather than any one object or moment, is an escapist utopia for myself. My work is the process, the journey, not the ending or the completion of any one thing. The repetition, distortion, and production that I engage throughout my working practice acts as a spiritual exercise of meaning—making through creation. I fall deeply in love with …

Straight Through My Heart, Raul A. Aguilar Canela

Theses and Dissertations

Straight through my heart is an exhibition that explores the concept of heartbreak as a socio-political phenomenon. Through the affect of sadness the thesis analyses the way in which subjects are formed under cognitive capitalism. Paying particular interest to the collateral effects of neoliberal culture —hyper-stimulation, self-exploitation, competition, and obsession with productivity—and the pathologies they create —depression, anxiety, body aches, fatigue— this work shifts the burden of sadness from the individual to the community. By doing so it proposes heartbreak as a public feeling.

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 42 (2021), Joanna E. Evans, Diana Bell-Kite, Alice M. Hines, Anita B. Loscalzo, Raelana Poteat, Meta M. Van Nostran

Uncoverings Journal

Preface by Joanna E. Evans

Searching for Margaret: Race, Memory, and a North Carolina Quilt by Diana Bell-Kite and RaeLana Poteat

The Threads of Redwork: Outline Embroidered Textiles by Meta M. Van Nostran

A Tompkins County, New York, Quilt Top Mystery by Anita B. Loscalzo

Glendora Hutson’s Friendship Quilt and the Origins of a Vibrant and Innovative Quilting Community by Alice M. Hines

Contributors

Index

Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño

Art Inquiries

No abstract provided.

Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams

Art Inquiries

No abstract provided.

Commonwealth, Clare Van Loenen

Art Inquiries

No abstract provided.

Jordan Nassar: The Field Is Infinite, Megan Bickel

Art Inquiries

No abstract provided.

The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera

Art Inquiries

No abstract provided.

Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler

Art Inquiries

No abstract provided.

Julie Mehretu, Jessica Stephenson

Art Inquiries

No abstract provided.

Frank Duveneck: American Master, D. Bryan Schaeffer

Art Inquiries

No abstract provided.

Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig

Art Inquiries

No abstract provided.

An Interview With Tony M. Bingham, Mysoon Rizk

Art Inquiries

No abstract provided.

Iconoclasm And The Museum, Catherine Chastain-Elliott

Art Inquiries

Book review of Iconoclasm and the Museum, by Stacy Boldrick.

Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

Dyani White Hawk: Speaking To Relatives, Sara Stepp

Art Inquiries

No abstract provided.