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Articles 181 - 210 of 621

Full-Text Articles in Art Practice

Made Of Water, Covered In Mud, Nicole Norman May 2021

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …


What's Going On Here, Joanna R. Pike May 2021

What's Going On Here, Joanna R. Pike

Graduate Theses and Dissertations

This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …


God Is Gay, Ordando Prieto, Ordando Prieto May 2021

God Is Gay, Ordando Prieto, Ordando Prieto

Electronic Theses, Projects, and Dissertations

The major life of The Christ are well known among Christians and have been depicted throughout art history and contemporary media.

The juxtaposition using gay pornography is meant to question the ideologies of homosexuality. The choice life events and fetishes are to juxtapose terminology and show possible sexual innuendos.

These seven works of art are mixed media paintings; made up using works from art history, gay pornography, photographs I have taken, and drawing and painting by myself. The exhibition is an alternative perspective of the major components of Christian Messiah, Jesus Christ. These events include: The Nativity, The Baptism, The …


Unmentionables, Madeleine F. Grotewiel May 2021

Unmentionables, Madeleine F. Grotewiel

Graduate School of Art Theses

This text explores the capacity for shamed bodily materiality to narrate the complexity of healing from sexual trauma while rape culture persists. Because rape is discussed so little in public, sexual healing often takes place under a meaty layer of shame, placed on the survivor’s body. Their truth is frequently interpreted as too much/gross/ugly/unspeakable for the public, and it is simultaneously not enough to be discussed/accepted/pursued as an actual issue. This uncomfortable teeter-totter comes from the patriarchal boundaries drawn between what is privately or publicly acceptable. There are plenty of depictions of sexual violence in popular culture and the canon …


Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation, Kristen Cooney, Justin Mitchell, Katie Sanfield Apr 2021

Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation, Kristen Cooney, Justin Mitchell, Katie Sanfield

Art and Art History Presentations

Strata, a multi-sensory installation by Canadian artist Shannon Collis on display at the Berman Museum of Art, immerses visitors in an environment of deep sonic resonance and dynamic moving images that travel above and through Alberta’s Boreal Forest, the Athabasca River, and Fort McMurray to underscore the scale of the Fort Hills Suncor Oil Sands and Syncrude Oil Plant, the third-largest known crude bitumen reservoir on the planet. As part of the programming for the exhibition, each student enrolled in the Curatorial Seminar course (MS-200B-A) planned and carried out a creative project, reached out to other communities to get them …


Artists' Genres: A Brief Introduction To Post-Medieval Western Art, Robert Jensen Apr 2021

Artists' Genres: A Brief Introduction To Post-Medieval Western Art, Robert Jensen

Art and Visual Studies Faculty Book Gallery

Artists' Genres is a brief introduction to the history of post-medieval Western art organized by the major genres. The book is designed as a basic textbook for high school- or introductory college-level courses or for individuals simply looking for an interesting guidebook into the art of this period and geographical region.

This is the revised edition of Artists' Genres: A Brief Introduction to Post-Medieval Western Art, which was released in 2018.


The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet Apr 2021

The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet

Visual Arts Publications

From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …


Circulation Of Images, From Recognition To Erasure: An Artist’S Response, Lei Xie Apr 2021

Circulation Of Images, From Recognition To Erasure: An Artist’S Response, Lei Xie

Artl@s Bulletin

This article revolves around my practice, as an artist, which has an essential link with images and their circulation. In a subtle way, painting offers me a language allowing me to explore the polysemy of the chosen image, to experience a vocabulary both figurative and abstract. My practice could choose and process "ordinary" images, which are diffused but whose diffusion does not alter the subject, and has no consequence on the latter. It can also retain images whose strength is intrinsic to their circulation, to their popularization, to their controversy, images which will however ultimately generate paintings, and simultaneously erasing …


Écorché Figures In Mannerism As Influenced By The Reemergence Of Systematic Human Dissection, Megan Tanner Apr 2021

Écorché Figures In Mannerism As Influenced By The Reemergence Of Systematic Human Dissection, Megan Tanner

Honors College Theses

During the sixteenth century, many individuals became fascinated by the human form, which led to an increase in artistic and scientific focus on these subjects. Artistic interest in the human body resulted in a close relationship between artists and anatomists during the time, and the societal acceptance to public demonstrations of dissections, including flaying, was often converged with Mannerist ideals. It is historically evident that écorché figures during Mannerism were based on these, as well as torture methods during the time. As these demonstrations became more common throughout the sixteenth century, they began to be monitored in order to ensure …


The Eight Grids: A New Method To Enhance Students’ Sketching Skills In The Schools Of Architecture, Mohamad Tohme Mar 2021

The Eight Grids: A New Method To Enhance Students’ Sketching Skills In The Schools Of Architecture, Mohamad Tohme

Architecture and Planning Journal (APJ)

Sketching is one of the required courses for architecture and design students in higher education since it is considered a necessary skill for architects and designers. However, the lack of visualization skills and practice, students were met with difficulties in grasping the complex concepts of this course, concurrent with the teachers’ lack of familiarity with the various methods. The aim of this paper is to find a new method that allows students to carry out their sketches by examining the problems faced by first-year undergraduate students at the Faculty of Architecture, Design & Built Environment in BAU, Lebanon. To achieve …


Take Your Time, Terry A. Ratzlaff Mar 2021

Take Your Time, Terry A. Ratzlaff

School of Art, Art History, and Design: Theses and Student Creative Work

I see the world not as one seamless world but as a world composed of other worlds, built on top and within one another. They exist harmoniously, bound not by space but by time. In an instant I can move from one world into another where I can exist in two worlds simultaneously—in space, I am here. In time, I am there.

Worldmaking is a conceptual process of seeing connections and making distinctions within our lived reality.1 It is a process of dividing and organizing parts into collections that represent different narratives. Only through suitable arrangements can we handle vast …


The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine Jan 2021

The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine

MA Theses

The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …


Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño Jan 2021

Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño

Art Inquiries

No abstract provided.


Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams Jan 2021

Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams

Art Inquiries

No abstract provided.


Commonwealth, Clare Van Loenen Jan 2021

Commonwealth, Clare Van Loenen

Art Inquiries

No abstract provided.


Jordan Nassar: The Field Is Infinite, Megan Bickel Jan 2021

Jordan Nassar: The Field Is Infinite, Megan Bickel

Art Inquiries

No abstract provided.


The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera Jan 2021

The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera

Art Inquiries

No abstract provided.


Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler Jan 2021

Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler

Art Inquiries

No abstract provided.


Julie Mehretu, Jessica Stephenson Jan 2021

Julie Mehretu, Jessica Stephenson

Art Inquiries

No abstract provided.


Frank Duveneck: American Master, D. Bryan Schaeffer Jan 2021

Frank Duveneck: American Master, D. Bryan Schaeffer

Art Inquiries

No abstract provided.


Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig Jan 2021

Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig

Art Inquiries

No abstract provided.


An Interview With Tony M. Bingham, Mysoon Rizk Jan 2021

An Interview With Tony M. Bingham, Mysoon Rizk

Art Inquiries

No abstract provided.


Iconoclasm And The Museum, Catherine Chastain-Elliott Jan 2021

Iconoclasm And The Museum, Catherine Chastain-Elliott

Art Inquiries

Book review of Iconoclasm and the Museum, by Stacy Boldrick.


Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley Jan 2021

Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley

Art Inquiries

No abstract provided.


Dyani White Hawk: Speaking To Relatives, Sara Stepp Jan 2021

Dyani White Hawk: Speaking To Relatives, Sara Stepp

Art Inquiries

No abstract provided.


Art Inquiries, Xviii:2-3, Full Issue Jan 2021

Art Inquiries, Xviii:2-3, Full Issue

Art Inquiries

No abstract provided.


Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart Jan 2021

Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart

Art Inquiries

Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.


Back Matter Jan 2021

Back Matter

Art Inquiries

No abstract provided.


Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea Jan 2021

Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea

Art Inquiries

Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.


Erotic Fever In The Arquives: Imagining A Queer Porn Paradise In Cait Mckinney And Hazel Meyer’S Exhibition Tape Condition: Degraded, Genevieve Flavelle Jan 2021

Erotic Fever In The Arquives: Imagining A Queer Porn Paradise In Cait Mckinney And Hazel Meyer’S Exhibition Tape Condition: Degraded, Genevieve Flavelle

Journal of Feminist Scholarship

Focusing on Cait McKinney and Hazel Meyer’s site-specific exhibition Tape Condition: degraded (2016) at the ArQuives: Canada’s LGBTQ+ Archives, this paper explores reparative and desire-driven approaches for working with partial and missing histories within archives. Focusing specifically on artists working as archivists, I consider how the limitations of evidence-based histories can be addressed through creative practice. The essay unfolds in two parts. The first examines a selection of objects from the exhibition to draw out the historical context of The ArQuives, grounding my analysis of the conditions that have created and perpetuated specific archival gaps; in this case, pornography made …