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Full-Text Articles in Art Practice

Dairy Culture: Industry, Nature And Liminality In The Eighteenth-Century English Ornamental Dairy, Ashlee Whitaker Feb 2008

Dairy Culture: Industry, Nature And Liminality In The Eighteenth-Century English Ornamental Dairy, Ashlee Whitaker

Theses and Dissertations

The vogue for installing dairies, often termed "fancy" or "polite" dairies, within the gardens of wealthy English estates arose during the latter half of the eighteenth century. These polite dairies were functional spaces in which aristocratic women engaged, to varying degrees, in bucolic tasks of skimming milk, churning and molding butter, and preparing creams. As dairy work became a mode of genteel activity, dairies were constructed and renovated in the stylish architectural modes of the day and expanded to serve as spaces of leisure and recreation. Dairies were often lavishly outfitted to create a delicate and clean atmosphere, a fancy …


Four Greco-Roman Era Temples Of Near Eastern Fertility Goddesses: An Analysis Of Architectural Tradition, K. Michelle Wimber Nov 2007

Four Greco-Roman Era Temples Of Near Eastern Fertility Goddesses: An Analysis Of Architectural Tradition, K. Michelle Wimber

Theses and Dissertations

Lucian, writing in the mid-second century AD, recorded his observations of an "exotic" local cult in the city of Hierapolis in what is today Northern Syria. The local goddess was known as Dea Syria to the Romans and Atargatis to the Greeks. Lucian's so-named De Dea Syria is an important record of life and religion in Roman Syria. De Dea Syria presents to us an Oriental cult of a fertility goddess as seen through the eyes of a Hellenized Syrian devotee and religious ethnographer. How accurate Lucian's portrayal of the cult is questionable, though his account provides for us some …


And There Were Green Tiles On The Ceiling, Jean Catherine Richardson Jul 2007

And There Were Green Tiles On The Ceiling, Jean Catherine Richardson

Theses and Dissertations

In this document I shall explain my art process, and reflecting on my work, will explore the themes and emotions that evolved. I shall accompany the images of my MFA exhibition with personal poetic vignettes. These vignettes are memories and thoughts that surfaced both while making the art and while viewing the final exhibition. While the primary experience is looking at and being with my art, I hope these anecdotes and stories give some insight into my motivations and actions as an artist. In these stories I shall use my own voice; I am Scottish and will tend to use …


Navajo Baskets And The American Indian Voice: Searching For The Contemporary Native American In The Trading Post, The Natural History Museum, And The Fine Art Museum, Laura Paulsen Howe Jul 2007

Navajo Baskets And The American Indian Voice: Searching For The Contemporary Native American In The Trading Post, The Natural History Museum, And The Fine Art Museum, Laura Paulsen Howe

Theses and Dissertations

This thesis examines the display of Navajo baskets and examines some of the possible meanings Navajo baskets can reveal. Acknowledging that the meaning of a work of art changes when it is placed in different environments, the thesis explores what meanings are revealed and what meanings are concealed in basket displays in three venues: the trading post, the natural history museum, and the fine art museum. The study concludes that the fine art museum has the most potential to foster a dialogue about the contemporary Navajo, whose identity is a product of continuity and change. Chapter one discusses the basket's …


Fix, Kathryn Williams Apr 2006

Fix, Kathryn Williams

Theses and Dissertations

For the past 15 years I have been struggling to recover from the consequences of sexual abuse. I have been involved with many self abusive habits, including cutting different areas of my body. I have come to the understanding that these addictive habits evolved as a direct result of sexual abuse. The stories I am about to relate tell the fears and difficulties I have experienced as well as an account of the tremendous power that art has provided me towards a full recovery. I am writing this memoir in hopes that those who read it will better understand the …


The Portrait Of Citizen Jean-Baptiste Belley, Ex-Representative Of The Colonies By Anne-Louis Girodet Trioson: Hybridity, History Painting, And The Grand Tour, Megan Marie Collins Mar 2006

The Portrait Of Citizen Jean-Baptiste Belley, Ex-Representative Of The Colonies By Anne-Louis Girodet Trioson: Hybridity, History Painting, And The Grand Tour, Megan Marie Collins

Theses and Dissertations

Anne-Louis Girodet Trioson's Portrait of C.[itizen] Jean-Baptiste Belley, ex-representative of the Colonies, is evidence of the changing ideological situation during the French Revolution. Girodet was one of the most learned and accomplished students of Jacques-Louis David who strove to surpass his teacher in two ways: 1) by painting David's Neoclassical style so well that his handling surpasses that of his master, and 2) by choosing subject matter never before explored by David. Girodet accomplishes both within this work. The Neoclassical handling of the image has been achieved with amazing clarity, and the central figure of an identified black man …


Ideals And Realities, Pamela Bowman Nov 2005

Ideals And Realities, Pamela Bowman

Theses and Dissertations

In order to produce work that prompts the viewer to undergo a process of personal exploration resulting in discourse and the understanding of feelings, it is necessary to balance ideals and realities, combine experience and creativity, and blend concepts and materials. Ideals and realities are discussed in this paper, using an approach that concentrates on foundational principles. The ideals of morality, beauty, goodness, acceptance, and unity form a foundation for the motivation behind my work. They are described in relationship to the philosophy of aesthetics. Ideals are contrasted with realities of life which have patterns and rhythms. These repetitive patterns …


The Artistic And Architectural Patronage Of Countess Urraca Of Santa Marã­A De Caã±As: A Powerful Aristocrat, Abbess, And Advocate, Julia Alice Jardine Mcmullin May 2005

The Artistic And Architectural Patronage Of Countess Urraca Of Santa Marã­A De Caã±As: A Powerful Aristocrat, Abbess, And Advocate, Julia Alice Jardine Mcmullin

Theses and Dissertations

Countess Urraca Lope de Haro was the daughter of the noble Lord Diego Lope de Haro, friend and advisor to King Alfonso VIII of Castilla-León and granddaughter of Lord Lope Díaz de Haro and Lady Aldonza Ruiz de Castro, aristocratic courtiers as well as popular monastic patrons. As a young and wealthy widow, Countess Urraca took monastic vows at the Cistercian nunnery of Santa María de Cañas founded by her grandparents. Within a short time of uniting herself to this monastery, she was chosen as its fourth abbess in 1225, a position she held for thirty-seven years until her death …


Accountability For The Implementation Of Secondary Visual Arts Standards In Utah And Queensland, John K. Derby Mar 2005

Accountability For The Implementation Of Secondary Visual Arts Standards In Utah And Queensland, John K. Derby

Theses and Dissertations

Utah and the majority of states have adopted mandatory standards for visual arts, yet no accountability measures have been established. Consequently, it is impossible to determine if standards are being addressed in the art classroom and aggregate grades are subjective. Queensland, Australia instituted a system of moderated school-based assessment (moderation) in 1971, whereby assessment is accomplished locally, then verified by peer experts. Queensland ensures that standards are addressed in curricula and assessment and that exit grades are reliable and comparable. Research has shown that Utah and Queensland share comparable visual arts standards and similar demographics. Queensland moderation has been extensively …


A Naturalistic Study Of The History Of Mormon Quilts And Their Influence On Today's Quilters, Helen-Louise Hancey Jan 1996

A Naturalistic Study Of The History Of Mormon Quilts And Their Influence On Today's Quilters, Helen-Louise Hancey

Theses and Dissertations

This interpretive study investigated the "quilt" and its significance to Latter-day Saint Women. Mormon master quilters were chosen because of their knowledge of fabrics, patterns, and symbolism, their skill levels, and their intense interest in quilting. The researcher conducted interviews with the master quilters from July 1995 to April 1996. Field notes were taken and data concerning both observed actions and verbal comments regarding the importance of the quilt were collected, charted, coded, and analyzed.

Several dominant patterns and themes emerged from analyses of the data, including: quilting is an enjoyable and active art form among Mormon women, pattern selection …


Four Utah Mormon Artists As Authors, Roxie Dale Trimble Jan 1982

Four Utah Mormon Artists As Authors, Roxie Dale Trimble

Theses and Dissertations

In researching the literary and visual art forms of four Utah Mormon artists/authors, considerable evidence supports the prognosis that natural parallels do exist between the written and visual works of artists/authors. Recent as well as past historical data also confirms this hypothesis.

To implement research personal interviews and written questionnaires were submitted. The resultant data compiled supports the prognosis that this parallelism does exist.