Art Practice Commons^™

Mark Garry: A New Quiet, Mark Garry, Georgina Jackson, Caroline Hancock, Declan Long, Brian Cass, Joanne Laws, Cristin Leach Hughes

Books/Book Chapters

A survey of ten years practice.

Catalogue Essay For Kiera O'Toole Solo Exhibtion, Brian Fay

Exhibition Catalogues

A catalogue essay discussing elements of O'Toole's practice as it responds to recent contemporary drawing practices and the specifics of the history and architecture of the Wicklw site.

Kiera O'Toole - A Fragile Intensity, Brian Fay

Catalogues

This catalogue essay discusses the Irish artist Kiera O'Toole's practice in relation to serial drawing practices of the 1960's and Alain Badiou's observations on drawing.

Locative Media As Remix, Conor Mcgarrigle

Books/Book Chapters

While data-driven art is not new, recent developments in technical, artistic, and social spheres have coalesced to produce new opportunities for artists and activists who remix data with space and place to form locationally specific political critiques of great power and flexibility.

(Mis)Interpreting Arts And Health: What (Else) Can An Arts Practice Do?, Sheelagh Broderick

Doctoral

This research project concerns arts practices in healthcare settings and the encounter between artist, researcher, healthcare professional and institution. Rather than understanding arts practices as either therapeutic or recreational services, this research asks instead, what (else) can an arts practice do? This is accomplished by connecting two previously separate bodies of scholarship; health sociology and an art criticism of expanded arts practices. By connecting these bodies of scholarship, this inquiry offers a new conceptual language and orientation for arts and health practitioners distinct from the evidence-based practice model most prevalent in academic and professional discourses and consequently establishes a transdisciplinary …

Brian Fay Contribution To The Lismore Castle Arts Public Discussion- Painting As A Dream, Friday 25th Of April, 2014, Brian Fay

Other resources

Brian Fay contribution to the Lismore Castle Arts, Waterford, Public Discussion- Painting As A Dream, Friday 25^th of April, 2014

Michael Craig Martin: Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

National Institutions Of Visual Culture, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Alanna O'Kelly, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Daphne Wright, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Maurice O'Connell, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Grace Weir, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Finola Jones, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Frances Hegarty, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Paper - A Reserve Or Backgound?, Brian Fay

Conference Papers

Paper: A Reserve or a Background?

“Using examples from contemporary practice and my own research, this presentation will discuss two models for the role of paper in drawing: as background and as reserve. It will focus on Walter Benjamin's definition for the graphic lines almost metaphysical relationship to the background, and compare it with Norman Bryson's model of the paper as a reserve, for him an 'area without qualities'.”

40/40/40 Exhibition Of Contemporary Art Celebrating Ireland’S 40 Years In The European Union, Amy M. Walsh

Exhibition Catalogues

For E word 40/40/40 is an exhibition of contemporary art works from the Irish State Art Collection organised by the Department of Foreign Affairs and Trade and the Office of Public Works (OPW) of Ireland. These works have each been created by 40 artists under the age of forty, who are Irish or have chosen to base themselves in Ireland. It is in celebration of the 40th Anniversary of Ireland as a Member State of the EU. The works reflect the current art practice of these artists and cross a variety of media – photography, drawing, sculpture and painting. The …

Brian Fay Interview For Peel Magazine, Brian Fay

Other resources

This interview is from a series of artist conversations around the use of and relationships to the materials they employ in their practice. Other interviewees include Alexandra Hughes, Nadia Scola, Rachel Sharp, James Watts and Zara Worth.

Forget The FlâNeur, Conor Mcgarrigle

Articles

This paper discusses the connections between the ‘flâneur’, Baudelaire's symbol of modernity, the anonymous man on the streets of nineteenth century Paris, and his contemporary digital incarnation, the ‘cyberflâneur’. It is argued that, although the flâ- neur could be successfully re-imagined as the cyberflâneur in the early days of the web, this nine- teenth century model of male privilege no longer fits the purpose. It is suggested that it is time to forget the flâneur and search for a new model to consider the peripatetic nature of location-aware networked devices in the digitally augmented city.

Projection (Baton Charge 1913), Ronan Mccrea

Exhibitions

Projection (Baton Charge 1913) is based an single photograph made by Joseph Cashman (1881 – 1969) during the labour dispute known as the Dublin Lockout in 1913. Taken from a elevated point of view, Cashman’s image depicts members of the Dublin Metropolitan Police baton charge a large crowd attending a protest meeting to be addressed by trade union leader Jim Larkin on O’Connell Street on 31 August 1913. Larkin was arrested and two people were killed during the riots that followed. This photograph (along with second photograph by Cashman of Larkin addressing a crown with outstretched arms) dominates the iconography …

Augmented Resistance: The Possibilities For Ar And Data Driven Art, Conor Mcgarrigle

Articles

This article discusses the possibilities for Augmented Reality (AR) as a driver of data based art. The combination of AR and Open Data (in the broadest post-Wikileaks sense) is seen to provide a powerful tool-set for the artist/activist to augment specific sites with a critical, context-specific data layer. Such situated interventions offer powerful new methods for the political activation of sites which enhance and strengthen traditional non- virtual approaches and should be thought of as complementary to, rather than replacing, physical intervention.

I offer as a case study this author’s “NAMAland” project, a mobile artwork which uses Open Data and …

Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay

Other resources

This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.

Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.

The paper will present some findings from my own drawing practice that responds to Vermeer’s …

Venn (Fragments After A Lecture On The History Of Photography, In Two Parts), Ronan Mccrea

Exhibitions

Venn (Fragments after a lecture on the history of photography, in two parts) is a projected 35mm slide installation which appropriates slide reproductions of photography from the modernist and contemporary canon that at one time formed part of two lectures given by the artist to undergraduate students.

Deploying what can be called a ‘reprographic’ approach, the slides are optically duplicated, cropped, repositioned and cut-up, while the use of various blue and orange filters – employed in photographic lighting to convert the colour of a light to either daylight or tungsten light – correspond to, and at times confuse, the supposedly …

Mongolia 360°, 2nd Land Art Biennial, Creating Identities., Anna Macleod

Exhibition Catalogues

LAM 360º – 2nd Land Art Mongolia Biennial curated by Anna Brietzke, Orna Tsultem, Fumio Nanjo

Locations: Ikh Gazriin Chuluu (Dundgobi) (45°29'33.24"N, 107°13'28.50"E) and National Mongolian Modern Art Gallery, Ulaanbataar, Mongolia.

International site specific visual art event in the Mongolian Gobi Desert, a seminar on Art and Politics and an exhibition of documents and artifacts related to the works produced in the Gobi desert at Ikh Gazriin Chuluu.

Practice Makes Practice . . . Visible? Revealing Structures Of The Artistic Field By Articulating The Evasive Properties Inherent In Its Systems Of Production Through Art Practice, Naomi Elizabeth Sex

Other

This practice-led research project attempts to seek out and reveal the structures that frame the production of art practice, through and with art practice itself. With this premise in mind, the first phase of the study aims to use practice-led research by adopting quasi-ethnographic strategies firstly to explore the field of artistic production, and secondly in an attempt to activate, capture and contain tangible evidence that the artistic field is powered by persuasive informal discourse and practices that contribute to stringent and hierarchical rules of engagement. Entering the second phase of the project the contribution of this study is based …

What Are The Visible And Invisible Archaeologies Of Conflict In The Irish Landscape Of Donegal And How May These Be Contextualised And Represented Through Arts Practice, Mhairi Sutherland

Doctoral

The research question - "What are the visible and invisible archaeologies of conflict in the Irish landscape of Donegal and how may these be contextualised and represented through arts practice?" has been addressed through textual and historical research and through arts practice, using lens-based media in the exploration of an historic series of military circumstances, in the contemporary Irish landscape of County Donegal. The research undertaken and the resulting outcomes are presented as a textual narrative and as visual arts practice. The thesis material is composed of five chapters, each of which discusses selected arguments in the fields of, respectively; …

Systemy Systemus, Anna Macleod

Exhibition Catalogues

No abstract provided.

An Investigation Of The Body As Location In The Context Of Kristeva's Reading Of The Maternal Orientation Of The Abject, Pauline Keena

Masters

The aim of my research project is the generation and enhanced understanding of what is unspeakable, unrepresented, and beyond the resolve of logical thought in my art practice. I wanted to find a way to display the emerging evidence of what is there in the physical material manifestation and beyond. So I set up a studio based research context to begin an enquiry by engaging philosophic ideas in a set of physical relations through materials and making in the studio. Using the theoretical work of Kristeva, Lacan and Schon enabled me to structure and language the enquiry. Mapping philosophic ideas …

Lost And Found: We Are Where We Were, Brian Fay

Exhibition Catalogues

No abstract provided.

The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?, Conor Mcgarrigle

Articles

A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this end, SI concepts such as psychogeography and the techniques of detournement and the de ́rive (drift) have exerted considerable influence on locative media practices, but questions arise as to whether this constitutes a valid contemporary appropriation or a recuperative co-option, serving to …

To Document Or Not To Document, That Is The Question? Use Of The Participatory Archive Model For A Residential Artist’S Centre, Yvonne Desmond

Conference papers

Men of genius really are doing most when they work least, as they are thinking out ideas and perfecting the conceptions which they will subsequently carry out with their hands.’ (Leonardo da Vinci) There is a romantic notion that regards all forms of Art as emanating from the gods and artists as the mere conduits for this divine inspiration. This research project disavows such notions and instead is predicated on the basis that all artists are skilled practitioners of their craft. Research into the areas of tacit knowledge and visual intelligence indicate that the making of art is an experiential …