Art Practice Commons^™

When Art Is Rooted In Place: Strawtown Studio's Environmental Education And Water Advocacy, Laurie Seeman, Joanna Dickey

Artizein: Arts and Teaching Journal

When art is rooted in place, it gives voice to the place. To create art from the earth and to advocate for the natural places we know and love is our work as Strawtown artists and educators. We develop place-based arts programs that connect people with their natural surroundings and show them new ways of seeing and being.

Art-Based Perceptual Ecology: An Alternative Monitoring Method In The Assessment Of Rainfall And Vegetation In A Ciénaga Community, Lee Ann Woolery

Artizein: Arts and Teaching Journal

As an artist, educator, researcher, and scholar, with a focus on divergent ways of knowing, I use art-making as a way to connect with the natural world. In the following article, I explore the making of an image with my hands when practicing Art-Based Perceptual Ecology (ABPE) as a way of extending my understanding and ecological knowing of the natural world, or what will also be referred to as the landscape. ABPE methodologies may offer the means by which humans reconnect to a pre-discursive (mimetic) language, a sentient language our ancestors used to communicate with the animate world. In …

Art & Ecology In The West Of Ireland: Finding, Understanding, & Creating Relationships Between Artistic Practice And The Burren, Eileen C. Hutton

Artizein: Arts and Teaching Journal

In this essay I describe how my engagement with the Burren in the west of Ireland became the foundation for my doctoral research and subsequently the development of an Art & Ecology Masters in Fine Art. I present a brief overview of the unique ecology of the Burren, including its geological, archaeological and agricultural history, so as to provide a context for both my artistic inquiry and the Burren College of Art students’ immersive experience. I then discuss my collaborative practice with small birds and honeybees as a means for exploring and expanding the traditional notion of ecology through artistic …

An Exotic Journey Into The Commonplace, Linda Weintraub

Artizein: Arts and Teaching Journal

Standardized mass-produced commodities, reliance upon electronic data-gathering, and sanitized material manipulations are so pervasive in contemporary industrialized societies that today, ‘exotic’ experiences activate sensory interactions with the substances and conditions of planet Earth. ‘Plugging in’ to the international flow of goods and information commonly results in ‘tuning out’ connections with the immediate surroundings. This essay highlights the capacity of the un-aided mind and body to explore the wondrous complexity of planet Earth. The first part presents four artists who, by engaging geological, biological, and meteorological components of their surroundings, exchange dematerialized surfing activities offered by the World Wide Web, for …

The World Breathing Me. Introduction To Artizein, Jan Van Boeckel

Artizein: Arts and Teaching Journal

This introductory article argues why it is both relevant and timely to reflect on ways in which art and ecology can be brought together in educational practices – the theme of this edition of Artizein. It also provides an overview of all written contributions.

Front Matter, Jodi A. Patterson

Artizein: Arts and Teaching Journal

This file contains cover for Volume II, Issue II, Editorial Board, Acknowledgements.

Review Of Martens, Sacred Scraps: Quilt And Patchwork Traditions Of Central Asia, Carol Bier

Textile Research Works

Sacred Scraps: Quilt and Patchwork Traditions of Central Asia

Author: Christine Martens

Published by: International Quilt Study Center & Museum, University of Nebraska-Lincoln, 2017.

Drawing upon years of extensive travel, field research, and personal interviews with craftsmen and scholars in Central Asia, Chris Martens has produced a magnificent book to accompany the 2017 exhibition at the International Quilt Study Center & Museum in Lincoln, Nebraska, for which she served as guest curator. This book, and the exhibition, documents the prolific quilt and patchwork traditions of Turkmenistan, Tajikistan, Uzbekistan, Kazakhstan, and Kyrgyzstan. Funds for travel, research, and systematic collecting came from …

Blanket Statements, Issue 130, Fall 2017

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 130, Fall 2017

Review Of The Cultural Legacy Of Uzbekistan In World Collections Conference, Michele Hardy, Carol Bier

Textile Research Works

In May 2017, over 370 scholars convened in Tashkent and Samarkand, Uzbekistan, to share their research and mark the publication of an important new series of handsomely produced volumes. Among the participants were former TSA President, Carol Bier, and past TSA Board Member, Michele Hardy. The Cultural Legacy of Uzbekistan in World Collections is a ten-volume series that documents the richness and diversity of Uzbek tangible and intangible heritage, particularly in the collections of international museums. The volumes-each lavishly illustrated, trilingual (Uzbek, Russian, and English), and beautifully bound-examine some of the richest collections of Uzbek art and culture: the Tretyakov …

Untitled Sculpture, P Aycock

Fine Arts

No abstract provided.

Leftist Militant Songs And War Of Position In Lebanon (1975-1977), Mohamad J. Hodeib

Dissertations, Theses, and Capstone Projects

This essay looks at the emergence of a generation of leftist militant songwriters against the backdrop of a revolutionary moment that influenced political and cultural landscapes in Beirut during the 1970s. After the Arab military defeat against Israel in 1967, the conjuncture of the Lebanese and Palestinian revolutionary movements in Lebanon fostered a revolutionary moment that manifested itself on different levels, including art and cultural expression. I look at the development of leftist militant songs, a genre, attitude, and approach to song production and performance that came to be at the intersection of radical theatre, poetry, and music. Productions by …

Woodward, Joe E. (Fa 1057), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1057. Student folk studies project titled: “Handicraft,” which includes survey sheets with brief descriptions of the traditional handicrafts in Logan County, Kentucky. Sheets may include a brief description of handicraft, traditional practice, or tool, informant’s name and photo. A second project with survey sheets about folk tools and implements include proverbs, riddles, beliefs, descriptions, informant’s names, and motif index numbers.

Sutherland, David (Fa 1060), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on "Additional Files" below) for Folklife Archives Project 1060. Paper titled “Basketmaking” in which David Sutherland discusses the tools, techniques, and materials of the men and women who weave baskets to earn their living. Sutherland collected his information from several well-known—and well-respected—basket weavers across Kentucky.

Never Forgets: Traumatic Trace Within Public Space, Jan Descartes

Dissertations, Theses, and Capstone Projects

This paper will interrogate the ways in which ephemera from events affects the human and non- human environment and how the absence, manipulation or presence of traumatic trace weaves itself into the atmosphere of the past, present and future. It will look at space and the ways that trace manifests itself in hierarchal spaces and Lebbeus Woods’ concept of heterarchial spaces, which are organic and/or horizontally organized. A thread throughout is the question that if trace from trauma can exist in the visual field, i.e. the physical or digital landscape, in a way that maintains a discourse without perpetuating oppression. …

Es-Sen-Tial, Lyn A. Govette

Electronic Theses and Dissertations

This thesis is in support of the exhibition entitled ES-SEN-TIAL on display in Tipton Gallery located in Downtown Johnson City from February 27, 2017 to March 10, 2017.

The exhibition is a presentation in fiber medium of the human impact on the landscape, specifically using the extractive industry of coal mining as example. This is accomplished through the use of digital imagery printed on textiles, hand and machine embroidery, and surface design techniques of dyeing and layering. This body of work reflects the artist’s interest in art activism and the utilization of photography, fiber arts, ideas and techniques, as creative …

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Zea E-Books Collection

The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods.

This volume contains 35 chapters, divided into five sections: • Textile terminologies across the ancient Near East and the …

Blanket Statements, Issue 129, Summer 2017

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 129, Summer 2017

Telling Fire’S Story Through Narrative And Art, Stephen W. Barrett

Joint Fire Science Program Digests

Modern works by highly skilled narrative authors and artists have become increasingly useful for telling the story of wildland fire in the United States. Using unconventional means—and with partial funding by the Joint Fire Science Program—creative individuals have spawned some colorful and heartfelt messages that convey insightful information about wildland fire, climate, and other elements of nature to an increasingly receptive public. Recent narrative works by well-known authors, such as Stephen J. Pyne, and creative art pieces by well-established and emerging artists have helped depict fire in a new light to audiences that scientists may rarely reach. This issue of …

A Fine Arts Marketing Elective: Justification Of Need And Proposed Course Content, Kimball P. Marshall Ph.D., Rene Desborde, Sharon Thach

Atlantic Marketing Journal

This paper explains the need for a marketing elective course that would address the business field of fine arts marketing with an emphasis on visual arts including painting in various media including drawings and print reproductions, photography, and sculpture. The proposed course would be intended for general business students, marketing majors, and fine arts majors. The paper first reviews the overall business impact of fine arts marketing from a global business and United States perspective. The paper then suggests major topics and readings that would be included in such a course and the order in which these topics might be …

Risd Faculty Values Statement, Rhode Island School Of Design

RISD Faculty Values

After thoughtful consideration and refinement of the 2017 RISD Faculty Values Statement, the full-time faculty, several part-time faculty and RISD Museum curators voted in favor of its contents and have signed on as supporters. We intend that this statement will remain relevant beyond the current political moment and encourage its wider distribution—both at RISD and beyond.

Prevail: In The Moment..., Nicole Stahl

Electronic Theses, Projects, and Dissertations

This body of work is composed of sculptural mixed media objects and scenes that heavily utilize cast glass. These pieces are physical representations of my quest to seek mental balance by focusing on what brings me happiness and comfort while still honoring mortality.

Moldmaking and repetition of process innate within casting and other aspects of this work makes me focus and revisit an idea, repetitively, like a meditation or a prayer. The intense focus required helps combat my anxiety and translates anxious energy into more positive, productive, balanced way of living.

Part of this balance requires the acknowledgment of the …

Tipping Point, Pang Z. Vang

Theses and Dissertations

What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.

2017 Faculty Letter To Students, Rhode Island School Of Design

RISD Faculty Values

An end of the year letter from the RISD faculty sent to RISD students reaffirming their support of the students, acknowledging the challenges of this past academic year in light of the current social and political turmoil and sharing the RISD Faculty Values Statement.

Catherine Cajandig Interview, Rebecca Murphy

Asian American Art Oral History Project

Bio:

Catherine Cajandig is a painter, printmaker, muralist and curator. At an early age, she showed an interest in art that was encouraged by her parents and teachers. She attended classes in the SAIC Junior School. In 1960, she was juried into The Chicago Society of Artists and has remained an active member. She has served as a board member that included various committees and was the President for one year. She is the committee chairwoman that publishes the yearly CSA Print and Drawing Calendar.

Her images are of personal topics and observations, developed through series and recurring themes. She …

Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers

Theses and Dissertations

Roseate and bodacious, the hand formed surfaces of Christian Rogers' paintings explore gay culture and history though a quasi-fictional lens. While utilizing folk like imagery, Christian depicts dramatic moments of love, lust, sex and violence as he takes us to queer realms.

The Blue That Blew Bloo, Daniel Ray Martinez

Art Theses and Dissertations

My work is a combination of videos, objects, and performances with a multidisciplinary practice that engages with the formal language of sculpture, photography, video/cinema, and drawing while being in dialogue with concepts and concerns about the image, the surface, and the space of representation. I am interested in the poetics and phenomenology of life; and the way one interacts in an environment; and the way digital/virtual media has shifted our experiences in life. Rethinking the way one finds boredom to get away from virtual capitalist spaces is a concern for me. I find inspiration in the wandering through spaces. I …

Beginner's Mind, Martin L. Benson

LSU New Orleans Theses and Dissertations

My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need …

Ten-Der-Ness, Brittany Jasin

Graduate School of Art Theses

Ten-der-ness. The title of this document defines the word, because one can easily forget all the meanings of a word. To be tender is to be compassionate and kind but also can mean to be in pain. “The quality of being easy to cut or chew” is my favorite definition; because to me that says that to be tender makes you vulnerable to being swallowed by reality. It’s a common saying that without suffering we would never know compassion but, within tenderness, compassion and suffering exist simultaneously in a ten letter word. Within my thesis I am exploring tenderness through …

My City Limits, Maggie Tarr

Graduate School of Art Theses

Many have taken part in the act of flanerie,[1] however, many have fallen victim to the flaneur; “the flaneur is the man who indulges in flanerie…”[2]. I am perpetually followed by the male gaze. I am a flaneuse, a surveyor of my surroundings at all times. “Outsider/insider is a border the flaneuse must skirmish on constantly, if only with herself.”[3]

This thesis is a first hand account of my negative experiences that are generated by the many flaneurs of sexualized culture and lustful society. It is an analysis of the paintings I have created as …

Light On, Baby. No Future, Shane Dollinger

Bachelor of Fine Arts Senior Papers

This project is a realistic depiction of the circularity of experience. As Images of ourselves and our experiences become increasingly inescapable, the repetitive and nonlinear nature of those experiences is amplified. This issue is explored in looking at contemporary artists/filmmakers whose handling of inundation in representation and narrative distinctly embraces multiplicity. Queering structures of representation, the work holds a mirror to the way that we experience living, encountering images, narrative structures and memories.