Art Practice Commons^™

Arabesque, Zafirah Ahmed

CGU MFA Theses

This paper talks about my MFA Thesis Exhibition : Arabesque. It discusses my usage of pattern and how I am exploring pattern in its historical context, against the repetition of societal patterns in various spaces. Through the use of created symbols in paintings, and installation work.

Color Compliments, Jennifer Hansen Rolli

The Transdisciplinary STEAM+ Journal

A discussion of the range of use of complimentary colors

Embracing Imperfections, Raja Gopal Bhattar

The Transdisciplinary STEAM+ Journal

A window into my meditation practice.

Lost & Found Memories: An Examination And Critique Of My Past Through Art, Alice Chi

Scripps Senior Theses

Ever since I was young I depended on triggers to retrieve my deeper memories. It is because of this quality that I think I have developed a tendency to collect and assign sentimental value to various items that I associate with certain people and moments. Over the course of my life, I have kept many objects, trinkets, and documents because of this. To catalog these memories and confront my lost relationships, I have collected these found sentimental items around my home and compiled them into a documented history of the lingering relationships throughout my life. The resulting product is a …

Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela

Scripps Senior Theses

Through a series of acrylic paintings and watercolors, I set out to document emotions, feelings, and experiences that I’ve had through my personal process of healing. By engaging in meditations for each piece, I was able to decide on a set of motifs, symbols, colors, and messages that I wanted to portray. This paper discusses in more detail how I went about this process and what the significance of each piece is, in addition to my inspiration, my identity and its impacts on the work, as well as what I learned from this process. I argue that as we unravel …

Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela

CMC Senior Theses

Through a series of acrylic paintings and watercolors, I set out to document emotions, feelings, and experiences that I’ve had through my personal process of healing. By engaging in meditations for each piece, I was able to decide on a set of motifs, symbols, colors, and messages that I wanted to portray. This paper discusses in more detail how I went about this process and what the significance of each piece is, in addition to my inspiration, my identity and its impacts on the work, as well as what I learned from this process. I argue that as we unravel …

Specimen X1-2020 Behind The Cover, Clayton Ehman

The Transdisciplinary STEAM+ Journal

No abstract provided.

Evolution Of Island, Dominique Kongsli

The Transdisciplinary STEAM+ Journal

Evolution of Island emerged from the depths of an ocean of blue paint. My process involves observation of nature: I remember scuba diving in Thailand in the Andaman Sea and having a spiritual experience underwater while observing Christmas-tree worms pop in and out of the coral.

Animal-Human Art, Trace Johansson

The Transdisciplinary STEAM+ Journal

Art work that shows the bond between animal and human

The Marriage Of Art And Science, Mike Doyle

The Transdisciplinary STEAM+ Journal

Art work that shows how the viewer translates visual cues into meaning

Drawing Parallels In Art Science For Collaborative Learning: A Case Study, Karen Westland

The Transdisciplinary STEAM+ Journal

This research paper explores drawing as a tool to facilitate interdisciplinary practice. Outlined is the personal experience of PhD researcher [name removed] in their physics/craft research project, combined with thoughts and opinions from collaborators gathered through group discursive interviews. Interdisciplinary projects face interpersonal and conceptually ambiguous challenges which can be addressed through adopting drawing techniques for educational purposes. Findings highlight that drawing can assist across a breadth of applications as a learning tool for everyone, regardless of drawing ability, to improve the functionality of collaborative projects. Specifically, drawing combined with other communication techniques develops a performative communicative approach that enriches …

Lightwave: Visualizing The Wind, Jacqueline M. Bell Johnson

The Transdisciplinary STEAM+ Journal

No abstract provided.

Visual Arts Enhance Instruction In Observation And Analysis Of Microscopic Forms In Developmental And Cell Biology, Max Ezin, Christina Noravian, Amira Mahomed, Adam Lyle, Aveleen Gill, Tamira Elul

The Transdisciplinary STEAM+ Journal

Two important skills for scientists in developmental and cell biology, as well as in fields such as neurobiology, histology and pathology, are: 1) observation of features and details in microscopic images of cells, and 2) quantification of cellular features observed in microscopic images. However, current training in developmental and cell biology does not emphasize observation and quantitative analysis of microscopic images, and it is unclear how best to teach students these skills. Here, we describe our experiences applying visual artistic approaches to instruct undergraduate and graduate students in how to observe and analyze cellular forms in microscopic images. At Loyola …

Intimate, Jason Brewer

CGU MFA Theses

I’ve used the paint as a substitute for myself to engage viewers to identify their interpretations and similar experience with emotional and mental states. Using texture and movement with the strokes of paint that mimics gestures of, and colors associate with, the mental states in order to present a visual sensory of emotions and psychological states; like the gravity of being in a depressed state, the itchiness and blood red feelings of frustration, the emptiness of being alone, the encroaching pressure of stress, and the weightless haze of confusion. The paintings become an intimate bridge between individuals and a sense …

Tenacity, Order & Disorder, Lucy Manalo

CGU MFA Theses

My work is about empowerment. The idea of using metal comes from my past experience as a welder/machinist in the Air Force. Metal is a tough medium and I believe it conveys the themes of strength and tenacity through it’s materiality.

Rhythms Of Light, Jessica R. Csanky

CGU MFA Theses

My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.

Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.

My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …

Still Spring Was Spring, Qianqian Yang

CGU MFA Theses

The works came out of an exploration of looking, time and place. A strange tension always occurred to me every time I returned home. For a month, I resumed my early morning schedule in high school on a daily basis. The route between school and home constructs most of my memories in the city. The practice of repeating the old routine is my way of trying to understand my relationship with this place, to probe into the separation and intimacy that constantly contradict within me. What has kept you away and brought you back, why, I ask myself. Relying on …

Hail Mother, Sydney Walters

CGU MFA Theses

My work disrupts two kinds of power: gender roles in religious practices, and the perceived power of a ritual object. Constructions of gender and power are thrown onto a stage and cast in a sincere parody that ultimately liberates underrepresented people to perform with agency.

My larger-than-life figures examine who holds power in religious institutions. The figures challenge the intelligibility of their identity because she/they are dressed in religious regalia. In Western Catholicism, maleness is the pre-requisite for priesthood. These church leaders are distinguished by wielding specific religious regalia: i.e. the Ring of the Fisherman, Episcopal gloves, and globus crucigur. …

What If Anything Still Meant Something, Andrea Munive

CGU MFA Theses

My drawings are active reflections of my surroundings and their intrinsic relationship to the ideal and banal. My surroundings have encompassed my memories and present, revealing a sense of slow time and peripheral consciousness.

What If Anything Still Meant Something is about this duality of care and disregard- an eternal mental state it seems.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

Changing Perceptions Of The Carceral Space Through Photography: The Tehachapi Project By Jr, Alexi Butts

Scripps Senior Theses

“Can art change the world?”

In his global art practice, French artist JR transforms overlooked communities into valued canvases. With an approach rooted in collaboration, JR’s large-scale public photographic installations integrate the built environment into a visual experience of human life.

In October, 2019, JR and his team entered the maximum security prison in Tehachapi, California to embark on a new collaborative project: “Tehachapi.” This paper explores the impact of “Tehachapi” as it extends beyond the physical photograph wheat-pasted on the floor of the prison’s courtyard to touch on issues of humanity, power and accessibility. Created as a collage of …

Language, Memory, Place: Building On Disappearance, Alexi Butts

Scripps Senior Theses

Language, Memory, Place is an investigation into clay’s therapeutic and tactile qualities. When combined, these attributes make clay an effective tool for priming spoken communication, increasing connectivity and serving as a tangible means of accessing and physically grounding abstract memories of home.

Conducted in France throughout the summer of 2019, my research set out to engage French speakers in a reflective dialogue on what it means to transform empty spaces into ones filled with feeling and meaning of home. In addition to verbal conversation, I simultaneously directed individuals of different ages, origins and living in seven different cities through an …

Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill

The Transdisciplinary STEAM+ Journal

This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.

Metaphorical Cities, Elana Melissa Hill

The Transdisciplinary STEAM+ Journal

This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.

Indominable, Kathleen A. Fox

CGU MFA Theses

INDOMINABLE, Kathleen A Fox

The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …

Hot, Water, Mud: Some Attachments, Dianne Dillingham

CGU MFA Theses

The works in my thesis show came out of an investigation into what it means to really know something. To have such intimate familiarity with a place or object that the shape, smell, and touch becomes unforgettable; the dirt under your nails, smell easily recalled, the carved outline of a bedpost after years of touch. These things are unremarkable in their everydayness; but they can also hold power over time. They can become attachments – motifs that resurface and repeat - that have agency.

It’S Not Trash, It’S Art, Kathleen Kile

EnviroLab Asia

Stepping off the plane in Hue, Vietnam took my breath away. I was slammed with heat and extreme humidity that is common for mid-May. I stood at the bottom of the jetway, trying to adjust not only to my new environment, but to the fact I took this leap of faith and traveled half way around the world to teach children with intellectual disabilities about art made from trash. Little did I know that that step would have such a huge impact on my life and further strengthen my core values.

Unseen Forces, Rebecca Rich

CGU MFA Theses

My work belongs to a discussion of awareness and presentness. The foundation of the unconscious is the primary influence. The questions I am asking concern selfexamination and self-reflection. I am working from a place that relates to the other and identities that would intersect with something and someone else: interobjectivity. My art-making practice demands accountability with something greater than the personal. My work demonstrates that there is a shared space we intersect with. It sits between the end and the beginning, intuitively understanding that change is a constant with or without one's involvement or influence. My work is about connections …

Muted, Cindy Ruiz

CGU MFA Theses

Dolls inspire me because of the mysterious place they occupy in human affection, conveying playfulness but at the same time expressing the vulnerability of being alive. They don’t need a verbal language, for they have a strong gaze that looks back. I see them as a substitute for humans. As subjects for paintings, they are a cross between a figure and a still life. They don’t move when I paint them. I paint these dolls as realistically and as honestly as I can because I want to be true to the individual doll. I paint what I observe.

The Standard Model, Manny Llanura

CGU MFA Theses

Photography is my medium. “The Standard Model” is a body of work created from photographs of the Los Angeles Fashion Week Spring/Summer 2019 Collection runway.

Each final work starts with over a thousand photos that become the raw materials from which I eventually produce my final piece. Deep in the final piece are the lights, shadows, hues, tones of a themed shoot.

I believe that the ability to focus on what is in front of you is not directly proportional to how detailed the image is. My goal is to incite appreciation of what humans have done or …