Art Practice Commons^™

In A State Of Becoming, Benjamin Conley

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibition titled, In a State of Becoming. The exhibition was on view at the Tipton Gallery in downtown Johnson City, TN from February 26 March 8, 2024. In a State of Becoming showcased three large scale paintings, five multimedia prints, two sculptural installations, and a video projection installation. Conley's thesis research and current artistic practice revolve around the interfaces, connections, and relationships of humans and animals. Conley explicitly uses language like "animal" to describe "non-human animals" in his work's context. The exhibited works focused primarily on how the artist and/or the viewer …

Trevor Paglen's Border Abstractions In The Age Of Machine Vision, Sarah Bassnett

Visual Arts Publications

Over the past two decades, machine vision and artificial intelligence (AI) have become integrated into many aspects of daily life, and with machines generating images for other machines, humans are no longer at the centre of the image world. To explore the implications of the age of machine vision, this article focuses on a selection of work by American artist Trevor Paglen made between 2008 and 2018. It examines the significance of the US-Mexico border region as a site of his investigations and the role of abstraction in repositioning machine vision within the human-centred visual language of art. The article …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

Scattered Fragments: Art, Architecture, And Archives In Revolutionary Urban Cairo, Mounira M. Makar

Theses and Dissertations

This thesis analyzes how revolutions impact urban Cairo and its communities, specifically within artistic, architectural and archival practice while acknowledging the central role of public spaces in giving way to such revolutionary practices. Fundamentally, this paper highlights the foundational nature of such practices in developing urban communities.

Lost & Looted - The Fate Of Bejeweled Textiles And Gemstone Carpets, Anou Lunia Singhvi

Textile Society of America: Symposium Proceedings

I would like to present my family's role in shaping my love for Bejeweled Textiles, my father, P. C. Lunia was a reclusive genius extra-ordinaire, he created what no other jeweler would dare put--majestic gemstone chandeliers, fine silver gem studded sculptures and monumental textile art bejeweled with the powerful energy of gemstones He worked with the likes of Harry Winston, Cartier and Adler, jewelry houses known to the whole world. As a visual artist and performer why was I attracted to this luxurious medium, in the timeless genre of Agra Gemstone Carpets that rose into prominence in Mughal India, when …

“What Was Before”: Lenore Tawney And Her Circle, 1950–1963, Rebecca Mcnamara

Textile Society of America: Symposium Proceedings

Lenore Tawney (1907–2007) was a pioneer of 20th-century fiber arts, a position solidified by the pivotal 1963 Woven Forms exhibition at New York’s Museum of Contemporary Crafts. But her journey to this moment is less well-known. This presentation explores the preceding years, when Tawney decided, with great intention, to dedicate her life to art, relocated from Chicago to New York, and in her work, shifted (though not seamlessly nor all at once) from weaving functional objects like table mats—as shown at Chicago's first Good Design exhibition, in 1950—to colorful, figurative, dense wall tapestries to the abstract, open-weave sculptural hangings in …

Tactility And Historicity In Contemporary Textile Art: The Greek Example, Markia Liapi

Textile Society of America: Symposium Proceedings

The following presentation focuses on studying contemporary textile art through two concepts, originating from contemporary theory of art, tactility and historicity. While tactility describes aesthetic, and specifically tactile qualites of textiles as pieces of art, historicity focuses on more theoretical concerns that the artistic piece proposes on the viewer. The paper analyses these two tools as a stystem of examining and, also, enjoying contemporary textile art, focusing on a concrete paradigm, the example of three contemporary Greek artists, Voula Massoura, Giwta Andriakaina and Artemis Alcalay. The artistic production of these artists is a valuable example of seeing textile art in …

Woven Symphony: Exploring The Parallels Between Weaving And Music, Qianwen Yu

Textile Society of America: Symposium Proceedings

Weaving and music are art forms often perceived as unrelated but actually share deep connections and fascinating similarities. In this presentation, I will first briefly introduce the impact of the 19th-century Jacquard loom on the invention of the Player Piano, a musical technology that evolved into the modern "MIDI" computer audio notation system. Second, I will explore the similarities found in both weaving and musical composition by presenting some of my own media installation art works. These works translate musical scores into woven textures, and vice versa, creating symphonies and revealing new sensory ways to appreciate textiles and music. I …

Currere As Contemporary Art: Weaving Creative Research, Purposeful Vulnerability, And Poetic Expression To Nurture Teacher Self-Knowledge, Kimberley D'Adamo

Kimberley D'Adamo: Art, Curriculum, Publications, and Other Scholarly Works

Statement, first paragraph:

Pinar’s currere process offers educators supports for engaging in honest self-reflection to develop liberatory practices and tools to facilitate purposeful vulnerability. Currere scaffolds a transformative journey, enabling educators to explore their educational past, interpret it in their current context, and use those personal and pedagogical insights to envision alternative educational futures. In many ways, currere is about identifying and developing one’s own authentic voice, which appeals to me as both an educator and artist.

Politics Of Being A Lover: In Art, (Space) And Kink, Rabeeha Adnan

Theses and Dissertations

Politics of being a lover: in art, (space) and kink explores my relationship with my practice through observations and stories that draw parallels with romance and kink. Narrated as love affairs turned into complex commitment, it shuffles through logics of structural power, control, and communication in the context of praxis and art institutions.

Double Jointed: Gendered Flexibility And The Overextended Self, Grace A. Bromley

Theses and Dissertations

This thesis explores compulsory domesticity and the impulse to overextend oneself, both pressures often associated with the construct of femininity. Through diving into my personal history, which includes growing up in a three-generational home of women, I explore mimesis as it functions in both the replication of identity and in terms of pictorial representation; specifically I address its relationship to gender, manifestation within the body, and the search for subjectivity through the process of making and thinking. In various forms of material explorations, I play with ideas of malleability, mimicry and “embedded” behaviors that are passed down and embodied in …

Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk

Art Inquiries

No abstract provided.

Images Of Maps And Connotative Tendencies In Early Republican America, Kerr Houston

Art Inquiries

No abstract provided.

Medieval Bologna: Art For A University City, Ashley Elston

Art Inquiries

No abstract provided.

An Interview With Brianna Harlan, Mysoon Rizk, Brianna Harlan

Art Inquiries

No abstract provided.

Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin

Art Inquiries

No abstract provided.

Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston

Art Inquiries

No abstract provided.

Hear Me Now: The Black Potters Of Old Edgefield, South Carolina, Cynthia Fowler

Art Inquiries

No abstract provided.

Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury

Art Inquiries

No abstract provided.

An Interview With Jennida Chase, Sunny Spillane, Jennida Chase

Art Inquiries

No abstract provided.

Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden

Art Inquiries

No abstract provided.

Troy Thomas, Poussin’S Women: Sex And Gender In The Artist’S Works, James R. Jewitt

Art Inquiries

No abstract provided.

Laurie Anderson: The Weather, Annie Dell'aria

Art Inquiries

No abstract provided.

Art Inquiries Vol Xviii No 4 2023 Full Issue, Mysoon Rizk

Art Inquiries

No abstract provided.

Translating Antiquity Onto Souvenirs: The Collectively Shaped Reception Of The Doves Of Pliny On Micromosaics, Lauren K. Disalvo

Art Inquiries

No abstract provided.

From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel

Master's Theses

This thesis examines the impact of the Black Lives Matter movement on the art community in the United States and the evolution of representation for Contemporary African artists. By analyzing the careers and artistic contributions of Omar Ba, Toyin Ojih Odutola, and Njideka Akunyili Crosby, the study explores the concept of artistic agency according to which African artists have more control over the production and distribution of their works.

The research begins with a comprehensive literature review, investigating the historical contexts that have shaped the art landscape, including the impact of colonization, decolonization, and globalization. The study reveals how these …

Living In Untranslatability--Performance Art In China And Usa, Ziyun Ma

Masters Theses

This thesis embodies discontinuities in performance art and its non-equivalent Chinese term “行 为艺术” between language and cultural context into a migrating journey. A comparative analysis on the disciplinary history of performance art studies in the US and China laid a foundation in exploring the dynamics of marginality in two contexts. Extracting from the narrative mechanism and body view of Chinese performance art, I demonstrate how the philosophy of living (生) inspired many artistic creation, which also echoes my research journey. And from our mutual living experience, I pose the concept of constructive untranslatability that applies positionality and situated knowledge …

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …