Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Virginia Commonwealth University (169)
- Rhode Island School of Design (73)
- City University of New York (CUNY) (52)
- Indiana State University (30)
- DePaul University (26)
-
- Washington University in St. Louis (24)
- University of Southern Maine (23)
- Technological University Dublin (17)
- Claremont Colleges (14)
- University of Nebraska - Lincoln (14)
- University of Arkansas, Fayetteville (13)
- Southern Methodist University (10)
- Gettysburg College (8)
- Western University (8)
- Purdue University (7)
- SUNY Buffalo State University (6)
- University of Louisville (6)
- Georgia Southern University (5)
- Wayne State University (5)
- California State University, San Bernardino (4)
- James Madison University (4)
- Macalester College (4)
- SIT Graduate Institute/SIT Study Abroad (4)
- Sotheby's Institute of Art (4)
- University of Kentucky (4)
- University of New Mexico (4)
- Chapman University (3)
- Cleveland State University (3)
- LSU New Orleans (3)
- SAE Institute Australasia (3)
- Keyword
-
- Art (57)
- RISD (53)
- Brown (52)
- Community Art Project (52)
- Painting (29)
-
- Contemporary art (22)
- Photography (22)
- Sculpture (18)
- Architecture (16)
- Chicago (15)
- Memory (14)
- Identity (12)
- Art history (11)
- Asian American Artists Collective (9)
- History (9)
- Archive (8)
- Art History/Criticism/Conservation (8)
- History of Art (8)
- Installation (8)
- Queer (8)
- 20th century (7)
- Calendar of art events (7)
- Ceramics (7)
- Contemporary Art (7)
- Culture (7)
- Drawing (7)
- Feminism (7)
- Irish artists (7)
- Art History (6)
- Craft (6)
- Publication Year
- Publication
-
- Art Inquiries (145)
- Theses and Dissertations (61)
- Calendar of Events (53)
- All-Inclusive List of Electronic Theses and Dissertations (30)
- Asian American Art Oral History Project (26)
-
- Albert A. Howard Book History Collection (23)
- Masters Theses (22)
- Graduate School of Art Theses (13)
- Graduate Theses and Dissertations (13)
- Art Theses and Dissertations (9)
- Books/Book Chapters (9)
- Visual Arts Publications (8)
- CGU MFA Theses (7)
- Dissertations, Theses, and Capstone Projects (7)
- Artl@s Bulletin (6)
- Electronic Theses and Dissertations (6)
- Textile Society of America: Symposium Proceedings (6)
- Student Publications (5)
- Undergraduate Theses—Unrestricted (5)
- Articles (4)
- Electronic Theses, Projects, and Dissertations (4)
- Independent Study Project (ISP) Collection (4)
- MFA in Visual Art (4)
- Master's Theses (4)
- Mid-America College Art Association Conference 2012 Digital Publications (4)
- School of Art, Art History, and Design: Theses and Student Creative Work (4)
- Art & Art History ETDs (3)
- Art Conservation Master's Projects (3)
- Art History Pedagogy & Practice (3)
- Art and Art History Honors Projects (3)
- Publication Type
- File Type
Articles 271 - 300 of 621
Full-Text Articles in Art Practice
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Art Theses and Dissertations
This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …
Thesis/Thesis Document 2, Jessamyn Plotts
Thesis/Thesis Document 2, Jessamyn Plotts
Art Theses and Dissertations
Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …
Capstone 2019 Art And Art History Senior Projects, Art And Art History Department
Capstone 2019 Art And Art History Senior Projects, Art And Art History Department
Student Publications
This booklet profiles Art Senior Projects by Angelique J. Acevedo, Arin Brault, Bailey Harper, Sue Holz, Yirui Jia, Jianrui Li, Annora B. Mack, Emma C. Mugford, Inayah D. Sherry, Jacob H. Smalley, Laura Grace Waters and Laurel J. Wilson.
This booklet profiles Art History Senior Projects by Gabriella Bucci, Melissa Casale, Bailey Harper, Erin O'Brien and Laura Grace Waters.
Now Was Too Late, Kaleigh Rusgrove
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Big Sister Enterprise: Just Be There, Wai Ying Zhao
Big Sister Enterprise: Just Be There, Wai Ying Zhao
Theses and Dissertations
Wai Ying Zhao, an artist and curator, instituted an American company named Big Sister Enterprise in 2018. BSE is a Delaware registered LLC that imitates briefcase companies implemented in order to foster a community of emerging artists with the intent of exhibiting and promoting their works. Zhao’s initiative stems from the awareness that many artists are struggling to continue their studio practices because of unstable income or being overworked in jobs such as art handling, gallery sitting and bartending. Through openings and events held in spaces in both New York and Shenzhen, she aims to create a community where emerging …
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward
Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward
Comparative Literature Faculty and Student Scholarship
Translation of 「陶芸家を志す者のために:芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html
Archaeology Of Social Patterning, Chase Bray
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.
Janja Majstorovic, Marija Maracic, Josipa Karaca
Hacking, Unlearning, Unleashing, Livia Alexander, Richard Jochum
Hacking, Unlearning, Unleashing, Livia Alexander, Richard Jochum
Department of Art and Design Scholarship and Creative Works
No abstract provided.
Berthe Morisot: Woman Impressionist, Kathryn Mcfadden
Berthe Morisot: Woman Impressionist, Kathryn Mcfadden
Art Inquiries
No abstract provided.
Delacroix, Joyce Carol Polistena
Second Sight: Women Artists Of The South, Melissa Yes
Second Sight: Women Artists Of The South, Melissa Yes
Art Inquiries
No abstract provided.
Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa
Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa
Art Inquiries
No abstract provided.
Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik
Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik
Art Inquiries
No abstract provided.
In Memoriam
Art Inquiries
In Memoriam: Charles (Randy) Mack, long-time SECAC member and past president of the organization, died in Columbia, SC on October 31, 2018. He was 78. Here, four SECAC members offer memories of Randy, to whom this issue of Art Inquiries is fondly dedicated.
Word Embodied: The Jeweled Pagoda Mandalas In Japanese Buddhist Art, Kerry Lucinda Brown
Word Embodied: The Jeweled Pagoda Mandalas In Japanese Buddhist Art, Kerry Lucinda Brown
Art Inquiries
Book review of Word Embodied: The Jeweled Pagoda Mandalas in Japanese Buddhist Art, by Halle O’Neal.
David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk
David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:4, Full Issue
How Art Works: A Psychological Exploration, Julia A. Sienkewicz
How Art Works: A Psychological Exploration, Julia A. Sienkewicz
Art Inquiries
Book review of How Art Works: A Psychological Exploration, by Ellen Winner.
The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage
The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage
Art Inquiries
Book review of The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, by Lynda Klich.
Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts
Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts
Art Inquiries
No abstract provided.
An Interview With Karen Graffeo, Sonja Rieger, And Carolyn Sherer, Kerr Houston
An Interview With Karen Graffeo, Sonja Rieger, And Carolyn Sherer, Kerr Houston
Art Inquiries
No abstract provided.
Wicked, Hard And Supple: An Examination Of Suzanne Valadon’S Nude Drawings Of Young Maurice, Courtney Hunt
Wicked, Hard And Supple: An Examination Of Suzanne Valadon’S Nude Drawings Of Young Maurice, Courtney Hunt
Art Inquiries
No abstract provided.
Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins
Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins
Art Inquiries
No abstract provided.
The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux
The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux
Art Inquiries
No abstract provided.
Lifetime, Emily E. Kuchenbecker
Lifetime, Emily E. Kuchenbecker
Theses and Dissertations
Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.
I do not fear death.
The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.
But what am I? Am I my body- or is it much deeper?
Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …
The Wild Beasts, Peter Cochrane
The Wild Beasts, Peter Cochrane
Theses and Dissertations
The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …