Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of Nebraska - Lincoln (389)
- Virginia Commonwealth University (142)
- City University of New York (CUNY) (9)
- Purdue University (3)
- Technological University Dublin (3)
-
- Bank Street College of Education (2)
- Chapman University (2)
- SUNY Buffalo State University (2)
- The University of San Francisco (2)
- Belmont University (1)
- Claremont Colleges (1)
- Gettysburg College (1)
- Jacksonville State University (1)
- James Madison University (1)
- Kennesaw State University (1)
- Louisiana State University (1)
- Pepperdine University (1)
- Rhode Island School of Design (1)
- SAE Institute Australasia (1)
- The University of Akron (1)
- Universitas Indonesia (1)
- University of Dar es Salaam (1)
- University of Louisville (1)
- University of New Hampshire (1)
- Ursinus College (1)
- Washington University in St. Louis (1)
- Western University (1)
- Wilfrid Laurier University (1)
- Keyword
-
- Art (12)
- Museums (6)
- Contemporary art (4)
- Antropología de los Andes (3)
- Antropología del textil (3)
-
- Bolivia (3)
- Estudios andinos (3)
- Etnografía de los Andes (3)
- Etnografía del textil (3)
- Historia de los Andes (3)
- Identidades textiles (3)
- Qaqachaka (3)
- Women (3)
- Ayllus (2)
- Chile (2)
- Climate change (2)
- Controversy (2)
- Craft (2)
- Cultural heritage (2)
- Curation (2)
- Identity (2)
- Iran (2)
- Lib_pub (2)
- Los Angeles (2)
- Museum (2)
- Representation (2)
- Symmetry (2)
- Textil andino (2)
- Textiles (2)
- 1916 Rising (1)
- Publication Year
- Publication
-
- Textile Society of America: Symposium Proceedings (315)
- Art Inquiries (140)
- Textile Research Works (73)
- Dissertations, Theses, and Capstone Projects (4)
- Artl@s Bulletin (2)
-
- Books/Book Chapters (2)
- Museum Studies Theses (2)
- Publications and Research (2)
- Student Scholar Symposium Abstracts and Posters (2)
- Theses and Dissertations (2)
- All Faculty and Staff Papers and Presentations (1)
- Art and Art History Presentations (1)
- CGU MFA Theses (1)
- Conference papers (1)
- Dissertations and Theses (1)
- Electronic Theses and Dissertations (1)
- Environmental Studies Faculty Publications (1)
- Graduate School of Art Theses (1)
- Graduate Student Independent Studies (1)
- International Review of Humanities Studies (1)
- Journal of Humanities and Social Sciences (1)
- Journal of Social Theory in Art Education (1)
- LSU Master's Theses (1)
- Law Faculty Scholarship (1)
- MAD-RUSH Undergraduate Research Conference (1)
- Master's Projects and Capstones (1)
- Master's Theses (1)
- Masters Theses (1)
- P-12 Lesson Plans (1)
- Pepperdine Journal of Communication Research (1)
- Publication Type
- File Type
Articles 91 - 120 of 573
Full-Text Articles in Art Practice
Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk
Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk
Art Inquiries
No abstract provided.
Medieval Bologna: Art For A University City, Ashley Elston
Medieval Bologna: Art For A University City, Ashley Elston
Art Inquiries
No abstract provided.
Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley
Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin
The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin
Art Inquiries
No abstract provided.
Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston
Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston
Art Inquiries
No abstract provided.
Hear Me Now: The Black Potters Of Old Edgefield, South Carolina, Cynthia Fowler
Hear Me Now: The Black Potters Of Old Edgefield, South Carolina, Cynthia Fowler
Art Inquiries
No abstract provided.
Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury
Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury
Art Inquiries
No abstract provided.
Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden
Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden
Art Inquiries
No abstract provided.
Troy Thomas, Poussin’S Women: Sex And Gender In The Artist’S Works, James R. Jewitt
Troy Thomas, Poussin’S Women: Sex And Gender In The Artist’S Works, James R. Jewitt
Art Inquiries
No abstract provided.
Laurie Anderson: The Weather, Annie Dell'aria
Art Inquiries Vol Xviii No 4 2023 Full Issue, Mysoon Rizk
Art Inquiries Vol Xviii No 4 2023 Full Issue, Mysoon Rizk
Art Inquiries
No abstract provided.
From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel
From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel
Master's Theses
This thesis examines the impact of the Black Lives Matter movement on the art community in the United States and the evolution of representation for Contemporary African artists. By analyzing the careers and artistic contributions of Omar Ba, Toyin Ojih Odutola, and Njideka Akunyili Crosby, the study explores the concept of artistic agency according to which African artists have more control over the production and distribution of their works.
The research begins with a comprehensive literature review, investigating the historical contexts that have shaped the art landscape, including the impact of colonization, decolonization, and globalization. The study reveals how these …
Color Nirvana, Elizabeth Thomas, Chai Avery
Color Nirvana, Elizabeth Thomas, Chai Avery
P-12 Lesson Plans
In this art lesson for grades 6-12, students will consider how color reads differently depending on chromatic surroundings and experiment with color scheme arrangements to create their own linear collage with adhesive-backed papers. This lesson is based on the exhibition NIRVANA, Polly Apfelbaum displayed at the Zuckerman in the fall of 2023.
The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta
Pepperdine Journal of Communication Research
Art is powerful, as it symbolizes the history and identity of the country that claims it. However, through timely transitions, such as trade and wars, the ownership of meaningful artworks blurs, with museums fighting to claim their heritage to put on honorable display for their people. Mediation can be a peaceful means to resolve art ownership disputes, as it accounts for respecting the individual cultures of the countries represented in the dispute. Using the key medication traits described within this essay, a prepared mediator involved in such a cross-cultural conflict should be able to help resolve the issue at hand. …
Visual Representation Of Black Individuals At The Forefront Of Underground Railroad Interpretation, Alison Spongr
Visual Representation Of Black Individuals At The Forefront Of Underground Railroad Interpretation, Alison Spongr
Museum Studies Theses
This thesis is grounded in a reflection and analysis of the building of an institution whose foundation and visuals position the narratives of Black individuals at the forefront of Underground Railroad interpretation. In 2018, the Niagara Falls Underground Railroad Heritage Center opened to the public after decades in the making. Its permanent exhibition, One More River to Cross, set in motion a shift in power – of whose stories are represented and shared – generated by visual activism.
“Between the American Revolution in 1776 and the end of the Civil War in 1865, thousands of freedom seekers escaped slavery …
No Canvas, No Rules, Francisca B. Ugalde
No Canvas, No Rules, Francisca B. Ugalde
Proceedings from the Document Academy
This presentation activity is a creative exploration of the concept of DIS-EASE, as in the absence of ease, uneasiness, or discomfort.
Conceptually, I am exploring DIS-EASE in three ways:
- As you can see, I am painting directly onto the gallery wall. As the keeper of these galleries, I can assure you that this is a big no-no. I mean how dare anyone disturb these pristine surfaces?! The rationale behind my discomfort is rooted in the idea that the gallery is a sacred space, and that these walls ought to be kept pristine so that the objects displayed against them …
Persian Velvets Of The 17th Century: Symmetry, Craft, And Technology, Carol Bier
Persian Velvets Of The 17th Century: Symmetry, Craft, And Technology, Carol Bier
Textile Research Works
Symmetry is the organizing principle that underlies patternmaking in compound woven textiles of 17th century Iran. Persian velvets are particularly noteworthy for their complicated weave structure. What defines compound weaves is the interlacing of more than one set of warps (longitudinal elements held under tension at the loom) with wefts (transverse elements). Velvets introduce an additional set of supplementary warps held under differential tension. The weaving of a compound textile requires both a pattern harness and a structure harness for the interaction of warps and wefts. A weaver on the bench manipulates the structure harness for each passage of the …
Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver
Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver
Theses
Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of the great battle cries of many feminist scholars that drew attention to the limitation’s that female artist’s face in the art world. Women have systematically been left out of the art historical narrative while their male counterparts remain at the forefront.
There are many women that are very prominently represented in museums. They are largely nude and have been represented by male artists. While I do not argue that nudity in paintings should not exist, I do insist that museum goers become …
Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace
Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace
Dissertations, Theses, and Capstone Projects
Fabricated in unlimited series and sold at cost, the sculptures produced by Charlotte Posenenske between 1966 and 1967—modular wall reliefs, interactive cubic structures, and tubular geometric units whose installation requires collective decision making—were meant to confront both the artwork’s commodity status and the limitation of its consumption to a privileged elite. Nevertheless, Posenenske’s work has been effectively recuperated by the art system: first, in the 1980s, through a series of exhibitions and publications organized by her estate; and second, with her inclusion in Documenta 12 in 2007, which reintroduced her work to the market. Since the artist’s death in 1985, …
Inevitable Associations: Art, Institution, And Cultural Intersection In Los Angeles, 1973–1988, Liz Hirsch
Inevitable Associations: Art, Institution, And Cultural Intersection In Los Angeles, 1973–1988, Liz Hirsch
Dissertations, Theses, and Capstone Projects
Inevitable Associations: Art, Institution, and Cultural Intersection in Los Angeles, 1973-1988 considers alternative institutions and cultural intersections in bicentennial-era Los Angeles. I look at the spatial, social, and artistic convergence of Los Angeles artists rarely seen as allied, through close examination of alternative cultural infrastructure that came out of a federal jobs program called the Comprehensive Employment and Training Act (CETA) and cohered around a building located at 240 South Broadway in downtown. I use the model of association—alliance through shared purpose—to demonstrate moments of convergence and interconnection. Through an analysis of the formation of Los Angeles Contemporary Exhibitions (LACE), …
Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation, Kristen Cooney, Justin Mitchell, Katie Sanfield
Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation, Kristen Cooney, Justin Mitchell, Katie Sanfield
Art and Art History Presentations
Strata, a multi-sensory installation by Canadian artist Shannon Collis on display at the Berman Museum of Art, immerses visitors in an environment of deep sonic resonance and dynamic moving images that travel above and through Alberta’s Boreal Forest, the Athabasca River, and Fort McMurray to underscore the scale of the Fort Hills Suncor Oil Sands and Syncrude Oil Plant, the third-largest known crude bitumen reservoir on the planet. As part of the programming for the exhibition, each student enrolled in the Curatorial Seminar course (MS-200B-A) planned and carried out a creative project, reached out to other communities to get them …
Mathematics And The Divine In Islamic Art: Study Guide, Carol Bier
Mathematics And The Divine In Islamic Art: Study Guide, Carol Bier
Textile Research Works
Key Concepts and Terminology
Key Philosophers/Theologians
Key Monuments
Suggested Readings
Marāgha; From Encyclopaedia Of Islam Three, Carol Bier
Marāgha; From Encyclopaedia Of Islam Three, Carol Bier
Textile Research Works
Hülegü Khān (r. 654–63/1256–65) established Marāgha as capital of the Īlkhānate (654–754/1256–1353) in 657/ 1259, a year after his siege and largescale destruction of Baghdad. Located 130 kilometres south of Tabriz, Iran, it became the site of an astronomical observatory directed by Nasīr al-Dīn Tusī (d. 672/1273–4), a Persian astronomer and mathematician who assembled a team of the best minds in what are today Spain, Morocco, Egypt, and Iran. The mathematical work on planetary orbits carried out there helped shape the subsequent development of sciences in Europe. Stone remains of the observatory and its equipment were identified in …
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
Commonwealth, Clare Van Loenen
Jordan Nassar: The Field Is Infinite, Megan Bickel
Jordan Nassar: The Field Is Infinite, Megan Bickel
Art Inquiries
No abstract provided.
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
Art Inquiries
No abstract provided.
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Art Inquiries
No abstract provided.
Julie Mehretu, Jessica Stephenson