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Art Practice Commons™

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Creative Writing

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Articles 601 - 630 of 806

Full-Text Articles in Art Practice

Blood Flow, Alyson Laplante Jan 2019

Blood Flow, Alyson Laplante

Allusions

No abstract provided.


Into The Wilderness, Laura Gentry Jan 2019

Into The Wilderness, Laura Gentry

Allusions

No abstract provided.


I’M Fine, Sam T. Morlan Jan 2019

I’M Fine, Sam T. Morlan

Allusions

No abstract provided.


Twisted, Melanie Roberts Jan 2019

Twisted, Melanie Roberts

Allusions

No abstract provided.


Blisters, Kristofer D. Coleman Jan 2019

Blisters, Kristofer D. Coleman

Allusions

No abstract provided.


I Never Lie, Michael Noble Jan 2019

I Never Lie, Michael Noble

Allusions

No abstract provided.


The Apple Murders, Lanie Amelia R. Evans Jan 2019

The Apple Murders, Lanie Amelia R. Evans

Allusions

No abstract provided.


The Telling Of The Bees, Anna Louise Wilson Jan 2019

The Telling Of The Bees, Anna Louise Wilson

Allusions

No abstract provided.


Self-Portrait With Headlight And Forget, Matthew Fash Jan 2019

Self-Portrait With Headlight And Forget, Matthew Fash

Allusions

No abstract provided.


Pick Something Off The Shelf: An Anatomical Figure, Katelyn Haase Jan 2019

Pick Something Off The Shelf: An Anatomical Figure, Katelyn Haase

Allusions

No abstract provided.


An Aquaphobic Friendship, Aneava Trusty Revesz, Alison Weaver Jan 2019

An Aquaphobic Friendship, Aneava Trusty Revesz, Alison Weaver

Allusions

No abstract provided.


Grief, Aneava Trusty Revesz Jan 2019

Grief, Aneava Trusty Revesz

Allusions

No abstract provided.


A Haze These Days, Lyn Beasley Jan 2019

A Haze These Days, Lyn Beasley

Allusions

No abstract provided.


Untitled Unknown, Taylor Simone Stewart Jan 2019

Untitled Unknown, Taylor Simone Stewart

Theses and Dissertations

This article is the first of a series exploring domination culture through the ways narrative has been indoctrinated as reality and weaponized as a holding cell for captives. Within this exploration, the narrative of domination is placed in relation to higher dimensional realms of the unknown; this being the before and after of domination culture. This positioning will allow for the reality of a simultaneous existence within the labyrinth of domination and a higher dimensional unknown to be framed. Within this series of articles, I question the roll of the rogue characters shamanistic agents of resisting domination, the fear of …


A Spectacle And Nothing Strange, Taylor Z. King Jan 2019

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …


Sea Squad, Liam Geary Baulch Sep 2018

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.


Private Rainbows, Mikey F. Estes May 2018

Private Rainbows, Mikey F. Estes

Theses and Dissertations

I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.


Strange Woods, Song Park May 2018

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …


Experience Bobo Experience, Sara Smith May 2018

Experience Bobo Experience, Sara Smith

Capstone Projects and Master's Theses

Experience Bobo Experience -by Sara Marie Smith (Artist Statements and Images of work)

Spring 2018-CSUMB Undergraduate Capstone Project/ Visual Public Arts Department

My Senior Capstone is about using inspirational wisdom from acknowledged sources to address the quandaries of our human experiences. I have chosen a cognitive clown, named Bobo, to investigate Henry David Thoreau, Jack Kerouac, and Allen Watts. Bobo, my character, goes on a journey of learning. Bobo is a line drawing, rendered in marker, with a circular head, two dot eyes, three puffs of hair with a clown smile and clown clothing. Experience Bobo Experience speaks to …


How To Be The Perfect Asian Wife!, Sophia Hill Apr 2018

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.


Among The Ruins, Edie Steiner Mar 2018

Among The Ruins, Edie Steiner

The Goose

Photographic essay, a version of which was first presented at the 2011 Green Words/Green Worlds Conference, Faculty of Environmental Studies, York University, Toronto. Images previously presented in the exhibition Abject Transformations at Arcadia Art Gallery, Toronto.


Bibliophile, Alivia M. Vaillancourt Jan 2018

Bibliophile, Alivia M. Vaillancourt

Allusions

No abstract provided.


Encumbrance, Anna Louise Wilson Jan 2018

Encumbrance, Anna Louise Wilson

Allusions

No abstract provided.


Can’T, Alyson Laplante Jan 2018

Can’T, Alyson Laplante

Allusions

No abstract provided.


Let’S Count To Three, Andrew Rohrer, Cole Donaldson Jan 2018

Let’S Count To Three, Andrew Rohrer, Cole Donaldson

Allusions

No abstract provided.


Birds In Flight, Kristofer D. Coleman Jan 2018

Birds In Flight, Kristofer D. Coleman

Allusions

No abstract provided.


Equilibrium: Possession Of Feathers, Anna Louise Wilson Jan 2018

Equilibrium: Possession Of Feathers, Anna Louise Wilson

Allusions

No abstract provided.


Childlike Wonderment, Anna Louise Wilson Jan 2018

Childlike Wonderment, Anna Louise Wilson

Allusions

No abstract provided.


Before The Moon Rose, Brianna Nichols Jan 2018

Before The Moon Rose, Brianna Nichols

Allusions

No abstract provided.


The Mermaid Song, Matthew Fash Jan 2018

The Mermaid Song, Matthew Fash

Allusions

No abstract provided.