Art Practice Commons^™

Back Matter

Art Inquiries

No abstract provided.

American Women Artists, 1935-1970: Gender, Culture, And Politics, Lucy Curzon

Art Inquiries

Book review of American Women Artists, 1935-1970: Gender, Culture, and Politics, edited by Helen Langa and Paula Wisotzki.

After Caravaggio; Caravaggio And The Creation Of Modernity, Donald Schrader

Art Inquiries

Book review of After Caravaggio, by Michael Fried, and of Caravaggio and the Creation of Modernity, by Troy Thomas.

Art Inquiries, Xvii:2, Full Issue

Art Inquiries

No abstract provided.

Algorithmic Aesthetics: Redefining Traditional Islamic Art, Carol Bier

Textile Research Works

The recent exhibition, “Reverberating Echoes: Contemporary Art Inspired by Traditional Islamic Art,” organized by the Center for the Arts & Religion at the Graduate Theological Union afforded an opportunity for me as curator to reconsider the definition of ‘traditional Islamic art.’ This effort led to the identification of an algorithmic aesthetic of pattern that characterizes artistic production in all media from the 9th through the 12th centuries in what were then Islamic lands, centered in Baghdad, but extending from Spain across North Africa through the Middle East and Iran to Central Asia and the Indian Subcontinent.

Reframing Islamic Art For The 21st Century, Carol Bier

Textile Research Works

The celebrated Islamic galleries at The Metropolitan Museum of Art in New York reopened in 2011 as “Galleries for the Art of Arab Lands, Turkey, Iran, Central Asia, and Later South Asia.” Other major collections of Islamic art have been reorganized and reinstalled in Berlin, Cairo, Cleveland, Copenhagen, Detroit, Kuwait, London, Los Angeles, Paris, and Singapore, and new museums of Islamic art have been established in Doha, Qatar; Honolulu, Hawaii; Kuala Lumpur, Malaysia, and Sharjah, U.A.E. In addition, the first museum in North America dedicated to Islamic art recently opened in Toronto, Ontario, Canada. This article explores this global phenomenon, …

Alloys And Architecture: Periodic And Quasiperiodic Patterns In Sinan's Selimiye In Edirne, Carol Bier

Textile Research Works

The marble minbar of the Selimiye mosque in Edirne that was designed by the Ottoman architect, Sinan, and completed in 1575, bears a circular medallion of carved and pierced openwork in each of its triangular framing walls. The carved circular patterns are unusual in having radial symmetry with local five-fold and ten-fold rotations, but no periodic repeat. This contribution explores the relationship of this late 16th-century design to a similar array generated by X-ray diffraction of aluminum alloys, identified as a quasiperiodic pattern, which garnered the 2011 Nobel Prize in Chemistry. The 16th-century appearance of this pattern in an architectural …

Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu

Scripps Senior Theses

In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally agree with …

Skinface, Islam Shehab

Theses and Dissertations

Throughout history, skin manipulation was primarily practiced for cultural, tribal, or religious purposes. In the contemporary landscape, skin manipulation has been objectified and commercialized. This is exemplified through bio-upholstery, foreign materials under our skin and changing the skin structure.

This thesis investigates skin manipulation, with the intent to focus experimentation on the skin’s lines of cleavage, a topographical map drawn on our skin and used to define the direction where skin has the most and least flexibility. The aim is to connect and explore materials that can be used as a second skin, while at the same time examining and …

Sub For More, Chelsea Lee

Theses and Dissertations

This written thesis unpacks the thoughts and motivations behind the decisions I have made in my artistic practice that have ultimately culminated in my M.F.A. Thesis Exhibition: Sub for More. By merging images of my own work as well as internet sourced images of the culture that drives my work, I have created a platform to begin to understand my experience during graduate school. This text examines and explores my belief in the inherent power in pop culture, my obsession with fame, celebrity, and my self-identity as a participant in current pop-culture.

Interface: Fringe Landscapes And Identity, Elizabeth T. Lewin

Theses and Dissertations

An MFA thesis that weaves together: virtual landscapes, escapism, Theresa Hak Kyung Cha, utopia, family, and identity.

Fear And Nostalgia In Immigration, Daniel A. Matthews

Theses and Dissertations

Fear and Nostalgia in Immigration is a project that uses re-occuring memory and experiential memory to help us understand our common histories. The projects asks individuals to first share a re-occuring memory by writing it on a chalkboard. The next step is to then write an experiential memory about immigration, this can be a story you might have heard or it could be something from your own family history. These two tasks are done on a communal table where several individuals are engage in the same task at the same time. This aim of this exercise is to have something …

Private Conversation, Gahee Park

Theses and Dissertations

My thesis paper "Private Conversation" discusses the themes, contexts, and influences relevant to paintings and drawings I made during my MFA studies.

Vida En Sombras, Tommy Canales Burns

CGU MFA Theses

Verisimilitude. What is reality? Subconsciously we are acting out and absorbing information collating data and in turn responding with instincts. Learning processes to view and shape this world. I think of the Hermann Hesse’s doppelganger, the idea of a shadow self. Group identities can also have strange shadow selves. It is bizarre to look back at history and see the changing context of social norms, fashions, traditions, scientific, philosophical, and political thought. Art is a sign of the times, creating space for the inner dialogue of collective consciousness to be purged and hashed out.

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

Gauguin's Savage Document Work: Understanding As Function, Tim Gorichanaz

Proceedings from the Document Academy

We tend to think of documents as things that provide answers, but documents can also provoke questions. This can be seen clearly in the study of art-making as document work, since the power of art is not in how it can represent reality, but how it can pose questions to reality. In this paper, I examine the work of 19th-century artist Paul Gauguin, which proceeded through iterative abstraction and productive reproduction. Gauguin's document work was a mode of questioning with the epistemic and communicative aim of understanding.

Tapestry, Alana Medina

CGU MFA Theses

The wall pieces are intentionally left to be crude, unrefined, and raw. A look at the world with a border, walking backwards to a beginning, what it was like before the traffic of the mind. Itinerant qualities along with an objective dissidence bring about an experience of tribal nomadic earthy hues. The paintings stay close to my interpretation of the earth, similar to the sculptures. Like twins born in the same embrace with contemporaneous qualities they exist together with a connection in materiality. There is a relationship between my paintings and sculptures; a mutual dependence seen and experienced together that …

Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary

Theses and Dissertations

The goal of this paper and Kickstarter project is to enable the production of my last semester’s work and thesis exhibition, and also to aid in the post-graduation transition to a sustainable art practice that does not rely on the current gallery structure.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Cold Hard Facts, Paul Kelley

The Transdisciplinary STEAM+ Journal

COLD HARD FACTS is an ephemeral installation composed of a projector, digital images and ice. The work continues my interest in having the viewer slow down to have a more thoughtful and absorptive experience with the work and surrounding space. With a short-lived duration, the piece considers the transitory nature of things and how truths can be misconstrued as facts, whereas truths are malleable and facts are not. They are cold, hard and indifferent.

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …

Biographies, Jodi A. Patterson

Artizein: Arts and Teaching Journal

Includes biographies of authors who contributed to Artizein: Arts and teaching journal special edition "The Peter London Papers."

Words In Honor Of Peter London, Rain Gianneschi-Mcnichols

Artizein: Arts and Teaching Journal

Article contains presentation Patricia Rain Gianneschi gave at the Symposium for the Peter London Papers at the University of Illinois, Carbondale.

Art's Disclosive Dimensions: Reflections On The Work Of Peter London, Aaron Darrisaw

Artizein: Arts and Teaching Journal

When I initially came to this project, I vaguely remembered hearing of Peter London once before – in passing perhaps. Yet I knew nothing really of his art or his work as an educator. Each day I came into work, however, I was met with a series of very interesting correspondences, articles, conference presentations, lecture notes, and more that offered a thoroughgoing vision of art as a personally, socially, and spiritually transformative and enriching enterprise. The collection contained document after document of valuable contributions to the instrumental role that art can and does play in opening up individuals to their …

A "Secondhand" Reflection R. Buckminster Fuller And Peter London, Jon D. Davey Phd Aia

Artizein: Arts and Teaching Journal

Dr. John Daniel Davey presented this article as a PowerPoint presentation during the inauguration of The Peter London Papers to the University of Illinois, Carbondale.

Dewey's Philosophy Of Art And Aesthetic Experience, Thomas M. Alexander

Artizein: Arts and Teaching Journal

Thomas Alexander presents a lineage of John Dewey's aesthetics at the inauguration symposium for "The Peter London Papers" at the University of Illinois, Carbondale.

After Embeddedness: Dreaming Democratic Ecologies Through Arts-Based Inquiry, Barbara Bickel

Artizein: Arts and Teaching Journal

My arts-based inquiry practice in recent years has become one of turning to the land as a place of unceded memory and ancestral remembering. Touching into the earth as an art practice has been an act of life restoration, re-attunement and re-balancing. This article is a matrixial arts-based inquiry into edaphology, which enacts what artist educator Peter London refers to as a sacred dialogic relationship with the natural world.

Artist Statement And Art Gallery Of Peter London, Peter London

Artizein: Arts and Teaching Journal

The contents of this article includes Peter London's 2015 Artist Statement and a gallery of his artworks.

Art, Education, And Self: Six Stories From Peter London, Peter London

Artizein: Arts and Teaching Journal

No abstract provided.

The Peter London Papers Symposium Archive, Jodi A. Patterson

Artizein: Arts and Teaching Journal

Contents includes marketing materials for the inauguration of The London Papers to the Special Collections and Research Center at the University of Illinois, Carbondale.