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Articles 121 - 150 of 1977
Full-Text Articles in Art Practice
Recollections Of A Tejana Life, Carolina Yáñez
Recollections Of A Tejana Life, Carolina Yáñez
Art Theses and Dissertations
This thesis encompasses the life of a young woman navigating life in Texas through various political and social barriers. My interdisciplinary practice analyzes the historical context of Mexicans in Texas from its Revolutionary period into current injustices. Through fiber, printmaking, and photography I create a visual diary to illustrate what the political has made personal. These works display the beauty of Tejano culture, but also the power struggles that threaten communities I care for, as well as my own existence that persists against far-right wing agendas.
Current politics and government leadership in Texas have inspired me to make artwork calling …
The Camera’S Sanctuary: Photographing The Queer Gardens Of The Vieux Carré, Tyler Rosebush
The Camera’S Sanctuary: Photographing The Queer Gardens Of The Vieux Carré, Tyler Rosebush
LSU New Orleans Theses and Dissertations
This thesis explores the French Quarter courtyard as a site of queer sanctuary, memory, and community through a lens-based artistic practice. Drawing on historical and contemporary photographs, installations, and collaborations with friends and community members, the work examines how gardens and courtyards have long functioned as both physical and metaphysical spaces of refuge for the queer community in New Orleans. The project is grounded in both archival recovery and contemporary practice, combining the still image with sculptural installations that reframe the visual vernacular of gay clubs within these historic spaces. By slowing down the photographic process and attuning to both …
Working To Achieve Flow, Vincente D.A. Fischer
Working To Achieve Flow, Vincente D.A. Fischer
Graduate Theses and Dissertations (2019 - present)
This paper is a thesis for the body of work I created over the last 3 years called Working To Achieve Flow. In the following pages, I will discuss what inspired me to create this body of work, which entailed personal reflection on my own mental health and how it affects my art practice. I will also go over who my influences are: Eva Hesse, Willem De Kooning, and Jenny Saville. Each of these artists inspires me to think about my work in different ways, which has helped me develop into the artist I am today. Finally, I will break …
“Virtual Reality And Creativity: Evaluating Immersive Painting Experiences And Art-Based Mindfulness” Presented By Heli Puhakka, Heli Puhakka
Staff Scholarship - Australia & Dubai
New affordable head-mounted displays and interactive virtual technologies provide opportunities for researchers and practitioners to create and experience mindfulness. The use of virtual reality for art-based mindfulness practices is novel and promotes full-body, immersive experiences to improve mood, however, researchers and practitioners have a limited understanding of mindfulness and creativity in the virtual environment. This paper identifies the research gap by examining how active art-based mindfulness practices in virtual reality promote mindfulness, compared to passive methods such as viewing a virtual image to experience relaxation. Fourteen participants were interviewed in the qualitative ethnographic study. Methods included semi-structured interviews, direct observation, …
The Holler, Ainsley C. Maryanski
The Holler, Ainsley C. Maryanski
SPARK Symposium Presentations
My work explores the relationship between people and the spaces they inhabit, focusing on Johnson City, TN—a place shaped by both history and personal memory. Through film photography and archival materials, I document landscapes and interiors that hold traces of past and present lives, revealing how time often alters place and perception.
Alongside my own photographs, I include images of my grandparents and great-grandparents, the land they lived on, and fragments of a past that still lingers. These elements don’t just serve as historical references but as evidence of continuity—of lives once rooted in these places and the ways they …
Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas
Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas
SANE journal: Sequential Art Narrative in Education
The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …
Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski
Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski
Undergraduate Theses in Art History
The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …
Death Is Not The End, Marianne Koleng
Death Is Not The End, Marianne Koleng
be Still
In this piece, Death is Not the End, the juxtaposition of maintaining a connection with those lost, while simultaneously adjusting to life without them is explored. The use of mixed media to convey a spectrum of emotions surrounding death along with the use of both a skeleton, to represent death, and "normal" hands and body contours to represent life, highlight the importance that proper healing play in both mourning and celebrating life.
For The Birds, Charlotte L. Middleton
For The Birds, Charlotte L. Middleton
School of Art, Art History, and Design: Theses and Student Creative Work
For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.
The title of the show, For the Birds, is both a …
Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna
Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna
Akda: The Asian Journal of Literature, Culture, Performance
The Philippines as locus of both specific experience and shared sympathy with regard to climate change allows for an investigation of the complex factors that describe a realm of experience unique to this present age: catastrophic weather in both its scorching and diluvian iterations. In this paper, I argue that the atmospheric delusions in the artistic practices of Mark Orozco Justiniani’s Arkipelago and the Vargas Museum’s Fever Dream point to a more expansive relationality with climate that forces us to re-evaluate precisely what ecocritical scholars have called the derangements of everyday modern life. The experience of exceptional heat and rain, …
A Conversation With Loe Gino, Loe Gino, Seb Taylor
A Conversation With Loe Gino, Loe Gino, Seb Taylor
Digital Laboratory: Publisher of Internet Journal
LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …
An Essay Of Images From Playlab Inc., Playlab Inc., Archie Lee Coates Iv
An Essay Of Images From Playlab Inc., Playlab Inc., Archie Lee Coates Iv
Digital Laboratory: Publisher of Internet Journal
A series of images depicting the illustrious Playlab Inc. as a collection of projects in different mediums. The LA-based design studio has contributed to fashion, art, and urban culture through collaborations with major institutions and emerging artists. The photo essay highlights Playlab Inc.’s diverse projects and installations, embodying its core philosophy: no focus. This principle guides the studio to the cutting-edge of contemporary culture, where innovation meets execution. The creative powerhouse has demonstrated a capacity to engage with contemporary cultural movements through its projects. For instance, in the OTW Vans project, the firm acquired images from notable skate photographers Atiba …
My Art Is Garbage, Beth Shepherd
My Art Is Garbage, Beth Shepherd
The Goose
In “My Art is Garbage,” I describe three recent art projects where garbage is both a theme and an artistic medium used to critique the overuse of and inability to reuse or safely dispose of plastics we use every day. The first work, Untitled (Plastic Film Balls), uses non-recyclable single-use household plastic made to form an installation of shimmering balls and alludes to the environmental footprint of the artworld. Plastic Shores, a series of monotype prints, reminds us that plastics in the environment are deleterious to species that we see every day. Finally Plastic Pests, a series …
Mindful Art Curriculum: Teaching Towards Transformational Change, Ashley Riemann
Mindful Art Curriculum: Teaching Towards Transformational Change, Ashley Riemann
Mindfulness Studies Theses
With the recent influx of American public school diversity, art educators must establish an art curriculum that nurtures students' cultural awareness and creates a more equitable and inclusive learning environment. This paper responds to the increasingly diverse classroom and proposes the need for the implimentation of a mindful, culturally responsive art curriculum. Mindfulness paired with culturally responsive teaching is a transformative tool for art educators. These teaching techniques unite and create an inclusive and inquisitive learning environment. Through mindful exploration students learn to cultivate awareness and focus, forming a deeper connection with art and one another. As Jon Kabat-Zinn expressed, …
Ultraviolent, Jin Mateo Kim
Ultraviolent, Jin Mateo Kim
Theses and Dissertations
How do you reconceive yourself in a society that has failed you? Jin Mateo Kim's works examine the reckoning of self-conception in postwar youth subculture of the 1960s.
You Get That From Me, Robyn Duncan
You Get That From Me, Robyn Duncan
Theses and Dissertations
You Get That From Me is a mixed-media, collage-based film that integrates personal portraits, allegorical maps, and digital collages with spoken narration to craft a stylistic memoir of a pivotal period in my life: the transition from childhood to motherhood.
The Air Of The Now And Gone, Sarah E.K. Smith, Kirsty Robertson
The Air Of The Now And Gone, Sarah E.K. Smith, Kirsty Robertson
FIMS Publications
This publication accompanies the 2025 exhibition The Air of the Now and Gone, curated by Kirsty Robertson and Sarah E.K. Smith. They ask: in the face of the “wicked problem” of climate change, which precludes easy solutions, how can we move forward? How can we address a crisis that prompts apathy and disconnect? In their introductory essay, Robertson and Smith discuss the works of the artists, who refuse detachment and simultaneously complicate idealism. Like the artists, the curators seek to encourage diverse responses to the realities of climate change, moving beyond apathy and despair to engage empathy, wonder, joy, …
Ethereal, Nickolas Strohm
Creation Myth, Sarah Lee
Betty Should Have Shot Those Birds, Sarah Lee
Art Along The Pages, Lily A. Soto
Cruel Fate, Pieper Gabbard
Civil Blood, Civil Hands, Jessica Conatser
Half A Pillow Gone Cold, Jessica Conatser
Reading Secondhand Books Makes Me Sad, Mikaela Westlund
Reading Secondhand Books Makes Me Sad, Mikaela Westlund
Allusions
No abstract provided.
My Day Is Rain / My Life The Sun / Shining On My Face, Mikaela Westlund
My Day Is Rain / My Life The Sun / Shining On My Face, Mikaela Westlund
Allusions
No abstract provided.
Something About A Rat, I. Slaven
Backwater, Alexia Rardin
You Think, Carrie Mckinney
Hair Of The Dog, Mahal Wright