Art Practice Commons^™

Mana & Ea, Dan Taulapapa Mcmullin

The Transdisciplinary STEAM+ Journal

This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.

Pipo Nguyen-Duy Interview, Emily Flanagan

Asian American Art Oral History Project

Artist Bio:

Pipo Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone of the 18th Parallel, he describes hearing gunfire every day of his early life He immigrated to the United States as a political refugee.

Pipo has taken on many things in life in pursuit of his diverse interests. As a teenager in Vietnam, he competed as a national athlete in table tennis. He also spent some time living as a Buddhist monk in Northern India. He earned a Bachelor of Arts degree in economics at Carleton College. He then moved to New …

Inscribed Cotton Ikat From Yemen In The Tenth Century Ce, Carol Bier

Textile Research Works

More than a thousand years ago, Baghdad was capital of the Islamic empire under the Abbasid caliphs, and Yemen was a flourishing center of agriculture and trade. Among its famous products were dyestuffs, and cotton cloth with warp stripes, patterned using techniques of compression resist. As the strength of the Abbasid caliphate declined and claims to power gained hold in the provinces, regional artistic styles began to emerge. The rulers of Yemen adopted one of the prerogatives of the Abbasid caliphs, bestowing honor by rewarding their subjects with inscribed textiles called tiraz. From burial sites in Egypt, many such textiles …

Sinan’S Screens: Networks Of Intersecting Polygons In Ottoman Architecture, Carol Bier

Textile Research Works

An often overlooked characteristic of Sinan’s architectural production of the 16th century is the use of low screening walls and windows carved of marble with pierced openwork or tracery to let in light and allow for air circulation. Typically these screens display polygonal networks often with intersecting polygons. This paper explores aspects of these carved patterns, which have antecedents in earlier Islamic architecture, attributing particular significance to this architectural feature in the works of Sinan and three successors whom he had trained. These slabs (and their counterparts in forged iron) may be considered études, serving as opportunities for the training …

For The Love Of Music: A Story Of Organizational Culture And Change, Malii Brown

Capstone Collection

For the Love of Music: A Story of Organizational Culture and Change is an examination of culture and possibilities for change at an organization that manages one top-tier, U.S. classical music orchestra. The research was carried out for the purpose of making and refining meaning from collective employee experiences at a canon cultural organization whose practices reflect and influence our society beyond the context of music. The inquiry at the heart of the work is, ‘How does the organizational culture of the subject organization, Orchestra, Inc.[1], affect its readiness for organizational change?’ The research methodology consisted of organizational culture assessments …

Kompha Seth Interview About The Cambodian Association Of Illinois, Matthew Mrozinski

Asian American Art Oral History Project

About the Organization:

“Founded in 1976, the Cambodian Association of Illinois (CAI) serves some 5,000 Cambodians in Illinois via senior health intervention; child and youth services; family health, citizenship and employment. CAI enables refugees and immigrants from Cambodia residing in Illinois, especially those in metropolitan Chicago, to become self-sufficient, productive participants in American society while preserving and enhancing their cultural heritage and community.”

About the co-Founder:

“Kompha Seth, co-Founder and Executive Director of CAI since 1981. He was a Buddhist monk in Cambodia for 23 years before emigrating to the U.S. in 1975. He has received numerous national, state and …

Pao Hoau Her Interview, Bentley "Libby" Christenson

Asian American Art Oral History Project

Artist Bio: Pao Houa Her is a visual artist base in Minnesota. She studied at Minneapolis College of Art and Design and at Yale University School of Art. She can be reached at [email protected]. Bio from- http://phphoto.nfshost.com/?page_id=33

Pao Houa Her was born in Laos. In 1986 after the Vietnam War ended, Pao and her family moved to Thailand and a year later moved to Minnesota. Pao is the oldest of seven and currently resides in Minneapolis, MN. She has received a B.F.A. in photography at the Minneapolis College of Art and Design, and was the first Hmong individual …

Joanne Aono Interview, Charlie Lacke

Asian American Art Oral History Project

Bio: Joanne Aono is a Japanese American Sansei artist, born in Chicago. She received a BFA from Drake University with post graduate classes through the SAIC.

Solo and two person exhibitions of her paintings and drawings include South Shore Arts, Images Gallery, Eyeporium Gallery, Dayton Street, and 303 Erie Artspace, with an upcoming solo show at the Lee Dulgar Gallery. Joanne has shown in numerous group exhibitions including Julius Caesar, Contemporary Art Workshop, Governor’s State University, Woman Made Gallery, Beverly Art Center, Northern Illinois University, and Art Chicago International. She has received City of Chicago Arts grants in addition to …

Review Of Michel & Nosch, Eds., Textile Terminologies In The Ancient Near East And Mediterranean From The Third To The First Millennia Bc., Carol Bier

Textile Research Works

Textile production comprised the major manufacturing industry of the ancient Near East and eastern Mediterranean, yet it has received relatively little scholarly attention. As garments and furnishings, textiles may provide warmth and utility, but they are also indicators of status, objects of trade and tribute, products of technology, and economic generators. The role of textiles is both pervasive and complex, yielding rich and specific vocabularies that do not easily transcend time and space for contemporary understanding. This brilliant volume offers a compilation of twenty-two papers that result from an exciting collaboration between the Danish National Research Foundation's Centre for Textile …

Mapping Community Mindscapes: Visualizing Social Autobiography As Political Transformation And Mobilization, Emily C. Bluck

Scripps Senior Theses

Historically, autobiography has been used to perpetuate neo-liberal ideologies. Yet, when autobiography becomes social and is used to engage political communities of color, political transformation is possible. This project, through the collaborative visualization of Asian American social biography using pedagogical and relational methods as a means for engagement, seeks to destabilize dominant notions of time and space, and provide a mechanism for the retention of and documentation of institutional, and social histories using the Asian American Student Union at Scripps College as the site for political praxis.

The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier

Textile Research Works

Of several brick tomb towers constructed at Maragha in western Iran before the Mongol conquests, one in particular, Gonbad-e Qabud (593 H. / 1196-97 C.E.), has generated significant recent attention for its unique patterns with pentagons and decagons. Gonbad-e Qabud is also unusual in having a decagonal plan. While both plan and decoration distinguish it from earlier and later towers at Maragha and elsewhere on the Iranian plateau, the ornamental patterns follow a long line of experimentation with geometric expressions that grace many pre-Mongol buildings in Iran. This article examines in particular the overlapping polygons and radial symmetries of the …

The Persian Period Pottery Of Tall Al-'Umayri, Philip R. Drey

Dissertations

Problem

In Transjordan, archaeological evidence found at well-stratified sites and dating to the Persian period (539-330 BC) has been lacking until the publication series of Tall al- ‘Umayri. This dissertation determines a pottery typology of the Persian period by distinguishing between the Iron II/Persian period and the Persian period of Tall al- ‘Umayri.

Method

The ceramic evidence dating to the Persian period from the site of Tall al-‘Umayri was systematically collected and organized according to the form typology set out in Ancient Pottery of Transjordan. The Persian pottery was then compared to Iron II/Persian pottery in order to discover differences …

Erbu Interview, Xiayla Sisson

Asian American Art Oral History Project

Artist Bio: Erbu is a Filipino artist born Wivinne “Eve” Red Buhay in Manila on March 1, 1955. Erbu is the 3^rd child of Nilo Buhay and Delia Red. Erbu was born into art, with her immediate family being very creative and well distinguished artists in their own right. Erbu’s style is unlike anyone else, she delves into the emotional and comfortable aspects of life giving her art a very home like quality.

For more information visit: http://erbu55.com/

Marlon Unas Esugerra Interview, Gis George

Asian American Art Oral History Project

Bio: Marlon Unas Esguerra is a second generation Filipino American, born and raised in Chicago. Marlon currently resides in Woodside, Queens, and is a Special Ed teacher at Queens Vocational & Technical High School.

In 1998, he co-founded the panAsian spoken word ensemble, I Was Born with Two Tongues/, which has since performed in over 300 colleges and venues across the country. The Tongues' pioneering performance work and critically-acclaimed debut CD, "Broken Speak" (AsianImprov Records), sparked a new generation of APIA voices. He is also the co-founder of the Asian American Artists Collective-Chicago, YAWP! Young Asians …

Mukul Roy Interview, Emily Ellert

Asian American Art Oral History Project

Bio: [by Emily Ellert] Mukul Roy was born in Udupi, India where she was raised by her mother and father [the artist declined to specify what year she was born]. She began college there and finished her first two years, called intermediary. Then she moved to Calcutta with her family and continued studying literature there. During her time in Calcutta, there were various sociopolitical movements occurring and it resulted in a lot of violence and bombings. She met her husband in Calcutta, and in 1966 they moved to England where he was continuing his studies to be a …

Agnes Chou Interview, Frankie Lacoste

Asian American Art Oral History Project

Bio: Agnes Chou, also known as Jua-Ling Chou, is an artist of the Lingnan style of Chinese painting. Agnes began her work at the age of seventy when she began taking classes from Andy Chan. Her work is primarily composed of botanical arrangements in water color on rice paper. Agnes Chou is now eighty-one years old having participated in an international exhibition eight years ago in Japan where her work can now be found in the Murphy Hill gallery. She now uses painting as a hobby and teaches at Oakton Community college.

Regin Igloria Interview, Julie Hernanadez

Asian American Art Oral History Project

Artist Bio: Born 1974 Manila, Philippines. Lives and works in Chicago, IL. Regin Igloria maintains a studio practice which revolves around teaching and serving as an arts administrator. He teaches studio courses at Marwen, a nonprofit youth arts organization, where he has also served as program and exhibitions coordinator. An alumnus of the program, he helped establish their Alumni Advisory Board and served as its co-chair, run their Alumni Gallery, and served as a teaching artist for many of their study trips to New York City, Boston, and Maine. He has also taught for the children's program at Anderson Ranch …

Jonathan Laxamana Interview, Kevin Galanto

Asian American Art Oral History Project

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Bio: Jonathan Laxamana is the Program Director for the Chicago Filipino American Film Festival. To learn more about CFAAF visit: www.cfaff.org

Prem Sharma Interview, Ester Lee

Asian American Art Oral History Project

Artist Bio [by Ester Lee]: As a co-founder of Apna Ghar, Inc. (Our Home) a shelter for surviving women and children of domestic violence was founded in 1989, Prem Sharma also helped create the Club of Indian Women and the Indo-Crisis Line prior to this. Since moving to Chicago in 1972, Ms. Sharma has been actively involved with various South Asian organizations such as Chitrahar (South Asian television show), India Tribune, The Hindu Temple of Greater Chicago, the Association of Indians in America, and the Indian Medical Association. An accomplished self-taught artist, Ms. Sharma has supported the arts and …

Ruyell Ho Interview, Sarah Bonner

Asian American Art Oral History Project

Artist Bio: BFA School of the Art Institute of Chicago; BA University of California, Berkeley. Has had a 45 year career in art making. Was appointed to the grant review panel of the Chicago Department of Cultural Affairs for six years. Former professor of painting and lecturer at Bradley University, Peoria, IL. Exhibits nationally and internationally.

Johannah Silva Interview, Mal Warning

Asian American Art Oral History Project

Artist Bio & Statement:

Johannah Silva is a Chicago-based artist. She received her MFA from The School of the Art Institute of Chicago in 1999 and currently teaches full-time at Wright College.

In the last few years, I have been making work using the circular shape/form as a starting point for my paintings and drawings. The circles allude to micro as well as macro forms, -- cells and atoms as well as planetary bodies, for example. My working process involves the repetition and placement of these shapes and marks on the painting surface, in consideration with formal elements such as …

Andy Chan Interview, David Escobedo

Asian American Art Oral History Project

Bio: [by David Escobedo] Andy Chan is a Chinese immigrant that does a new style of Chinese traditional painting. His art career began in Hong Kong where he attended the Lingnan School and learned the Lingnan style of Chinese painting. Andy Chan is a well-known and established artist in his community in Chinatown Chicago. His art is beautifully done in composition and rendering. Andy is currently facing struggles with his health, which imposes on his ability to create large works and plans to make large art shows.

Liat Smestad, Amy Dosen

Asian American Art Oral History Project

Artist Bio:

"Coming from a family of architects, I saw how closely related the functions of fashion and architecture are. I wanted to explore the function of fashion further and began my coursework in fashion design, focusing on the protective aspect of clothing. My focus on the protective function of clothing led me to a 25+ years career in fur design. My artistic explorations have led me in some interesting directions. I continually reshape my idea as an artist and the boundaries of my art. I've recently branched out into photography and also returned to my childhood passion: painting. I …

Willi Red Buhay Interview, Lauren Todd

Asian American Art Oral History Project

Bio: Willi Red Buhay was a graduate of San Beda College and the University of Sto. Tomas. He was the first artistic director for design of the Cultural Center of the Philippines and the Folk Arts Theater, a position he held for fifteen years. He also held a teaching post at the University of the Philippines and his alma mater.

One of Manila’s celebrated design-artist-painters, Willi had staged over 300 productions from theater and cinema to gallery exhibitions. In 1970, he won the prestigious design competition for the Philippine Center in New York. It was the start of numerous design …

George Suyeoka Interview, Bridget Pasapane

Asian American Art Oral History Project

Bio: Born in 1926 in Hawaii, George Suyeoko was raised in Hawaii and graduated from McKinley High School. He served in the U.S. Military Intelligence Service during WWII in Japan. In 1953, he graduated fro the School of the Art Institute of Chicago. He has been a fine art and commercial artist in Chicago ever since. He was married to the late Irene Suyeoka, a weaver, has two children, and lives in Evanston, IL.

Suyeoko’s exhibitions include: Chicago International New Art Forms Exposition; Folkworks Gallery of Evanston; Honolulu Academy of Fine Art Extension; Honolulu Gallery; Best pf show at SAN …

Jin Soo Kim Interview, Jin Woo Kim

Asian American Art Oral History Project

Artist Bio: jin soo kim was born in 1950 in Seoul, during the Korean War. In 1974, after receiving her B.S. from Seoul National University, kim left Korea. Upon arriving in Los Angeles, the severity of the culture shock was such that after eight months, she moved to a remote rural town Macomb Illinois, forty miles east of the Mississippi River. She began studying art in Western Illinois University while working at a hospital as a registered nurse.

In 1983, kim went on to receive an MFA at The School of the Art Institute of Chicago. Since then, her work …

Taking Sides, But Who’S Counting? The Decagonal Tomb Tower At Maragha

Textile Research Works

Lu and Steinhardt introduced the term “girih tiles” to describe the set of equilateral polygons that structures a colorful two-dimensional decagonal tiling on the Darb-e Imam in Isfahan, Iran (1453 CE) with distant roots in the five-fold symmetries articulated in brick on the Gonbad-e Qabud, a tomb tower dated to the late 12th century CE located at Maragha in western Iran. Their work seeks to establish the early existence of quasi-crystalline tilings long before such means of covering the plane were understood mathematically in the West. Questions remained unanswered as to whether those who constructed these monuments were aware of …

Nor Sanavongsay Interview, Sittha Abhay

Asian American Art Oral History Project

Nor's Biography:

My name is Nor, pronounce Naw, I was born in Thailand. My family moved to the US when I was four years old. We landed in Kingport, TN and stayed with our sponsors for about six months before heading up to Illinois.

I grew up watching Transformers, Bruce Lee movies, Thundercats, and all the great 80's cartoons. I also have a facination with comic books and graphic novels. I began drawing at the age of six with my uncle as a mentor. I honed my artistic skills as the years pass by.

Nor's Websites:

http://www.nawdsign.com/

http://xiengmieng.com/

Lani Montreal Interview, Thi Navi Thach

Asian American Art Oral History Project

2010 interview with Filipina teacher, writer, performer Lani T. Montreal by Thi Navi Thach

Tatsu Aoki Interview, Brian Callahan

Asian American Art Oral History Project

2010 interview with musician Tatsu Aoki