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Articles 211 - 240 of 806
Full-Text Articles in Art Practice
The Only Third Grader With Braces, Sam T. Morlan
Carla, Basia Bryan
Frosted Glass, Leah Jeanne Barwick
The World's Smallest Violin, Erykah Hobgood
Dishwasher At A Hospital, Diane Richie
Strike, Rodney Davis
A Man Made Of Flowers And Twine, Tessa Williams
What Happened At Time T, Wilfred Jensen
Good Unreal Unearth Omens, Wilfred Jensen
Cherry Pit, Wilfred Jensen
I Am The Meadows, I Am The Daffodils, Cole Denny
Love Always Leads To Mourning, Jessica Conatser
I Am Living In A World (Or, To Write About Joy), Jessica Conatser
I Am Living In A World (Or, To Write About Joy), Jessica Conatser
Allusions
No abstract provided.
La Mort, Abbie Canull-Beauchamp
Barbara, Basia Bryan
Philophobia, Eros Thompson
I Know What Taylor Means, Nadia Craig
Ahmie's Book, Rodney Davis
We Call These Growing Pains, Savannah Whitaker
Of Wildflowers And Childhood Glee, Jessica Conatser
Parents, Campbell Holler
Recurrence, M. C. Hill
Notes Toward A Personal Afrofuturism, Jalen T. Adams
Notes Toward A Personal Afrofuturism, Jalen T. Adams
Theses and Dissertations
This paper is penned by a young adult who is generally confused about a lot of things regarding life, but has one singular focus that is perhaps larger than life—trying to find the bridge between a future already lived, and a past yet to happen. These are his findings so far.
Contact Zones, Discursive Spaces: The Case Of The Silliman University National Writers Workshop, Alana Leilani C. Narciso
Contact Zones, Discursive Spaces: The Case Of The Silliman University National Writers Workshop, Alana Leilani C. Narciso
Akda: The Asian Journal of Literature, Culture, Performance
The Silliman University National Writers Workshop’s (SUNWW) historical circumstance has been implicated in the Cold War. As such it is accused of perpetuating colonial ideas on language and literary production. Its use of New Criticism is said to be detrimental to nation-building as this critical pedagogy is seen to be ahistorical and apolitical. This paper investigates the Workshop space and critiques the actual workshop discussions in the years 2019 and 2021. The explorations reveal that the Workshop is a discursive space, a “contact zone” where its participants are always engaged in the act of negotiating ideas about craft, literature and …
Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne
Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne
Dissertations, Theses, and Capstone Projects
This dissertation presents, analyzes, and builds on the existing literary genealogy of documental poetry. In 2020 Michael Leong proposed the term documental poetry to describe the turn toward source materials in 21st-century North American poetry, seen in longform research-based poems that explicitly incorporate documentation and seek to intervene in cultural memory. Using Ludwig Wittgenstein’s concept of family resemblance, I argue that there are clear affinities between 21st-century poets and their 20th-century literary forerunners, also that an expansion of the scope of documental poetics is needed. The three nodes of connection I examine are works …
Full Article, Izze Gunn
One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix
Theses and Dissertations
"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.
Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor
Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor
Masters Theses
A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …
Soul Furnace / فرن الأرواح, Isa Ghanayem
Soul Furnace / فرن الأرواح, Isa Ghanayem
Masters Theses
“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …
Moretheless, Abdelghani Alnahawi
Moretheless, Abdelghani Alnahawi
Masters Theses
material investigations becoming questions with interjections