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Articles 811 - 840 of 1977
Full-Text Articles in Art Practice
Apologies For The Apologies, Caitlin Lanning
Lilith Provides The Password To The Speakeasy, Skyla Allen
Lilith Provides The Password To The Speakeasy, Skyla Allen
Allusions
No abstract provided.
I Would Not Be Lonely In The Slightest, Laura Gentry
Demophobia - Fear Of Crowds, Gracelyn Lebaw
When The World Paused, Jamie Nichols
The Importance Of Social Distancing, Jamie Nichols
Please Stay At Least 6 Feet Apart, Jamie Nichols
There Once Was A Boy, Emiley Bailey
Home, Gabriella Tschudy
Bricks, Laura Gentry
The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine
The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine
MA Theses
The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …
Beside| |Between, Brooke J. Armstrong
Beside| |Between, Brooke J. Armstrong
Graduate Student Theses, Dissertations, & Professional Papers
Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.
Straight Through My Heart, Raul A. Aguilar Canela
Straight Through My Heart, Raul A. Aguilar Canela
Theses and Dissertations
Straight through my heart is an exhibition that explores the concept of heartbreak as a socio-political phenomenon. Through the affect of sadness the thesis analyses the way in which subjects are formed under cognitive capitalism. Paying particular interest to the collateral effects of neoliberal culture —hyper-stimulation, self-exploitation, competition, and obsession with productivity—and the pathologies they create —depression, anxiety, body aches, fatigue— this work shifts the burden of sadness from the individual to the community. By doing so it proposes heartbreak as a public feeling.
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
Commonwealth, Clare Van Loenen
Jordan Nassar: The Field Is Infinite, Megan Bickel
Jordan Nassar: The Field Is Infinite, Megan Bickel
Art Inquiries
No abstract provided.
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
Art Inquiries
No abstract provided.
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Art Inquiries
No abstract provided.
Julie Mehretu, Jessica Stephenson
Frank Duveneck: American Master, D. Bryan Schaeffer
Frank Duveneck: American Master, D. Bryan Schaeffer
Art Inquiries
No abstract provided.
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham, Mysoon Rizk
Iconoclasm And The Museum, Catherine Chastain-Elliott
Iconoclasm And The Museum, Catherine Chastain-Elliott
Art Inquiries
Book review of Iconoclasm and the Museum, by Stacy Boldrick.
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:2-3, Full Issue
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.