Art Practice Commons^™

Between The Sheets An Exploration Of Video Art As A Medium For Intimacy And Private Reflection, Tina Tesno

Renée Crown University Honors Thesis Projects - All

Between the Sheets: An Exploration of Video Art as a Medium for Intimacy and Private Reflection is a multi-projection installation that uses video art to create an environment for peaceful thought and mediation. The design consists of a corridor leading to an area encircled by a large curved wall. Viewers enter the corridor alone and are greeted by a young woman projected on the wall of the corridor. She guides the viewer through the passage to the curved area where a life-sized projection of a forest awaits. Here, the viewer is invited to stay to enjoy the freedom from distraction …

Member Profiles: Karen Hanmer And Peter Verheyen, Peter D. Verheyen, Karen H. Hanmer

Librarian Publications

This is the second in a continuing series of interviews of Guild members. Current and former Exhibitions Chairs Karen Hanmer and Peter Verheyen met at Standards in Chicago in 1999. She never dreamed his subliminal messages would entice her from making “freaky-foldies” to become a binder. He never suspected she would attempt to seduce him to the other side with odd examples of vaguely book-like ephemera. They share an appreciation of fine craft, spare design, and excessively robust (read Teutonic) endsheets.

Exploring Spaces: A Series Of Video Experiments, Nicholas R. Kinling

Renée Crown University Honors Thesis Projects - All

My overall intention of this project was use the Honors Thesis Project to apply what I have learned while studying art video to create a collection of successful videos that allow me to work above and beyond the art video curriculum. I was eager to work independently on a long-term project, and the Honors Thesis Project provided me with both an exciting and challenging opportunity to display my academic initiative and creative drive.

Upon completion of the thesis project, I selected six video art pieces that I felt were most successful and relevant to the project theme. The theme of …

William Anthony Fine Binder, Peter D. Verheyen

Librarian Publications

William “Bill” Anthony (1926-1989) was arguably one of the most influential bookbinders and conservators in the US. His impact cannot be measured by his work alone but also by his legacy as demonstrated by all those he trained, many of whom are now leaders in the field in their own right. Lawrence Yerkes’ forward and Helen Ryan’s introduction to the catalog describe not only Anthony’s life and work, but also the emotional bond they had with him and his spirit that touched so many.

The German Case Binding, Peter D. Verheyen

Librarian Publications

The case (Bradel) binding is the most common, general purpose binding structure in use by binders in Germany. What sets it apart from other case bindings is that the cover boards and spine stiffener are joined together with a strip of sturdy paper before covering. This allows the covers to be fit precisely to the textblock, especially at the joint and fore-edge. For this reason the structure is also very well suited to beginners. Books using this structure are generally covered in full cloth, paper, or a combination of the two. The structure is not well suited to leather binding …

A Place Apart: Myth And Sacred Space, Diana Hazel

Renée Crown University Honors Thesis Projects - All

“When old myths are lost, new ones are needed. Myths flourish and fade and die, but new myths are born, old ones are resurrected, and hybrid forms combining new and old emerge when times change or cultures mingle” (Graves: 1959, 9).

The original concept of this project was to create a CD-ROM database of mythology from various cultures and time periods throughout history. The first few months of my work were carried out with this end in mind. Since then, the project has taken a more personal turn. Instead of presenting the mythologies of other people, I have created my …

On Earth, Laura Mariposa Williams

Renée Crown University Honors Thesis Projects - All

When Junior year arrived, along with the opportunity to start a thesis project, Kristina Foley and I agreed that this was right opportunity for us to create a body of collaborative art works. From there we decided to present our final works at Spark Gallery. Our show, On Earth, is a collection of works in varying media. Overall, we have three videos, two narrative, photographic series, two mural photographs, a driftwood sculpture, felted pelts and photographic frames, a book of poetry and drawings held in knitted pouches, and a shadow cloth mural.

What does it mean to be working …

Springback Ledger Bindings, Peter D. Verheyen

Librarian Publications

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks. As a style, the springback is firmly rooted in the "trade" binding tradition. …

Millimeter Binding / Edelpappband, Peter D. Verheyen

Librarian Publications

What we call the “millimeter” binding in North America is a “nobler” version of the German “pappband,” or paper binding, hence the name “edelpappband.” The technique is based on the German case (Bradel) binding which is covered in paper. What distinguishes the technique is that cloth, leather, or vellum trim is added to the head and tail, foredges, and/or corners for greater durability, making the book more elegant at the same time. This article describes how to complete a binding using this technique.

Vellum On Boards, Peter D. Verheyen

Librarian Publications

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find …

The Springback: Account Book Binding, Peter D. Verheyen, Donia Conn

Librarian Publications

These instructions for making a springback account book are derived from my notes as an apprentice at the Kunstbuchbinderei Klein, with adaptations over time. While my training is in the German tradition, the steps outlined should not be radically different from the English tradition. Although the technique was originally patented in Great Britain in 1799 by John and Joseph Williams,) the authors have found very few descriptions of this method in contemporary English language texts. Alex J. Vaughan describes the technique with great detail in Section II, 'Stationery Binding' of Modern Bookbinding. There is also an historical mention in Bernard …

Bringing Us Together / Getting Us Out, Peter D. Verheyen

Librarian Publications

The past five years have seen an explosion in the use of the Internet by book artists both as a tool for communication and as a means of publicizing their work. Not quite as rapidly, but steadily nevertheless some formerly traditional book artists have left the confines and limitations of hot type on damp paper to explore the creation of "books" which can only exist in digital form. In this presentation, I will explore how both book artists and the book arts represent themselves using digital media and what I see as some of the implications for the ways in …

Ivan Mestrovic In Syracuse, 1947-1955, David Tatham

The Courier

IVAN MESTROVIC 's eight and a half years as a member of the Syracuse University faculty stand as a period of exceptional historical importance for both the sculptor and the institution. For the University, the arrival in 1947 of this world- renowned artist marked not only the beginning of a full-fledged sculpture program, one which rapidly gained national distinction, but also the beginning of a postwar effort to bring to Syracuse scholars and creative artists already eminent in their fields.

Basic Paper Treatments For Printed Book Materials, Peter D. Verheyen

Librarian Publications

In October of 1989, at the Guild of Book Workers' Standards of Excellence Seminar, Betsy Palmer Eldridge gave a presentation on "Basic Paper Treatments for Printed Book Materials." This 2 1/2 hour presentation was a very ambitious undertaking, but she did a magnificent job.

Since these presentations and the synopses that later appeared in the GBW Newsletter, there has been some discussion. The presentations and these articles are not to be construed as a "how to" of basic paper conservation but rather as an introduction for those with interest but little experience. For the more experienced, they present the methods …