Art Practice Commons^™

Blanket Statements, Issue 92, Summer 2008

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 92, Summer 2008

Blanket Statements, Issue 91, Spring 2008

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 91, Spring 2008

Warps & Wefts 2009, Carol Bier

Textile Research Works

The interlacing of warp and weft defines a woven fabric. The weaver strings warp yarns onto a loom, a frame designed to hold the warps parallel and taut, and then introduces the wefts sequentially. The process is weaving; the result is a textile.

When we think of textiles, we most often think of garments to clothe our bodies and furnishings to supply our domestic needs. But throughout history, textiles have also played a primary role in fashion, drawing on not only color and pattern but also draping qualities and the effects of tailoring to cover (or show off) the body. …

Blanket Statements, Issue 94, Winter 2008–2009

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 94, Winter 2008–2009

Documentary Film Presentation Local Colors: Natural Dyeing In A Milas Carpet Weaving Village, Ulara Tamura, John Wells

Textile Society of America: Symposium Proceedings

This documentary, filmed in 2006, examines the process of naturally dyed carpet production in a village in the Milas region of Muğla Prefecture in southwest Turkey, a region well known as a traditional Turkish carpet production area. In large numbers of villages of this region, carpet weaving is the household based work of every woman who lives there.

In this paper, I aim to add more detailed information and discussion specifically on the colors and dyes of the carpets shown in this film. First I will introduce the varieties of the natural dye materials the villagers use one by one. …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 29 (2008), Laurel Horton, Susan Price Miller, Aimee E. Newell, Sue C. Cummings, Marin F. Hanson, Arlesa J. Shephard, Loretta B. Chase

Uncoverings Journal

Preface by Laurel Horton

The Circuit Rider's Quilt: Reality and Romance by Susan Price Miller

More than Warmth: Gift Quilts by Aging Women in Antebellum America by Aimee E. Newell

Irene Post: Quilt Artist and Neighbor of Bertha Stenge by Sue C. Cummings

Modern, Yet Anti-Modern: Two Sides of Late-Nineteenthand Early-Twentieth-Century Quiltmaking by Marin F. Hanson

Quilts for McKinley: Women's Involvement in Politics by Arlesa J. Shephard

Quilts in Transition: A Study of Strafford County, New Hampshire, Probate Inventories by Loretta B. Chase

Contributors

Index

Blanket Statements, Issue 89, Fall 2007

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 89, Fall 2007

Blanket Statements, Issue 88, Summer 2007

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 88, Summer 2007

Blanket Statements, Issue 87, Spring 2007

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 87, Spring 2007

Exhibition Review Of "Cosmophilia: Islamic Art From The David Collection, Copenhagen", Carol Bier

Textile Research Works

THIS EXHIBITION WAS organized by the Isabella V. McMullen Museum of Art at Boston College. It is accompanied by a catalogue of the same title published in 2006 by Sheila S. Blair and Jonathan M. Bloom, who also seived as curators, selecting objects in collaboration with the David Collection. The exhibition contains more than I 00 outstanding objects of Islamic art and includes more than 20 significant textiles, which represent diverse geographic origins (Yemen, Spain, India, Egypt, Central Asia, Turkey and Iran); with dates ranging from the 7th through the 19th centuries. Linen, cotton, wool and silk, traditional textile materials, …

Vanishing Points, Deformed Planes, Negative Spaces, Empty Solids And Topological Genius – Or, How I Got Lost In Bilbao, Carol Bier

Textile Research Works

Midsummer’s green along the flanks of the Pyrenees in Basque country welcomed us as we drove from Donostia (San Sebastian) west to Gernika and Bilbao. The mountains to the south physically separate this area of northern Spain from the rest of the Iberian Peninsula. To the north lies the Atlantic with its vast expanse of water, gentle waves lapping at the shore. The mountain slopes here are profoundly uplifted and folded – nature’s deformations of the plane – and the steep valleys and rushing rivers exhibit visible geometric perspectives of geological forms. To be here in summer makes one especially …

Blanket Statements, Issue 90, Winter 2008

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 90, Winter 2008

From Folding And Cutting To Geometry And Algorithms: Integrating Islamic Art Into The Mathematics Curriculum, Carol Bier

Textile Research Works

Drawing upon visual forms of expression prevalent in Islamic arts and architecture, this workshop offers handson experience for understanding basic concepts in geometry, with reference to algorithms in processes of patternmaking. Art teachers and math educators may learn a variety of strategies for classroom teaching, adaptable for K-12, to acquaint students with principles underlying patterns in Islamic art. Such patterns relate to the history of mathematics at a time when Baghdad was an intellectually vibrant center of patronage, and al-Khwarezmi was engaged in the development of what we now call algebra and algorithms. Students may explore these ideas through their …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 28 (2007), Joanna E. Evans, Virginia Gunn, Eleanor Knowles Dugan, Jonathan Gregory, Lynne Shultis, Carol Williams Gebel, Mary Horton Robare, Laurel Horton

Uncoverings Journal

Preface by Joanna E. Evans

The Gingham Dog or the Calico Cat: Grassroots Quilts of the Early Twentieth Century by Virginia Gunn

Rachel's Tat by Eleanor Knowles Dugan

The Joy of Beauty: The Creative Life and Quilts of Rose Kretsinger by Jonathan Gregory

Analysis of a Late Nineteenth-Century Redwork Quilt Top by Lynne Shultis

The Princess Feather: Exploring a Quilt Design by Carol Williams Gebel

Cheerful and Loving Persistence: Two Historical Quaker Quilts by Mary Horton Robare

The Underground Railroad Quilt Code: The Experience of Belief by Laurel Horton

Authors and editor

Index

Blanket Statements, Issue 85, Summer/Fall 2006

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 85, Summer/Fall 2006

Blanket Statements, Issue 85, Summer/Fall 2006

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 85, Summer/Fall 2006

Being Boat, Images, Basia Irland

Reconstruction: Studies in Contemporary Culture

[From Editor's Introduction]

Basia Irland is well established in the visual and digital art world for her work with a number of media and displays of work that suggests an investment in the aboriginal, personal and environmental; we are honored to host some of her most recent work and writing on water.

Blanket Statements, Issue 84, Spring 2006

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 84, Spring 2006

Islamic Art: An Exploration Of Pattern, Carol Bier

Textile Research Works

As an historian of Islamic art in the Department of Art History at the Maryland Institute College of Art, I am continually learning as I endeavor to teach my students about pattern. Teaching about pattern in Islamic art has facilitated my own exploration of geometry in ways that also benefits my students. This visual presentation explores the results of a single assignment that pertains to coloring a linear plate reproduced in Bourgoin’s classic work [6], Arabic Geometrical Pattern and Design.

Blanket Statements, Issue 86, Winter 2007

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 86, Winter 2007

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 27 (2006), Joanna E. Evans, Loretta G. H. Woodward, Beverly Gordon, Teri Klassen, Marsha Macdowell, Charlotte Quinney, Mary Worrall, Nao Nomura, Janneken Smucker, Laurann Gilbertson, Ronda Mcallen

Uncoverings Journal

Preface by Joanna E. Evans

Communities of Quilters: Hawaiian Pattern Collecting, 1900-1959 by Loretta G. H. Woodard

Crazy Quilts as an Expression of "Fairyland" by Beverly Gordon

Polk's Fancy: Quiltmaking, Patriotism, and Gender in the Mexican War Era by Teri Klassen

The K.K.K. Fundraising Quilt of Chicora, Michigan by Marsha MacDowell, Charlotte Quinney, and Mary Worrall

From Fibers to Fieldwork: A Multifaceted Approach to Re-examining Amish Quilts by Nao Nomura and Janneken Smucker

Patterns of the New World: Quiltmaking Among Norwegian Americans by Laurann Gilbertson

Jewish Baltimore Album Quilts by Ronda McAllen

Authors and editor

Index

Blanket Statements, Issue 82, Fall 2005

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 82, Fall 2005

Blanket Statements, Issue 81, Summer 2005

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 81, Summer 2005

Blanket Statements, Issue 80, Spring 2005

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 80, Spring 2005

Blanket Statements, Issue 83, Winter 2006

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 83, Winter 2006

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 26 (2005), Kathlyn Sullivan, Susan Price Miller, Mary Ann J. Montgomery, A. Charlene Orr, Colleen Hall-Patton, Claire Somersille Nolan, Heather Cadogan, Melanie Mckay, Maaja Stewart, Anita B. Loscalzo

Uncoverings Journal

Preface by Kathlyn Sullivan

The Threads of a Friendship: Lillian Walker, Maxine Teele and Lucile Taylor by Susan Price Miller

Quilted Gems by the Jewels of the Lawrence Family by Marian Ann J. Montgomery and A. Charlene Orr

Jean Ray Laury in the 1960s: Foremother of a Quilt Revival by Colleen Hall-Patton

The Star of Bethlehem Variation Quilt at 1he Metropolitan Museum of Art by Claire Somersille Nolan

Artistic Creation: Amish Quilts and Abstract Art by Heather Cadogan

"The Tradition of Old People's Ways": Gee's Bend Quilts and Slave Quilts of the Deep South by Melanie McKay and Maaja Stewart …

Symmetry And Symmetry-Breaking: An Approach To Understanding Beauty, Carol Bier

Textile Research Works

Considering the relationship of symmetry and beauty, the author examines three textiles from the collection of Doris Duke at Shangri La in Honolulu. Referring to abstract expressionism of the 20th century as antithetical to symmetry, and the Arts & Crafts Movement of the 19th century as countering the insistency of industrial mass production, Bier explores the relative roles of symmetry and symmetry-breaking in the construction of three embroideries (called suzani, after the Persian and Tajik word for “needlework”), using as her point of departure a recent research initiative, the Shangri La Suzani Project. The study of colors, motifs, stitches, designs …

Blanket Statements, Issue 78, Fall 2004

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 78, Fall 2004

Blanket Statements, Issue 77, Summer 2004

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 77, Summer 2004

Blanket Statements, Issue 76, Spring 2004

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 76, Spring 2004