Open Access. Powered by Scholars. Published by Universities.®

Art Practice Commons™

Open Access. Powered by Scholars. Published by Universities.®

Fine Arts

Institution
Keyword
Publication Year
Publication
Publication Type
File Type

Articles 1711 - 1740 of 1977

Full-Text Articles in Art Practice

Mfa14 (Mfa 2014), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk May 2014

Mfa14 (Mfa 2014), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 9-August 3, 2014. Contents include Introduction / Buzz Spector and Patricia Olynyk -- David Baker / Katie McGinnis -- Amber bloom ; Mop cask ; Sullen fluff ; Frothy Shiraz ; Aquatic jaws ; Smoking trumpets ; Lake feigned goose flap / Steve Byrnes -- Nathan Childs : the affliction a strange weight, the weight a plume of pain, the pain a shrill desire / Aaron Coleman -- Christopher Chrome / Marianne Rosa Laury -- Shayna Cohn / Cassie Jones -- Alyse Cole / Nicholas …


Familial Dialects, Amanda King May 2014

Familial Dialects, Amanda King

MFA in Photography and Integrated Media Theses

Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …


Labor, Vera Bauluz Apr 2014

Labor, Vera Bauluz

CGU MFA Theses

I make sacred objects from scratch, from ready mades, from industrial materials, and sometimes from trash or recycling. I treat those objects with love and reverence to embed them with essence and soul. I propose conversations with objects exquisitely executed, that question our social order and the machine, easily understood by everybody, although still challenging our understanding of contemporary art.

The placement of the work and the lighting, as fundamental part of the installation, attempts to generate strokes of conscience that enhance human understanding and capabilities beyond a specific discourse.

Humor and sacred coexist in my installation and in my …


Sally Bruno, Sally Bruno Apr 2014

Sally Bruno, Sally Bruno

CGU MFA Theses

My investigation starts with an examination of color, form and line. It continues with an examination of how these elements collide and collude to form objects both abstract and representational. What interests me is the intersection between formal abstraction and representational imagery. My goal is to combine these practices in a rigorous, epistemological inquiry into how human beings make sense of their surroundings, using our minds and our bodies, our perceptions and our expectations, to come to understand the visible world and our embodied relationship to it.


[Sabbatical Report], Michael Nichols Apr 2014

[Sabbatical Report], Michael Nichols

Sabbatical Reports

This sabbatical provided me with the time and focus to advance my art studio practice in the buon fresco painting technique. Through a variety of experimental and process-oriented studio activities, [ investigated ways in which the technique can be utilized in the contemporary painting discourse. Traditionally, this foml of painting was employed on a freshly plastered wall or ceiling in a process that is rigid and fixed. My experiments yielded results that advance the potential modes of creation and presentation of the buon fresco painting technique. [ am pleased with the quantity of the works completed and their initial reception …


Making Rich Use Of "Leisure", Augusto Sandroni Apr 2014

Making Rich Use Of "Leisure", Augusto Sandroni

CGU MFA Theses

I make paintings, drawings, installations and sculptures using oils, acrylics and everyday materials such as burlap, reclaimed wood, cardboard and duct tape. More than any other, Matisse’s work was always a point of reference. Everything I do is partially informed, even if not directly by the work of my predecessors, with Matisse toping the list: the element of joy, play and expression of visual beauty is something I’m not ashamed to strive for. I also embrace risk taking, not conforming with establish norms or methodology; I’m always hoping for novel ideas and methods to infiltrate my workflow.


A Language In Becoming, Camille C. Hawbaker Apr 2014

A Language In Becoming, Camille C. Hawbaker

School of Art, Art History, and Design: Theses and Student Creative Work

Words as I have known them are evolving concepts in the landscape of human language, where the meanings of words are interwoven with layers of history and culture. The boundaries of language are defined by words, and around the edges are instinctive sounds that precede and exceed meaning. These sounds are an interrupting force that unsettles the linguistic structure. We often use them for expression in the form of sobs, grunts, moans, murmurs, chants, obscenities and exclamations. They appear in times of spontaneous emotion that words cannot convey. They can also be used purposely, poetically, “…to shatter [one’s] judging consciousness …


Into The Frightening Light: Emotional Healing Through The Creative Process, Bethany Dunfee Pierce Apr 2014

Into The Frightening Light: Emotional Healing Through The Creative Process, Bethany Dunfee Pierce

Creativity and Change Leadership Graduate Student Master's Projects

This project explores the role the creative process and art making can have in emotional healing and briefly describes connections among the affective skills of Creative Problem Solving and art making. Essentially a self-study taking place over five months, this project focuses on how the author, by developing mindful practice and behavior, used visual journaling, blogging, drawing and painting as methods of discovering her own creative process and how that process aided in emotional transformation leading toward greater self-actualization and artistic identity. This work provides key learnings that can help others in overcoming creative blocks, exploring creative process or in …


Art And Literacy, Tara Hemelgarn, Sherrie Henderson, Patricia Thompson Apr 2014

Art And Literacy, Tara Hemelgarn, Sherrie Henderson, Patricia Thompson

P-12 Lesson Plans

This lesson prepares students for a visit, virtually or in person, to the Zuckerman Museum of Art. Using art images from the ZMA permanent collection as displayed in the See Through Walls exhibition, students practice skills in language arts and visual arts.


Mana & Ea, Dan Taulapapa Mcmullin Feb 2014

Mana & Ea, Dan Taulapapa Mcmullin

The Transdisciplinary STEAM+ Journal

This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.


Design In Nature, Farhana Azim Feb 2014

Design In Nature, Farhana Azim

The Transdisciplinary STEAM+ Journal

Floral Designs are a combination of, line, form and space. By creating balance while incorporating all these three elements in proportion to the space allowed, with an eye on the use of color and contrast, enabling the smooth visual flow of the design one produces the perfect arrangement.


Pipo Nguyen-Duy Interview, Emily Flanagan Feb 2014

Pipo Nguyen-Duy Interview, Emily Flanagan

Asian American Art Oral History Project

Artist Bio:

Pipo Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone of the 18th Parallel, he describes hearing gunfire every day of his early life He immigrated to the United States as a political refugee.

Pipo has taken on many things in life in pursuit of his diverse interests. As a teenager in Vietnam, he competed as a national athlete in table tennis. He also spent some time living as a Buddhist monk in Northern India. He earned a Bachelor of Arts degree in economics at Carleton College. He then moved to New …


National Institutions Of Visual Culture, Niamh Ann Kelly Jan 2014

National Institutions Of Visual Culture, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Daphne Wright, Biographical Entry, Niamh Ann Kelly Jan 2014

Daphne Wright, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Maurice O'Connell, Biographical Entry, Niamh Ann Kelly Jan 2014

Maurice O'Connell, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Grace Weir, Biographical Entry, Niamh Ann Kelly Jan 2014

Grace Weir, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Finola Jones, Biographical Entry, Niamh Ann Kelly Jan 2014

Finola Jones, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Frances Hegarty, Biographical Entry, Niamh Ann Kelly Jan 2014

Frances Hegarty, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Infrastructure, Scott S. Foxx Jan 2014

Infrastructure, Scott S. Foxx

College of Graduate Studies: Theses & Dissertations

The paintings in this series depict sensations and forms drawn from a collaged, painted surface, referencing examples of painting from the Early Renaissance and the pure Formalism of the mid 20th century. Collage materials lend both conceptual and physical directions to the compositions, in that it is symbolic of the multi layered experience of modern people in a technological society. Imitating painting’s gestural, linear energy in an illusory manner, the paper and paint layers invert expected hierarchies of space. I am analyzing the condition of the painter, the ideas of painting as an activity and product, with myself at …


Fragmented, Max Rebel Jan 2014

Fragmented, Max Rebel

College of Graduate Studies: Theses & Dissertations

This thesis, Fragmented, outlines Rebel’s explorations with materials and techniques that led to the creation of his current work that was presented in his MFA Exhibition. Fragmented focuses on elements of abandoned and ignored structures found in both urban and rural communities. Rebel is interested in the visual characteristics directly related to manufactured landscapes that have been reshaped by neglect, specifically, surfaces that appear old and weathered. The assemblages he makes in reference to these deserted sites do not comment on specific architectural locations. Instead, they are meant to emphasize common traits found at multiple sites. By working with …


Indefinability2013c.E., Clayton T. Ehman Dec 2013

Indefinability2013c.E., Clayton T. Ehman

CGU MFA Theses

I am a multidisciplinary artist; because I am committed to art that engages a broad array of subjects and ideas. This is reflected in my works which consist of diverse mediums and processes including graphic design, digital imagery, printmaking, painting, sculpting, poetry, song composition, clothing, website design, drawing, video, lighting, installation art, abstract art, Op art, conceptual art, political art, black light art, maximalist art, and various combinations of these.


Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean Dec 2013

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …


Ordinary Effort, John Mcmahon Dec 2013

Ordinary Effort, John Mcmahon

Boise State University Theses and Dissertations

The thesis is primarily concerned with how the search for knowledge is driven by a quest for certainty, resulting in a compulsion to fix knowledge in explicit rules and procedures. Rather than producing a satisfactory sense of stability, this produces comedy and tragedy as human endeavors play out against a backdrop of arbitrary structure.

Three videos explore this problem through the lens of professional sport, where the quest for certainty is evaluated against the application of rules, against rules governing the action of the body, and against the attempt to circumvent the rules. Theoretical background is provided by examining the …


Andrew Bae Interview, Richard Park Jul 2013

Andrew Bae Interview, Richard Park

Asian American Art Oral History Project

Bio: While Andrew Bae is situated in Chicago, he has clients from all over the globe. Born and raised in Seoul, South Korea, Andrew Bae picked up on the business of galleries after attending school and studying chemistry and worked as a chemist for several years. Although his gallery is in one of the more desirable locations of River North, he doesn't seem to carry that many artists. He prefers a limited selection of artists (around 10) as he feels there is more personal connection with his artists especially as a gallery owner. Though the business is changing, Andrew Bae …


Kompha Seth Interview About The Cambodian Association Of Illinois, Matthew Mrozinski Jun 2013

Kompha Seth Interview About The Cambodian Association Of Illinois, Matthew Mrozinski

Asian American Art Oral History Project

About the Organization:

“Founded in 1976, the Cambodian Association of Illinois (CAI) serves some 5,000 Cambodians in Illinois via senior health intervention; child and youth services; family health, citizenship and employment. CAI enables refugees and immigrants from Cambodia residing in Illinois, especially those in metropolitan Chicago, to become self-sufficient, productive participants in American society while preserving and enhancing their cultural heritage and community.”

About the co-Founder:

“Kompha Seth, co-Founder and Executive Director of CAI since 1981. He was a Buddhist monk in Cambodia for 23 years before emigrating to the U.S. in 1975. He has received numerous national, state and …


Forming A New Art In The Pacific Northwest: Studio Glass In The Puget Sound Region, 1970-2003, Marianne Ryder Jun 2013

Forming A New Art In The Pacific Northwest: Studio Glass In The Puget Sound Region, 1970-2003, Marianne Ryder

Dissertations and Theses

The studio glass movement first arose in the United States in the early 1950s, and was characterized by practitioners who wanted to divorce glass from its industrial associations and promote it as a fine arts medium. This movement began in a few cities in the eastern part of the country, and in Los Angeles, but gradually emerged as an art form strongly associated with the city of Seattle and the Puget Sound region. This research studies the emergence and growth of the studio glass movement in the Puget Sound region from 1970 to 2003. It examines how glass artists and …


Paper - A Reserve Or Backgound?, Brian Fay May 2013

Paper - A Reserve Or Backgound?, Brian Fay

Conference Papers

Paper: A Reserve or a Background?

“Using examples from contemporary practice and my own research, this presentation will discuss two models for the role of paper in drawing: as background and as reserve. It will focus on Walter Benjamin's definition for the graphic lines almost metaphysical relationship to the background, and compare it with Norman Bryson's model of the paper as a reserve, for him an 'area without qualities'.”


Falling Apart While Awake, Crystal Erlendson May 2013

Falling Apart While Awake, Crystal Erlendson

CGU MFA Theses

Crystal Erlendson conceals surfaces with irreverent, ornamental gestures to reveal a daft logic in space.

Find additional websites of the artist's work here and here.


Ritual Process, Kevin A. Baer May 2013

Ritual Process, Kevin A. Baer

LSU New Orleans Theses and Dissertations

My art is a means for investigating the passage of time, the decay of physical things, and the truth of mortality. I explore these concepts through process-oriented sculptures that emphasize ritual and material. The process is communicated with the creation of relics, often existing as drawings or the remains of degenerated sculptures. These relics bear witness to the process. I focus on themes of temporal change and death because they remain central to our metaphysical and physical existence. I see a diminished reverence for the power of death in our culture, and through my work I aim to pay homage …


Pao Hoau Her Interview, Bentley "Libby" Christenson May 2013

Pao Hoau Her Interview, Bentley "Libby" Christenson

Asian American Art Oral History Project

Artist Bio: Pao Houa Her is a visual artist base in Minnesota. She studied at Minneapolis College of Art and Design and at Yale University School of Art. She can be reached at [email protected]. Bio from- http://phphoto.nfshost.com/?page_id=33

Pao Houa Her was born in Laos. In 1986 after the Vietnam War ended, Pao and her family moved to Thailand and a year later moved to Minnesota. Pao is the oldest of seven and currently resides in Minneapolis, MN. She has received a B.F.A. in photography at the Minneapolis College of Art and Design, and was the first Hmong individual …