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Articles 211 - 240 of 260
Full-Text Articles in Art Practice
Francis Alÿs: A Story Of Negotiation, Kerr Houston
Francis Alÿs: A Story Of Negotiation, Kerr Houston
Art Inquiries
No abstract provided.
From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber
From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber
Art Inquiries
No abstract provided.
Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington
Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington
Art Inquiries
Book review of Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites, edited by Cynthia Kristan-Graham and Laura M. Amrhein.
Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride
Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride
Art Inquiries
No abstract provided.
Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk
Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk
Art Inquiries
No abstract provided.
God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri
God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri
Art Inquiries
No abstract provided.
Gunther Gerzso: A Mexican Master, Carlos A. Colón
The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards
The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:1, Full Issue
The Urbanism Of Frank Lloyd Wright, Michael Lewis
The Urbanism Of Frank Lloyd Wright, Michael Lewis
Art Inquiries
Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.
Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger
Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger
Art Inquiries
Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.
The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner
The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner
Art Inquiries
No abstract provided.
Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton
Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton
Art Inquiries
Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.
David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker
David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker
Art Inquiries
No abstract provided.
Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe
Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe
Art Inquiries
No abstract provided.
Interview With Duane Paxson, Dorothy Joiner
The Changing Role Of Chaguar Textiles In The Lives Of The Wichí, An Indigenous People Of Argentina, Rachel Green
The Changing Role Of Chaguar Textiles In The Lives Of The Wichí, An Indigenous People Of Argentina, Rachel Green
Textile Society of America: Symposium Proceedings
Beating, spinning, and sewing fiber, a woman works to perpetuate her culture a thread and stitch at a time. While her hands work expertly and she talks casually, Carolina is crocheting a hat from a fiber called chaguar to be worn under a motorcycle helmet. She learned to crochet five years ago from a nonindigenous woman whose house she was paid to clean. Because crocheting is not a traditional technique, she only does it to sell to the local townspeople, preferring the techniques from her Wichí heritage. “Wichí” means simply “the people” in her original language. Their culture is centered …
Title: Ajrakh- A Textile Tradition In Transition, Sharmila J. Dua Prof. Dr.
Title: Ajrakh- A Textile Tradition In Transition, Sharmila J. Dua Prof. Dr.
Textile Society of America: Symposium Proceedings
The region of Gujarat in the west has been an important textile export zone of India and remains an important source of printed cloth, in terms of both volume and quality. Early evidence of Gujarat’s involvement in international trade of colourful block printed textiles comes from the fragments found at the Fostat excavations in Egypt. These have been dated back to the fifteenth century and have been printed by the resist printing technique. The designs, motifs and colours are typical of the hand block printed textiles characteristic of the region today. Khavda and Dhamadka villages in Kutch were known for …
Dyeing With Morinda Citrifolia: In Pursuit Of Sustainable Future, Sudha Dhingra
Dyeing With Morinda Citrifolia: In Pursuit Of Sustainable Future, Sudha Dhingra
Textile Society of America: Symposium Proceedings
Green and sustainable practices are the future of fashion. It aims to nurture the environment through effective use of resources in order to minimize the cruel impact for both producer and customer. It employs techniques of environmental friendly ways of growing, extracting, producing and processing fabrics. Fashion industry as such involves highly unsustainable practices as there is always an urgent need to get faster and uniform results. It has a high carbon footprint as each stage of clothing lifecycle generates environmental and occupational hazards. Socially committed fashion takes into account the place of production, producers well-being and conditions under which …
“Meshed With A Million Veins”: Seafaring Networks & The Norfolk Sampler, Joanne Martin Lukacher
“Meshed With A Million Veins”: Seafaring Networks & The Norfolk Sampler, Joanne Martin Lukacher
Textile Society of America: Symposium Proceedings
The title of this article is taken from a line of a poem by the 19th-century Georgia poet Sidney Lanier and is presented as an homage to the location of the 2016 TSA conference. “And the marsh is meshed with a million veins” is Lanier’s description of “The Marshes of Glynn” in his poem of the same name, Glynn being one of the Atlantic coastal counties south of Savannah. I have taken this alliterative evocation of the sinuous verge of land and sea as a metaphorical point of embarkation for a discussion of the distinctive needlework of another, more distant, …
The Power Of Color: Anatolian Kilims, Sumru Belger Krody
The Power Of Color: Anatolian Kilims, Sumru Belger Krody
Textile Society of America: Symposium Proceedings
The kilims of Anatolia are great contemplative and minimalist works of art as stated by a kilim enthusiast.1 Created by women who had a magnificent eye for design and an awesome sense of color, these textiles are prized for the purity and harmony of their color, the integrity of their powerful overall design, their masterfully controlled weave structure, and their fine texture. The kilims are large tapestry-woven textiles. The visually stunning and colorful Anatolian kilims communicate the aesthetic choices of the village and nomadic women who created them. Yet, while invested with such artistry, Anatolian kilims first and foremost were …
For What It’S Worth: The French Knot As A Basic Trade Commodity, Jeana Eve Klein
For What It’S Worth: The French Knot As A Basic Trade Commodity, Jeana Eve Klein
Textile Society of America: Symposium Proceedings
For nearly twenty years, my primary studio production has been in the form of mixed media quilts. These quilts draw—both visually and conceptually—on the abandoned houses that color the landscape of my North Carolina mountain home. They are constructed using traditional quilting techniques married with digital processes and acrylic paint—a hybrid product that lands at the intersection of fibers, photography, painting and digital media. Although their conceptual purpose is to investigate the narrative past, present and future of these homes and their values, the questions with which I am most often quizzed at exhibitions focus purely on time and technique: …
Here And There, Now, Sandra Heffernan
Here And There, Now, Sandra Heffernan
Textile Society of America: Symposium Proceedings
A textile installation shaped by traditional embroidery, geographical differences, technology and novel natural dye is the focus of this paper. ‘Through the globe’ [Através do globo] is the result of a six week artist in residency at Contextile 2016 in Guimarães, Portugal.1 It builds upon environmental pest invasive weed dye research, interprets ‘traditional’ embroidery illustrating the poetics of place.2 The essence of Guimarães embroidery provides the narrative along the fourteen metre length and is the physical embodiment of the antipodal link between and Wellington, New Zealand. The challenge offered by Contextile 2016 was to collaborate with Oficina embroiderers to learn, …
Some National Goods In 1871: The Rebozo, Marta Turok
Some National Goods In 1871: The Rebozo, Marta Turok
Textile Society of America: Symposium Proceedings
The history of rebozos and jaspe (ikat) in Mexico still presents many enigmas and fertile field for research. Public and private collections in Mexican and foreign museums preserve a variety of rebozos from the mid-18th through the 20th centuries. However, it has been complicated to correlate these extant pieces with exact places of production and dates. Other sources such as written accounts and images focus mostly on their social uses, sometimes places of production or sale are merely mentioned yet techniques and designs are the information least dealt with. Virginia Davis mentions this problem while analyzing the Frederick Church collection …
The Merchants And The Dyers: The Rise Of A Dyeing Service Industry In Massachusetts And New York 1800-1850, Linda Jean Thorsen
The Merchants And The Dyers: The Rise Of A Dyeing Service Industry In Massachusetts And New York 1800-1850, Linda Jean Thorsen
Textile Society of America: Symposium Proceedings
Histories of dyeing in the United States have tended to emphasize home craft processes, early textile manufacturing, or the growth of synthetic dyes. But in the first decades of the nineteenth century, a vibrant independent dyeing service industry emerged in U.S. port cities. Using natural dyes, working with a variety of fibers, colors, and finishing processes, and developing sophisticated skills and equipment, these dyers served import merchants, retailers, elite households, and businesses such as hotels. They received cloth, garments, or home furnishings, cleaned, bleached, and/or dyed them, and then returned them “like new.” To satisfy customers, these businesses had to …
Artist At Sea: Codes And Cargo, Kelly Thompson
Artist At Sea: Codes And Cargo, Kelly Thompson
Textile Society of America: Symposium Proceedings
The themes of land, labor and the port resonate for me and particularly in recent voyage experiences and digital weaving research, which I will attempt to bring together in this talk. These activities converge in new and evolving artwork, generating more questions than answers on the relationships between digital and analog materiality. Trades routes, and the movement of people and goods through ports, notions of networks, flow, circulation, has parallels and resonance with our contemporary digital systems and also, correlations with political issues, namely power and control. The Container Shipping world is fascinating to drop in on, a world so …
A Morenada Dance Costume: An Example Of The Interconnection Of The Americas, Spain And Africa, Nancy B. Rosoff
A Morenada Dance Costume: An Example Of The Interconnection Of The Americas, Spain And Africa, Nancy B. Rosoff
Textile Society of America: Symposium Proceedings
This paper will explore the interconnection of the Americas, Spain and Africa as exemplified by a 19th century festival costume in the collection of the Brooklyn Museum, worn for the Moreno or Morenada, a dance developed after Spain’s conquest and colonization of the Inca Empire in the 16th century. Two other costumes were also examined, one in the collection of the American Museum of Natural History in New York City, and the other in the collection of the Museo Nacional de Etnografía y Folklore in La Paz, Bolivia. Today, the Moreno or Morenada is one of the most popular dances …
Velvet And Patronage: The Origin And Historical Background Of Ottoman And Italian Velvets, Sumiyo Okumura Dr.
Velvet And Patronage: The Origin And Historical Background Of Ottoman And Italian Velvets, Sumiyo Okumura Dr.
Textile Society of America: Symposium Proceedings
Velvets are one of the most luxurious textile materials and were frequently used in furnishings and costumes in the Middle East, Europe and Asia in the fifteenth to sixteenth centuries. Owing to many valuable studies on Ottoman and Italian velvets as well as Chinese and Byzantine velvets, we have learned the techniques and designs of velvet weaves, and how they were consumed. However, it is not well-known where and when velvets were started to be woven. The study will shed light on this question and focus on the origin, the historical background and development of velvet weaving, examining historical sources …