Art Practice Commons^™

Indira Freitas Johnson Interview, Michelle Burke

Asian American Art Oral History Project

Bio: Indira Freitas Johnson was born in Mumbai, India. She has received undergraduate degrees from Sir J.J. Institute of Applied Art and the University of Bombay. She also received a masters degree in fine arts from The School of the Art Institute of Chicago in 1967. Her father was an artist and her mother was a social activist, both of whom she was influenced by. She strongly believes that art and activism are a powerful combination for social change. Indira founded the Shanti Foundation for Peace in 1993 in response to the rise of ethnic violence. This foundation helps people …

Dahuang Zhou Interview, Julia Lin

Asian American Art Oral History Project

2010 interview with multimedia artist and entrepreneur DaHuang Zhou

Chi Jang Yin Interview, Anna Huang

Asian American Art Oral History Project

2010 interview with experimental documentary filmmaker Chi Jang Yin by Anna Huang

Sam Del Rosario Interview, Nancy Shaba

Asian American Art Oral History Project

2010 interview with writer and the former ED of the Asian American Artists Collective- Chicago Sam del Rosario by Nancy Shaba.

Von Kommanivanh Interview, John Pluciennik

Asian American Art Oral History Project

2010 interview with Loatian born/Chicago based painter Von Kommanivahn by John Pluciennik

Masahiro Sugano Interview, Crystal Han

Asian American Art Oral History Project

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Artist Bio
Born in 1972, Osaka, Japan. Moved to the U.S. at age 18. B.A. in philosophy from CalState, Northridge. M.F.A. in Film/Video/Animation from University of Illinois at Chicago. Currently runs a production company based in Chicago, Eye from the Sky, Inc. Sundance Film Festival alumnus (1999). His next project is titled “Transcendental Joe” and it is billed as “Neo-Fundamental Buddhist Journey” across the U.S.

Saira Wasim Interview, Jeremy Adkins

Asian American Art Oral History Project

A Divine Comedy of Errors: Political Paintings by Saira Wasim

Paradoxes of Genre: the Epic Miniature

Teeming with figures captured in mid-action, paintings by Saira Wasim present grand narratives. If it weren’t for their petite size and two-dimensionality, they might be mistaken for Greek mythology, Baroque opera, epic film, or other monumental genres. Yet, these small paintings represent a singular creation, one that transcends any individual medium or genre. In Wasim’s hands, the centuries-old format of the miniature painting has been transformed into a stage for human drama, a jam-packed cinematic space that approaches the grandeur of Cecil B. DeMille …

Rominna Villasenor Interview, Jamelle Apolinar

Asian American Art Oral History Project

2010 interview with writer, performer, visual artist Rominna Villasenor by Jamelle Apolinar

Michiko Itatani Interview, Liza Rush

Asian American Art Oral History Project

2010 interview with painter and School of the Art Institute of Chicago professor Michiko itatani by Liza Rush

Shhh... Say Nothing, Luis Rendon

CGU MFA Theses

My art is the foundation I use to commune with myself and bridge the gap to the rest of the world. A gap created by everyday being surrounded by information, so much so that it is easy to become numb. I do not want, because of my inability to filter the relentless onslaught of information, to walk through life tuned off. All that undigested knowledge leaves me feeling distant from myself and unable to connect with others. This leaves me with the sensation of not knowing myself.

Mike Park Interview, Ben Rogers

Asian American Art Oral History Project

2010 interview with Mike Park from Asian Man Records by Ben Rogers

Deep End, Emily Smith

CGU MFA Theses

In my work I examine how and where nature and culture collide, merge, overlap or become one. Ultimately my goal is to draw attention to the ways we perceive and remember nature as well as ho w we experience the natural landscape in opposition to built environments. I am also interested in how our relation to these spaces changes over time and how we might envision these environments in the not-s o-distant future.

Ann Marie Chua Lee Interview, Jasmin M. Ortiz

Asian American Art Oral History Project

2010 Interview with cosplay costume designer Anne Marie Chua Lee by Jasmin M. Ortiz

Kelly Zen-Yie Tsai Interview, Flor Sigaran

Asian American Art Oral History Project

Kelly Zen-Yie Tsai is a Chicago-born, Brooklyn-based Chinese Taiwanese American spoken word artist who fights for cultural pride and survival through how she spits and how she lives.

Kelly Zen-Yie Tsai has been featured in over 400 performances worldwide at venues including the Nuyorican Poets Cafe, the House of Blues, the Apollo Theater, Kennedy Center, Lincoln Center, and three seasons of the award-winning “Russell Simmons Presents HBO Def Poetry.” The author of Inside Outside Outside Inside (2004) and Thought Crimes (2005) and the CD Infinity Breaks (2006), Tsai has shared stages with Mos Def, KRS-One, Sonia Sanchez, Talib Kweli, Erykah …

Howard Henry Chen Interview, Diane Nguyen

Asian American Art Oral History Project

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Artist Bio

Howard Henry Chen is an artist that is interested in the ideas of migration, assimilation, hybridization, the global system of change, and the way wealth affect the developing world. He was born in Vietnam in 1972 and left in 1975 with his parents to United States.  He grew up in the east coast, Pennsylvania. He attended Boston University where he studied journalism and political science. After graduating, he worked as a journalist for …

Touch, Liz Nurenberg

CGU MFA Theses

Please see Download button in top right corner for the full statement.

The City With Rolling Hills, Andrew Ballstaedt

CGU MFA Theses

I use painting as a form of ritual and meditation where I often spend lots of time painting and repeating simple marks over and over again. On occasion, I am able to make quick paintings that are successful but most of the time I am compelled to spend repetitive hours making marks in order to reach my state of personal mediation through the ritual of painting. Please see Download button in top right corner for the full statement.

Minority Report, Tan Jazz Mont

CGU MFA Theses

I make large, colorful, messy figurative paintings that tell stories and celebrate the underdog. I use found objects, as well as wood panels and canvases. The poetry of the street plays an important role in my art; from what I paint on, to what I paint with, to my subject matter, my art conveys both liberation and pride toward my Hispanic culture. When I create, I allow the paint to be true to its physical properties. I am aggressive and free in my painting and mark-making. If my paintings begin to appear “sophisticated,” I find ways to manipulate them. I …

'Into The Desert Light: Early El Paso Art 1850-1960' Exhibit Catalog, Anne Giangiulio

Selected Works Temporary Series

Excerpt from the 135-page, hard cover, cloth-bound exhibition catalog I designed for the El Paso Museum of Art. 4.6 MB.

El Paso: The Other Side Of The Mexican Revolution, Anne Giangiulio

Selected Works Temporary Series

Designed and helped to install the exhibit 'El Paso: The Other Side of the Mexcian Revolution' on display on display October 1, 2010 to January 10, 2011 at the El Paso Museum of History. This bilingual exhibit's content was created by faculty and students of UTEP's Department of History and coincided with the 2010 100th anniversary of the start of the Mexican Revolution. As a strategic base for revolutionaries and home to the largest ethnic-Mexican population in the United States at the time, the city of El Paso became a major site of cultural production by journalists, writers, businessmen, photographers, …

Mr. Mendoza's Paintbrush, Anne Giangiulio

Selected Works Temporary Series

Excerpt from the graphic novel I designed, 'Mr. Mendoza’s Paintbrush' by Luis Alberto Urrea, published by Cinco Puntos Press in collaboration with Brooklyn illustrator Christopher Cardinale. Please be patient when downloading as file is 1.8 MB.

Posters Protesting Drug Violence In Juárez, México, Anne Giangiulio

Selected Works Temporary Series

I designed the posters 'Juárez: Once a City, Now Statistics' and 'Stop the Violence in Juárez' originally for 'Peace of Art: Design for Change' (www.peaceofartshow.org). This exhibit presents posters of social protest designed by professional and student designers to create awareness of the situation of violence in Cd, Juarez. To give a face to the violence and help people understand that the violence changes people’s lives. It is a display of Peace and/or protest on both sides of the border. More importantly, Peace of Art raises funds that will aid Cd. Juarez victims and their families. Both posters were later …

Searching For California's Hang Trees, Ken Gonzales-Day

Scripps Faculty Publications and Research

Also known as the Hang Tree Series, this was part of Ken Gonzales-Day's eight year project to search for, and photograph, possible, probably, and verifiable lynching sites in California. Perhaps most significantly, his project included the discovery and documentation of over 350 cases of lynching in the state of California between 1850 and 1935. Contrary to the popular image of 'cowboy justice' and Wild West vigilantism as being an exclusively white-on-white crime, Gonzales-Day was able to document, that in California, the majority (nearly two thirds) of cases of vigilantism involved the lynching of African Americans, Native Americans, Chinese, and Latinos …

Blanket Statements, Issue 102, Winter 2010–2011

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 102, Winter 2010–2011

Élan Vital, Sharon Mealey

CGU MFA Theses

My art explores the inner qualities of life, focusing on adaptability and resiliency. I am interested in the mysterious vital force philosophers call élan vital that animates human beings. I investigate the transitory nature of life where it intersects with élan vital. My paintings accommodate the ephemeral and the perpetual. Please see Download button in top right corner for the full statement.

Sounds Of An Afternoon, Jamie Kang, '11

BA/BFA Senior Honors Book Gallery

No abstract provided.

Bitter Homes And Gardens, Laura K. Czys, '10

BA/BFA Senior Honors Book Gallery

No abstract provided.

Figured Velvets From Simple Looms: Velvet Pick-Up And Related Techniques For Handweavers, Wendy Landry

Textile Society of America: Symposium Proceedings

Much historical velvet was designed to be figural, often in elaborate curvilinear floral motifs, and multiple colours. These complex patterns could be efficiently designed for and executed on the available drawlooms and their successors, the jacquard looms. Faced with such complexity, and the unavailability of jacquard looms and drawlooms, few handweavers have attempted to add velvet technique to their repertoire. However, the basic principles and weave structures of velvet are relatively simple and can be executed on simpler handlooms. Pick-up techniques and simple loom modifications make figured velvet accessible for weavers without access to complex jacquard velvet looms, allowing them …

Grades 9 - 12 Surrealism, Angela Zornetsky

Art

This is a differentiated lesson on surrealism. As a final project, students are asked to choose a project and a reflection topic both of which are tiered into three groups by difficulty level.

The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?, Conor Mcgarrigle

Articles

A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this end, SI concepts such as psychogeography and the techniques of detournement and the de ́rive (drift) have exerted considerable influence on locative media practices, but questions arise as to whether this constitutes a valid contemporary appropriation or a recuperative co-option, serving to …