Art Practice Commons^™

The Body Has Its Own Time, Wen Zhang

Masters Theses

In embodied practice, the artist’s experience and body become the medium through which thought and expression take form, not as illustration, but as primary material. Performance art has long occupied an unstable position within contemporary art: celebrated in retrospect, underfunded in practice, and selectively institutionalized. Its marginality has never been evenly distributed. Certain bodies, female, racialized, aging, non-normative, have remained further outside the archive than others, their work harder to collect, harder to value, and easier to forget. To work in performance, particularly as a woman, is to work within that contradiction.

For me, performance is less a form than …

Menstrual Muses: Art, Storytelling, And The Care-Based Communication Of Menstrual Justice, Burcu Koleli

Masters Theses

Menstrual Muses is an artistic research project comprising a written thesis and a body of work developed across soft sculpture, ceramics, illustration, graphic memoir, digital media, and participatory workshops. The written component operates alongside the studio practice, outlining the project’s theoretical framework, methodology, and context while engaging questions of communication, accessibility, embodiment, and stigma. It situates menstruation within feminist discourse, examining how it has been culturally silenced, regulated, and shaped through systems of power.

The artistic work functions as research materialized through practice, responding to the central question of how my art can facilitate conversations around menstrual justice. It explores …

Open_______, Eitan Boiarsky

Masters Theses

This thesis examines how ambiguity can function as a deliberate design strategy rather than a condition to eliminate. While modern design traditions have prioritized clarity, efficiency, and immediate legibility, this work revisits Umberto Eco's concept of the Open Work and Oskar Hansen's Open Form to argue that openness is not a failure of design but a method within it.

Through a series of workshops and object-based experiments, ambiguity is structured as a design instrument that invites interpretation rather than delivering fixed meaning. Participants encounter unfamiliar forms with deliberately withheld information, producing moments of hesitation, speculation, and reinterpretation. These encounters demonstrate …

Jewelry As A Portable Sanctuary, Yuhao Li

Masters Theses

This thesis examines how individuals remain intact in the presence of emotional difficulty. Rather than treating protection as withdrawal, the research proposes that stability emerges through the construction of an interior structure capable of holding vulnerability without collapse. Drawing on psychological theory, philosophy, and spatial thinking, it frames emotional repair as a spatial condition: an interior that can contain experience and be returned to when external conditions become unstable.
Within this framework, jewelry is redefined as a material extension of this interior. Positioned between body and world, it operates as a structure of containment, functioning as a portable …

Between Seeing And Knowing, Pavol Roskovensky

Masters Theses

Abstract

For me, painting often begins with an experience of the world that cannot immediately be explained. As a child in Slovakia during the Velvet Revolution, I saw a flag disappear from the town square and a new one take its place. What changed was color and proportion; but the feeling of the space and my relation to it changed completely. That moment has stayed with me because it revealed something I continue to believe: before language, before explanation, visual form has the power to move us.

In my practice, I approach painting as a site of perception, discovery, and …

Synecdoche: Archiving Violence In Schools, Jillian Whitney

Art Theses and Dissertations

K-12 Educators often find themselves thrust into a swamp of politics they never asked to enter. It is in this swamp that educators strive to meet students’ social, emotional, and educational needs. However, issues such as school shootings, racism, and gender inequality all make it difficult for schools to be what they should be: an equalizing, safe place where children can learn. These problems weaken the school system and harm public interest while leading to teacher burnout.

Synecdoche: Archiving Violence in Schools is a body of paintings and experimental artist books that responds to the everyday experiences of the educators …

Musical Expression: How Do We As Composers And Performers Use The Tools Of Music In Such A Way To Realize Our Creative Endeavors And Communicate Them To Others?, Max Vance

Honors Projects

Why do we create things? This project delves into the deep, intentional processes of composition and cello performance. This paper discusses how the process is vital to the final outcome, outlines the necessary steps for composition and performance, and provides examples of work that has emerged from these processes.

There Was Time And Place, Mary G. O'Connor

Graduate Artistry Projects and Performances

There was Time and Place is body of work that explores the relationship between reality and imagination as it relates to themes of creativity and transformation through time and place. Inspired by surrealism, automatism, science fiction, and poetic theory, the exhibited drawing-centered lithographs create encounters with fictional designs of rendered objects, machinery, and architecture. These encounters estrange us from monotony and banality of the current moment, reminding us that there is time and place for imagination in our routines.

Weaving Eigengrau, Olivia Claire Luke

Masters Theses, 2020-current

Weaving Eigengrau explores weaving as both a material ritual and an inquiry about how reality is constructed and can be pulled apart. In this project, weaving becomes a method for redirecting forces into woven patterns and examining the relationship of contradiction by treating the contrasts between light and shadow, stillness and motion, and the fixed and the ephemeral as sculptural aspects. I’m driven by theories of reality: science, myth, and philosophy, and the common threads among them. Across systems of knowledge, reality is depicted in contradiction, and I seek to blur the lines between them. Within this convergence, weaving becomes …

Reconciliation: An Auditory Exploration Of Redemptive Suffering, Emily Eid

MFA in Visual Art

Reconciliation examines the intersection between chronic pain, Catholic theology, and contemporary sound art through the lens of radical honesty. It documents a dramatic aesthetic and spiritual pivot in my art practice, moving from grotesque, abject portrayals of agony to a hopeful representation of redemptive suffering. I share how the project evolved from an installation of anthropomorphic furniture to a sculptural work using my bed, to an audio piece presented in a semi-private “confessional booth,” all while challenging the misconceptions surrounding chronic pain and disability. Utilizing the theories of Roland Barthes, I break down the semiological and authorial aspects of the …

Temporal Ubiquity, Brittni Mosby

MFA in Visual Art

My thesis examines looking as a sacred and relational practice rooted in familial memory, storytelling, and the photographic archive. Drawing from early experiences of engaging family photographs alongside my mother and great-grandmother, I conceptualize these encounters as the formation of “temporal altars”: living vessels that activate space, memory, and multiplicity. These intimate acts of looking and listening position the home as a critical site where Black subjectivity is held with care and complexity.

By casting these modes of perception into domestic spaces, my thesis not only resists reductive external gazes but interrogates the archive as a colonial apparatus structured by …

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

Caladrius: Creating A Playable Game Via A Multimedia Experience, Isabelle Morgan Brookshire

Whittier Scholars Program

Caladrius: Creating a Playable Game via a Multimedia Experience hones in on making an experience through different forms of media to represent a game. If this project was fully funded and done, it would be a video game on Steam with an art exhibition, small poetry book, and novel accompanied with it. It would even have a show, a soundtrack, and merch. But at this level, it was to make an experience for my audience that they could experience whether or not they enjoyed video games as a concept. I wanted them to enjoy 'playing' within a physical exhibition and …

The After For What We Leave Behind, Cierra Marquardt

College of Arts & Sciences Senior Theses

This creative thesis discusses how art has failed to depict death through the promise of an ideal or an absolute, which is why my speculative solution is to create art that builds out the spectrum of nuance not currently found. I critique the idea of death as a precise moment instead of a network of changes; in understanding death to be an endpoint, the function of death within larger cyclical processes is lost. Through the analysis of the Memento Mori genres of historical and contemporary art work, a methodology is created which informs the creation of a pair of paintings …

Artistic Embodiment: The Role Of Art-Based Research In Communicating Disability Experiences, Juliana Scheopner

Theses/Capstones/Creative Projects

Visual art has immense potential to communicate complex experiences of disability. As a disabled artist, I am interested in how disability has been portrayed in artwork, particularly in how other disabled artists choose to represent their lived experiences. Through art-based research, this study explores how disabled artists have used portraiture to depict their disability. Selected art includes work from Frida Kahlo, Deborah Padfield, Persimmon Blackbridge, and the author. Following an analysis of literature, selected artworks, and salient disability scholarship, emergent themes were identified. The focus on the complexity of disability experiences demonstrated the importance of considering a wide range of …

Tracings, Masie Sophia Love

Theses and Dissertations

In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.

Memory Organs, Coco Ma

Theses and Dissertations

Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.

Notes On Rhythm, Maya Lee-Parritz

Theses and Dissertations

Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.

Lovepilled, Zhiliang Zhao

Theses and Dissertations

"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

Transient Landscapes, Selena Lozano

Theses and Dissertations

This thesis explores a technical shift from studio to plein air observation and contextualizing urban landscapes through art history and memory. By investigating the tension between permanence and erasure amidst rapid gentrification, the work utilizes painting and photography to mirror the physicality of El Barrio in East Harlem.

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Containment, Quin Mittelstead

Theses and Dissertations

This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …

Rooted Transformations, Ricardo D. Moctezuma

Electronic Theses, Projects, and Dissertations

In my ventures through art I realized that I underwent an experience that was tailored to my process of release. As I struggled to share my emotions, I became distant and dissociated, I felt detached from others and even from myself. This process was something I visualized in my art from, the Tears, to Self Destruction, to the Release and onto the Garden. I’ve always felt myself in a state of Release, partly healed and partly damaged. All I knew was that the garden represented a new beginning for me, I just never knew what that Garden was. Time passes …

Alternative, Ashlynn M. Stroud

Graduate Theses and Dissertations (2019 - present)

A series of illustrations, sculptures and comic book issues designed to introduce a series of stories and characters that represent the history and members of a fictional mythology depicting the cultural social group often referred to as the “alternative” community. Alternative takes place in a world that combines high fantasy and science fiction with elements of pop culture and music. This world uses iconography of the various genres of the alternative subculture and music, metal, post-punk, and the evolving scene of the underground with varying visuals from both gothic and industrial time periods. Viewers are encouraged to read and follow …

Meikyu, Diana D. Dyer

Graduate Theses and Dissertations (2019 - present)

This thesis explores the relationship between digital and physical practices through the integration of traditional glassworking techniques and digital media. The project combines glass fusing and glass blowing with woodworking, screen printing, vinyl cutting, animation, and augmented reality (AR) technologies to create dialogue between physical and digital forms. This thesis documents the full creative process, beginning with conceptual sketches and progressing through the fabrication and assembly of glass components into finished sculptural pieces. Digital technologies are then incorporated to augment and extend the physical artwork. Three-dimensional (3D) assets were created using Maya, a 3D modeling software, and implemented within Snapchat's …

Home: Transforming A Public Arts Grant Into A Community Project, Scarlett G. Baily

The Transdisciplinary STEAM+ Journal

Home is a 2,535 ft² site-specific mural in San Diego’s Liberty Station that reconnects the site’s military history with Kumeyaay Indigenous heritage and maritime culture. Through depictions of native flora and fauna, the work foregrounds overlooked origin stories and ecological knowledge of Point Loma. Developed through deep community collaboration, including Kumeyaay advisors and over 100 local participants, the mural fosters shared authorship and cultural continuity. It invites viewers to engage with alternative histories while supporting language revitalization and environmental awareness.

Foundations Of Art: Materials, Methods, And Meaning, Elizabeth Mellott

Art OERs

This course provides an introduction to the tools, materials, and processes used across a wide range of artistic media. The focus is on understanding how different materials shape the way art is created and experienced. Attention is given not only to what artists make, but also to why particular media are chosen to communicate specific ideas, emotions, or perspectives. The physical qualities of materials, the methods used, and the cultural meanings attached to them all influence artistic decision-making.

The course surveys several major categories of artistic media. Pigment-based practices include painting, drawing, and printmaking, where color and mark-making form the …

If Life Were Only As Our First Encounter, Yixiao Zhang

MFA in Visual Art

This thesis examines how contemporary portrait painting extends beyond the representation of physical appearance toward the construction of collective memory, history, cultural identity, and mechanisms of seeing. Using staged, photo-based portraits as a point of departure, my work engages both Eastern and Western traditions to produce new autoethnographic narratives. Rethinking the significance of portraiture today, this paper considers what persists and what has shifted over time. It argues that portrait painting is no longer merely a representation of an individual; rather, like a literary text, it functions as a signifier shaped by both the moment of its production and the …

Significance Of Relationships In Navigating Disability, Shivani Bhalla Dr

Journal of Social Theory in Art Education

I have addressed the theme of movement and momentum by referring to the importance of relationships and seeking community in navigating through the challenges of disability experiences. In this paper, I will explore how my relationships with my family members, fellow disabled artists, educators, and scholars helped me learn from my disability experiences and gave me the courage to come out as a person with disability (PWD) and explore disability as a sight of knowledge production.