Art Practice Commons^™

Viscacha: Luxury, Fate And Identification In Precolumbian Textiles, Elena Phipps, Caroline Solazzo

Textile Society of America: Symposium Proceedings

Since the sixteenth century, references by Spanish chroniclers to the use of chinchilla hair (Andean rodents of several species including viscacha) by Andean weavers indicate that the fine hair of these animals had been incorporated into textiles. Their fine soft hair, often mottled in color, has distinctive characteristics which vary and, as a result, make them difficult to identify. Some archaeological finds, primarily in Chile have reported viscacha skins and fur bags, but few if any reports have identified the presence of textiles or spun yarns that incorporate this special fiber. The depiction of the animal takes on special meaning …

Unseen, Unheard, Unnamed: The Matchless And Unsung Heroes Of The Textile Art And Craft Of Rajasthan, Simrita Singh, Anu H. Gupta

Textile Society of America: Symposium Proceedings

Rajasthan is known for its exquisite handicrafts, especially the textiles. In spite of having the most vibrant and glorious traditions, this sector has been grossly unorganized due to the poor socio-economic status of the artisans. The educational background of the artisans also is not satisfactory; hence, they lack public relations skills. They are totally dependent on big traders and middlemen for marketing purposes. Moreover, in this era of labels and designers, the artisans, however skilled or endowed they may be, have to work under some renowned brand or name to have a regular livelihood. However, not all artisans are lucky …

Artistic Philanthropy And Women’S Emancipation In Early Twentieth-Century Italy, In The Life And The Work Of Romeyne Robert And Carolina Amari, Ruggero Ranieri

Textile Society of America: Symposium Proceedings

Romeyne Robert, married as Ranieri di Sorbello, started an embroidery school in 1904 in Umbria, at the family’s country estate of Pischiello. Her goal was to teach young peasant women to emancipate themselves by learning the craft of embroidery. She was inspired by the Arts and Crafts movement in America and by contemporary programs developed in settlement houses along the East Coast. Their aim was to help the emancipation of immigrant women from Italy by fostering the recovery of artisan skills. At the Sorbello Embroidery School, Romeyne rediscovered the Renaissance technique originally called the punto Umbro, later renamed punto Sorbello. …

Tribal Textiles And The Mingei Circle In Japan: Muneyoshi Yanagi’S View On Carpet, Yumiko Kamada

Textile Society of America: Symposium Proceedings

Tribal carpets and textiles have been enthusiastically collected by connoisseurs and ordinary people in Europe and the United States for years. Along with a number of publications on tribal carpets and textiles, several recent exhibitions such as Portable Storage: Tribal Weavings from the Collection of William and Inger Ginsberg at the Metropolitan Museum of Art indicate a keen academic interest in the West. In contrast, tribal carpets and textiles did not gain the attention of the majority of Japanese. However, some Japanese, especially Yanagi Muneyoshi and his friends in the Mingei circle, notably Hamada Shoji, Serizawa Keisuke, and Tonomura Kichinosuke, …

Ciencia De Las Mujeres: Experiencias En La Cadena Textil Desde Los Ayllus De Challapata, Denise Y. Arnold, Elvira Espejo

Textile Research Works

En el contexto de la crisis económica que atravesó Bolivia en los años ochenta, una comunidad de puna de pastores andinos, Livichuco, que forma parte integral del ayllu mayor de Qaqachaka, emprendió por iniciativa propia un proceso de mejoramiento de su producción textil, con un programa de rescate de los tintes naturales de la región. Con recursos mínimos, los comunarios compraron ollas y bateas metálicas, y comenzaron a preguntar a las personas mayores sobre sus conocimientos prácticos tradicionales en el ámbito de la tinción de textiles. Durante un período de diez años, y en coordinación con varias instituciones —incluida la …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Dissent And Disruption: How Artists Redefine Museum Spaces And Audience Engagement, Paige E. Sellars

MAD-RUSH Undergraduate Research Conference

This paper delves into the concept of artistic creation from engagement with museum collections and the intimate connection between museum curation the post-modern and contemporary artist. I discuss the work of Nedko Solakov at the Frans Hals Museum, Jenny Holzer and Donald Judd at the Museum of Applied Art in Vienna, and Fred Wilson at the Baltimore Historical Society. These artists intentionally reengaged with art and museum objects via deliberate installations and clever interventions to broaden the narrative and in some instances, contest the hierarchical dissemination of knowledge provided by the curator and the museum. Museums of the past espoused …

Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski

Dissertations, Theses, and Capstone Projects

This case study introduces an arts camp methodology of engaging communities in identifying their key cultural heritage features, thus serving as a meta study. It presents original research based on field studies on the climate-vulnerable Caribbean island of Barbuda during 2017 and 2018. Its Valued Cultural Elements survey, enabling precise identification of key tangible and intangible art forms and biocultural practices, may serve as a basis for further studies. Such approaches may facilitate future research or planning as climate-vulnerable communities harness Local or Indigenous Knowledge for purposes of biocultural heritage preservation, or towards adaptation or relocation. I report on findings …

Contemporary Muslim Fashions: De Young Museum, San Francisco, Ca, Carol Bier

Textile Research Works

Calico, chintz, damask, muslin, cashmere, seersucker, taffeta, shawl, caftan, and cummerbund-all English terms derived from Islamic textiles and dress-are the products of textile technologies that resulted from colonization and trade. Their cultural origins are long forgotten, shrouded in the fast-moving commercialized fashion industry and haute couture ofthe West that developed during the 20th century. The exhibition, Contemporary Muslim Fashions, is a game-changer.

The exhibition organizers, Jill D'Alessandro and laura Camerlengo, curators of costumes and textiles at the De Young Museum in San Francisco, worked with Reina Lewis in London as a curatorial consultant. Together, they drew upon the local advice …

Ciencia De Tejer En Los Andes: Estructuras Y Técnicas De Faz De Urdimbre, Denise Y. Arnold, Elvira Espejo

Textile Research Works

Las estructuras y técnicas de los textiles andinos, en las piezas arqueológicas y en las piezas tanto históricas como contemporáneas, se cuentan entre las más complejas del mundo. Si bien el tapiz o faz de trama quizá sea el más conocido de todos los tipos de tela de la región, es sin duda en las telas de faz de urdimbre donde estas estructuras y técnicas han alcanzado su máximo desarrollo, sobre todo en nuestros tiempos. Varios estudios anteriores han intentado describir las estructuras y técnicas de faz de urdimbre, fundamentalmente los libros clásicos Textiles of Anciente Peru and their Techniques, …

Berthe Morisot: Woman Impressionist, Kathryn Mcfadden

Art Inquiries

No abstract provided.

Delacroix, Joyce Carol Polistena

Art Inquiries

No abstract provided.

Second Sight: Women Artists Of The South, Melissa Yes

Art Inquiries

No abstract provided.

Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa

Art Inquiries

No abstract provided.

Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik

Art Inquiries

No abstract provided.

Front Matter

Art Inquiries

No abstract provided.

In Memoriam

Art Inquiries

In Memoriam: Charles (Randy) Mack, long-time SECAC member and past president of the organization, died in Columbia, SC on October 31, 2018. He was 78. Here, four SECAC members offer memories of Randy, to whom this issue of Art Inquiries is fondly dedicated.

Word Embodied: The Jeweled Pagoda Mandalas In Japanese Buddhist Art, Kerry Lucinda Brown

Art Inquiries

Book review of Word Embodied: The Jeweled Pagoda Mandalas in Japanese Buddhist Art, by Halle O’Neal.

David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk

Art Inquiries

No abstract provided.

Art Inquiries, Xvii:4, Full Issue

Art Inquiries

No abstract provided.

Back Matter

Art Inquiries

No abstract provided.

How Art Works: A Psychological Exploration, Julia A. Sienkewicz

Art Inquiries

Book review of How Art Works: A Psychological Exploration, by Ellen Winner.

The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage

Art Inquiries

Book review of The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, by Lynda Klich.

Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts

Art Inquiries

No abstract provided.

An Interview With Karen Graffeo, Sonja Rieger, And Carolyn Sherer, Kerr Houston

Art Inquiries

No abstract provided.

Wicked, Hard And Supple: An Examination Of Suzanne Valadon’S Nude Drawings Of Young Maurice, Courtney Hunt

Art Inquiries

No abstract provided.

Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins

Art Inquiries

No abstract provided.

The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux

Art Inquiries

No abstract provided.

The Aleppo Minbar: Symmetry And Islamic Aesthetics, Carol Bier

Textile Research Works

The Aleppo minbar (pulpit for Friday sermons) is a monumental architectural sculpture commissioned in the middle of the 12th century in Aleppo, Syria, by Nur al-Din al-Zangi, who was ruling from Damascus. Envisioning the end of the Crusades, Nur al-Din sought to place the minbar in the Aqsa Mosque after Muslims reclaimed Jerusalem, where it was installed in 1187 by the Ayyubid ruler, Saladin. Richly ornamented with many geometric forms and designs, the wooden minbar expresses an algorithmic Islamic aesthetic based on symmetry, with patterns that imply an infinite expanse contained within borders. Manifesting an aesthetic that persisted for …

Sufism, Beauty, Love: Ecstasy And Rapture Of Islam In Asia. Study Guide, Carol Bier

Textile Research Works

Key Vocabulary: Concepts, Practices, Buildings, Masters/Leaders/Disciples

Major Sufi Figures

Suggested Readings