Art Practice Commons^™

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

Past And Future Winds, Alicia Ehni

Theses and Dissertations

Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.

The Fuller The Bucket Is, The Harder It Is To Fly, Jacob Littlejohn

Theses and Dissertations

My abstract paintings are informed by the momentary sublime rooted in the vastness of the natural world. Based on imagined and real landscapes, the work evokes minutia and phenomena that affect our perceptions of reality, and signifies a longing to reconnect with the natural world.

“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World, Caroline Grinstead

Student Scholar Symposium Abstracts and Posters

Art institutions such as museums, galleries, and auction houses have for many years been characterized as reliable and trustworthy. The act of art forgery threatens this integrity and causes these institutions to rethink how they acquire artworks. My research focuses on a specific art forger, Elmyr de Hory, who became notorious for being able to reproduce works in the style of notable artists such as Picasso, Matisse, and Modigliani. By successfully selling his forgeries to multiple museums and galleries, only to be discovered later, de Hory forced institutions to reconstruct their approaches in authenticating and acquiring works of art. As …

In The Performance Of A Lifetime: Pepper Plinkett, Lily Camille Hollinden

Graduate Theses and Dissertations

This narrative depicts a caricature of the human experience through the eyes of my alter- ego character, Pepper Plinkett. Pepper is a symbol of my personal philosophies of what it means to be human, and serves as a protagonist and guide through an infinite, ambiguous natural world. This exhibition is a celebration of the vibrancy, curiosity, and ridiculousness of a lifetime. The uniqueness of humor as a specifically human trait and its use as a tool of communication, particularly in expressing authenticity, is the driving force behind my use of clowns in my work. I take an absurdist approach to …

My Daily Grounds: A Journal Of Creative Alchemy, Kathleen A. Donovan

Creativity and Change Leadership Graduate Student Master's Projects

My Daily Grounds: A Journal of Creative Alchemy is a project intended to renew artistic confidence and prepare a mindset for a writing retreat in Ireland in June 2024 by revisiting childhood memories and exploring the impact of early domestic abuse through a visual journaling process. This endeavor aims to stir up the creative voice and find authenticity in creation by gathering and clarifying personal data visually, following the Creative (CPS) approach to unlock new insights and ideas for writing. The resulting essays will illuminate the unseen effects of trauma and are intended for publication, reflecting a co-creative process between …

Temple Of Familiars, Madeleine Grace Kelly

LSU New Orleans Theses and Dissertations

My paintings, etchings, and installation explore encounters with mystery in the natural world, especially through the flora, fauna, light, and water of the swamps around the Atchafalaya Basin. My practice explores kinship, reverence, and awe as an antidote to estrangement from the spirit of the land. I am influenced by artists and scholars engaging with the places that they inhabit and that inhabit them with a reverence and mystery of approach. My work invites viewers to engage with the memory that the water carries of our interconnectedness, and to remember that we are not separate from the natural world.

In A State Of Becoming, Benjamin Conley

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibition titled, In a State of Becoming. The exhibition was on view at the Tipton Gallery in downtown Johnson City, TN from February 26 March 8, 2024. In a State of Becoming showcased three large scale paintings, five multimedia prints, two sculptural installations, and a video projection installation. Conley's thesis research and current artistic practice revolve around the interfaces, connections, and relationships of humans and animals. Conley explicitly uses language like "animal" to describe "non-human animals" in his work's context. The exhibited works focused primarily on how the artist and/or the viewer …

Groundswell, Ursula Gullow

Electronic Theses and Dissertations

The artist discusses the artwork of her Master of Fine Arts exhibition, Groundswell, held at Tipton Gallery in Johnson City, March 11 – 22, 2024. The exhibition includes wall pieces, sculpture, plaster, and ceramic objects that explore the traditional parameters of painting and its presentation.

Ideas discussed include the philosophy of history, and the origin of European art tropes such as odalisques, flowers, and birds. Framing devices, deconstructed paintings, fiber arts, ceramics, 18^th Century decorative art, plaster, the studio practice, Walter Benjamin, David Lowenthal, Gustave Courbet, Jean Honoré Fragonard, Titus Kaphar, Valerie Hegarty, and maximalism are also surveyed.

In This Time And Place, Christy Aggens

School of Art, Art History, and Design: Theses and Student Creative Work

I seek out and spend time in relatively wild outdoor locations and create art based on my observations. The resulting work explores time and place, while the creation of the work increases my engagement with the environment. This process serves as a reminder that time is relative and life itself is continuous.

I start by finding time in locations where nature has been given a chance to thrive and where the sound of human activity is at a minimum. During these retreats, I use my senses to absorb information and document the experience by journaling, making recordings, taking photographs, drawing, …

Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra

Graduate Theses/Dissertations

I knew from a young age that I never wanted children. Whenever I expressed my disinterest in motherhood, I was often met with bewilderment, disapproval, and hostility. The church I was raised in taught me that my value and worth as a woman directly correlated with the power of my birthing hips. This fundamentalist upbringing has significantly shaped my relationship with my femininity, my body, and my artwork. When I feel powerless, turning to my art gives me a sense of control and self-expression. This body of work began as a reaction to the overturning of Roe v. Wade and …

Notorious: John Singer Sargent's Madame X, Frankie M. Smith

SPARK Symposium Presentations

The meaning and controversy behind John Singer Sargent's Madame X painting.

Preventive Conservation Of Easel Paintings For Collectors In China: Navigating Challenges And Exploring Feasible Solutions, Di Lu

MA Theses

This thesis explores the unique challenges faced by art collectors in China, particularly those investing in easel paintings amidst the rapid growth of the Chinese art market. These collectors, often constrained by budget limitations and limited access to high-quality conservation materials and expertise, face significant risks in preserving their cultural assets. The study delves into these specific risks and challenges, aiming to identify feasible strategies for preventive conservation within the Chinese context. Through an extensive review of literature, qualitative interviews with conservators, collectors, and experts, and in-depth case studies, this research offers practical, cost-effective recommendations for alternative materials and methods …

Bridging Cultural Disconnects: Implementing Social And Emotional Learning Through The Use Of Action Research And Community Responsive Pedagogy Through The Art-Making Process, Rajeev Colleen Haymond

Cal Poly Humboldt theses and projects

This thesis project will explore the intentional implementation of social and emotional learning strategies while being grounded in a community responsive pedagogy in an art classroom. The big idea was to be intentional when incorporating social and emotional learning teaching strategies to offer a safe space that will aide in bridging the cultural disconnect that I have observed in the classroom. Through building on the five SEL competencies such as self-awareness, self-management, social awareness, relationship skills and responsible decision-making students were able to build up their sense of pride and self. Through the use of action research, I was able …

"Where Did Your Christ Come From?", Kamara V. Townes

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written document is the accompanying thesis for my Master of Fine Arts Exhibition, “WHERE DID YOUR CHRIST COME FROM?”, shown at Gallery 937 in downtown Pittsburgh, Pennsylvania (displayed April 5th-June 9th, 2024). Through painting, sculpture, and installation, I rely on an intuitive artmaking practice to create work that makes commentary on race, gender and identity. This thesis documents my research on contemporary influences, experimentation with materials and my point of view in conversation with intersectional feminism while navigating institutional racism.

Conceptually the work of my thesis is deeply influenced by womanism and Black culture, which informs my exploration …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

A Community Of Knots, Katherine Mahler

MFA in Visual Arts Theses

In her 1965 essay On Weaving, the artist Anni Albers stated, “As it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view. The thoughts, however, can, I believe, be traced back to the event of a thread” (Albers XI). A thread is the beginning of coming into being. In this paper, I will discuss the lines of my work from the beginning of the program, exploring mapping to how my work as a teacher …

One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix

Theses and Dissertations

"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.

A Body Finding Freedom Within Itself, Malda Smadi

Masters Theses

When a dislocation of any type occurs, whether geographical, emotional, or spiritual, the disorder pushes the self to retreat to safety. For me, that safety is in my body. It is in this place of retreat where I locate my original home.

In this space of translocation, I forage for materials from my surroundings and places that I belong to. Moving between Dubai, Damascus, Beirut, and Providence, I shape a reality dependent on what is available. I then transform these materials, searching for the forms and relationships that emerge while meditating on home and the body as a moving vessel …

Cultivar, Scott Vander Veen

Masters Theses

A memory palace is a mnemonic device that facilitates recollection by putting memory, that slippery substance, into a strictly structured mental geography. It is advisable to use a real place with which you are intimately familiar (perhaps your childhood home) as the scaffolding for the compartmentalization of whatever mental objects require organizing. Other objects, sensations, or atmospheric conditions are used to heighten the efficacy of the system—memory #1 may be found in the junk drawer in the kitchen, at dusk, nestled between a box of safety pins and a bundle of rubber bands. I am interested in the way this …

Cuando Lloro, Melissa Medina

Masters Theses

There are moments where I am suddenly hit with a deep sentimental longing for a time that no longer exists, one that has transformed into a deep nostalgia, one that becomes more and more conflicted as time passes. Often thought of as a yearning for a recent past, or homesickness, nostalgia can be difficult to define. Although the concept and emotion associated with nostalgia may seem familiar, the word is in fact complex. Nostalgia, for the immigrant, is an escape from their marginalization; an opportunity to embrace the complexities. Painting then becomes an embrace, a direct connection between the present …

Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor

Masters Theses

A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …

From John Street To Union, Andrew Shea

Masters Theses

I have been making paintings constructed loosely from my experience of walking about one mile each morning from my apartment in Fox Point to my studio in downtown Providence, and of walking back each night. My goal is to rediscover the feeling of these outdoor places—their lights, atmospheres, colors, and topographies—through the process of painting inside the studio. As such, the visual representations of these paintings are not straight-forward and objective, but oblique and affective.

I hope that these works draw one’s attention to the idiosyncrasies of natural life and to the particularities of weather. I want the paintings to …

Flores, Rigoberto Flores

Masters Theses

My name is Rigoberto Flores and I was born in Guerrero, Mexico. The work I make involves politics, immigration, cartel violence and religious themes. I’m interested in presenting these challenging and difficult concepts, to have them remain in the public consciousness. The work I produce involve charcoal drawings, textiles, print, and painting. The work I create is intended to address inconstancies in established ideas, usually involving government violence. Throughout history art has been used to promote institutional propaganda. I am searching to do the same, but to oppose those structures.

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

Someone Will Remember Us / I Say / Even In Another Time, Paul Anagnostopoulos

Theses and Dissertations

Paul Anagnostopoulos’s paintings and vases use mythological melodrama in a contemporary context to portray vivid images of queer life in the wake of homophobic erasure and tragic loss. “someone will remember us / I say / even in another time” traces his aggregate interests in Greco-Roman cultures and art history.