Art Practice Commons^™

Jienan Yuan (Chien Yuan) Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with record producer and composer Chien Yuan by Lauren Smith

Anita Chang Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with filmmaker Anita Chang by Lauren Smith. For more information on the artist visit: http://anitachangworks.com/

Flo Oy Wong Interview, Angelika Piwowarczyk

Asian American Art Oral History Project

2009 interview with Chinese American multimedia artist Flo Oy Wong by Angelika Piwowarczyk

http://www.flo-oy-wongartist.com/

Danny Pudi Interview, Shariq Jefferi

Asian American Art Oral History Project

2009 interview with comedian Danny Pudi by Shariq Jefferi

Chris Naka Interview, Cheryl Franzen

Asian American Art Oral History Project

2009 interview with new media and video artist Chris Naka by Cheryl Franzen

Cynthia Tom Interview, Lauren Swift

Asian American Art Oral History Project

2009 interview with painter and president of the Asian American Women Artists Association Cynthia Tom by Lauren Swift

Vincent Chung Interview, Pete Koszulinski

Asian American Art Oral History Project

2009 interview with the Foundation for Asian American Independent Media's graphic designer Vincent Chung by Pete Koszulinski

Larry Lee Interview, Ami Shah

Asian American Art Oral History Project

2009 interview with installation artist and curator Larry Lee by Ami Shah

Larry Lee website

View Larry's work in the AAOH project gallery

Vincent Pham Interview, Devin Meyer

Asian American Art Oral History Project

2009 interview with Vincent Pham a Doctoral Student at the University of Illinois, Urbana-Champaign and co-author of Asian Americans and the Media (Polity, 2008).

Gordon Cc Liao Interview, Elise Osenbaugh

Asian American Art Oral History Project

2009 interview with poet Gordon CC Liao

Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier

Asian American Art Oral History Project

2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto

Redrawing The Walls: Street Art In Belgrade, Emily Levitt

Independent Study Project (ISP) Collection

This research examines street art in Belgrade as a means of changing the political, social, and cultural atmosphere of Belgrade, Serbia. Street art is examined as a means of breaking down consumer/producer binaries, an alternative to dominant culture, as part of the contemporary city, and as a transformative use of and re-appropriation of imagery. The research data was collected through semi-structured interviews in the Spring of 2009. Students, artists, and former artists were interviewed in order to collect data. In addition, participant observation and visual analysis contributed to and gave context to the interview based data. Ultimately, it was discovered …

Graffiti En Managua: Una Expresión Democrática De La Juventud Nicaragüense, Katie Laroque

Independent Study Project (ISP) Collection

Semiotics, or the philosophical study of signs and symbols, makes us rethink the familiar and the things we take for granted. If someone walks to work everyday on the same street, after time he will probably stop thinking about the graffiti on the corner. Graffiti is probably something that most of us take for granted, or hardly see anymore, but I argue that its role in society must be rethought. What does graffiti on the wall represent? It is a manifestation of the ideas and beliefs of the artist, as well as a reflection of his artistic talent. When several …

Denton, Richard (Fa 384), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 384. Project entitled "Virginia Petty: Woodcarver from Oakland, Kentucky," with an interview conducted by Richard Denton with Petty.

Public Mood Ring, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succint description only of the current research project undertaken by the participants. It provides for the following information.M

Participants

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci

Tampa Public Mood Ring, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succinct description only of the current research project undertaken by the participants. It provides for the following information

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Librarian Publications

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008. "The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …

A Portrait Of Perseverance: A Glimpse Into The Life Of One Family In Edehara, Tunisia, Kathryn Graves Tindell

Independent Study Project (ISP) Collection

Excerpt from Introduction:

What follows is a short story providing a glimpse into the life of Naïma and her family. The entire story is based on fact, each person is real in every detail and each event described occurred; however, the sequence of events is fictionalized. For example, I did not see the pottery made from beginning to end, but rather saw different steps of the process throughout the course of my seven days. In total, I did view every step except for retrieving the clay from the mountains, but as they told many stories about this, I have a …

Kilombo Do Kioiô: The Use Of An Artesanato Program As A Program Of Social Justice, Anna Losacano

Independent Study Project (ISP) Collection

The women’s artisan group, Kilombo do Kioiô, part of the Ação Social da Paróquia Sao Bras (Sao Bras Parochial Social Action Group) in the neighborhood of Plataforma, Salvador, Bahia, works to insert poor Afro-Brazilian women into the economic market and wider society. This community of women is struggling to survive in a society in which they are marginalized by their gender, race and socio-economic position. They are also struggling to survive two types of violence that are pervasive in Plataforma: domestic violence and violence related to drug trafficking.

This research project studies how working as artisans affects the participants’ social …

“Art As Direct Political Action:” An Investigation Through Case Studies And Interviews, Emily Meinhardt

Independent Study Project (ISP) Collection

In 1970, Artforum, an international magazine of contemporary art, conducted a survey of various important artists asking the following question: what is your position regarding the kinds of direct political action that should be taken by artists? The question was asked in relation to the “deepening political crisis in America,” the Vietnam War. The development of television brought images of war into American homes more dramatically and immediately than any previous conflict. Though the war was taking place abroad, the violence was made real to audiences, including artists, many of whom felt pressure to respond to the political situation. Around …

Callis, Susan (Fa 293), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 293. Paper: "An Index to Quilt Patterns in Western Kentucky University Archives" written by Susan Callis for a Western Kentucky University English class.

Documentary Film Presentation Local Colors: Natural Dyeing In A Milas Carpet Weaving Village, Ulara Tamura, John Wells

Textile Society of America: Symposium Proceedings

This documentary, filmed in 2006, examines the process of naturally dyed carpet production in a village in the Milas region of Muğla Prefecture in southwest Turkey, a region well known as a traditional Turkish carpet production area. In large numbers of villages of this region, carpet weaving is the household based work of every woman who lives there.

In this paper, I aim to add more detailed information and discussion specifically on the colors and dyes of the carpets shown in this film. First I will introduce the varieties of the natural dye materials the villagers use one by one. …

On Green Technology, Julia Butterfly Hill

SWITCH

In this article, Hill shares a reflection on how humanity has lost its sense of connection with the Earth and each other, a disconnection she calls “Separation Syndrome.” Hill explores how technology can either harm or help depending on how we use it. She encourages artists and creators to approach technology and the environment with connected consciousness, using creativity for healing, sustainability, and transformation.

Artists Working With The Earth In Mind, Ed Dean

SWITCH

This article explores the work of artist Dan Peterman, who uses recycled materials to create art that promotes sustainability and mutual care between people and the environment. Peterman’s work invites reflection and reuse and blends creativity, community engagement, and environmental consciousness. This article also describes his transformation of an old recycling site into the Experimental Station, a community-focused space for collaboration and renewal.

Member Profiles: Karen Hanmer And Peter Verheyen, Peter D. Verheyen, Karen H. Hanmer

Librarian Publications

This is the second in a continuing series of interviews of Guild members. Current and former Exhibitions Chairs Karen Hanmer and Peter Verheyen met at Standards in Chicago in 1999. She never dreamed his subliminal messages would entice her from making “freaky-foldies” to become a binder. He never suspected she would attempt to seduce him to the other side with odd examples of vaguely book-like ephemera. They share an appreciation of fine craft, spare design, and excessively robust (read Teutonic) endsheets.

Synthesizing Gauguin: A Comparative Look At Cultural Contexts And Gauguin’S Tahitian Paintings, Joanna Miller

Mahurin Honors College Capstone Experience/Thesis Projects

When a plethora of primary sources exist from an artist, a tendency persists for the art historian to focus on an artist’s personality when analyzing or interpreting that artist’s work. In the case of Paul Gauguin and his Tahitian works, his personality faults, extreme character, and uncouth notions and motivations become the concentration of much scholarship and can lead to a misjudgment of the artist’s depiction of the Tahitian natives and culture. This paper examines how Gauguin represented a foreign peoples and met the goals he pursued under Primitivism, Symbolism, and Synthetism by analyzing the cultural contexts of Fin-de-siecle France …

Inside Unlv, Diane Russell, Shane Bevell, David Ashley, Cate Weeks, Jennifer Lawson

Inside UNLV

No abstract provided.

Contemporary Art In Samoa: The Role Of Personal Expression, Christina Cioffari

Independent Study Project (ISP) Collection

Contemporary art is a means of creating and recreating the self, a means of self reflection and defining ones identity. Conceptual art that expresses personal ideas and emotions plays a small role in the arts of Samoa, however it does exist in the minds and galleries of a few individuals. The intention of this study is to examine the role that personal expression plays in Samoan society and the artwork created here. The attitudes and approaches to contemporary art was explored, in addition to the underlying causes of those perceptions.

The foundation of this paper evolved out of statements from …

Review Of The Louisiana Project, By Carrie Mae Weems, Larry M. Taylor

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Arte En Las Calles, Graffiti En Granada: Un Movimiento En Cambio, Alyson Virginia Visser

Independent Study Project (ISP) Collection

¿Qué significa arte? Esta es la pregunta más popular en todas las clases básicas de historia del arte del mundo. ¿Cómo podemos definir el fenómeno de arte? Hay miles de argumentos de lo que puede ser arte, de lo que deberían enseñar en los museos de bellas artes. A lo largo de historia, ha habido artistas de todas las formas cambiando las “reglas” de lo que es aceptado como arte en la sociedad. Ahora mismo, en el siglo XXI, la mayoría de la sociedad puede comprender el arte como una expresión con un mensaje del artista, hecho sobre algún material …