Sculpture Commons^™

Breaking Molds: Transformative Processes In Art Making, Materials, And Life, James M. Wysolmierski

Graduate Thesis and Dissertation 2023-2024

Drawing upon traumatic moments of my past as a catalyst, I pursue understanding and acceptance of physical and emotional pain. In this thesis body of work, I employ the intersection of industrial and body imagery in sculptural forms and installation as a corporeal and allegorical account of my lived experience using visual narratives of trepidation and metamorphosis. In my creative practice, I incorporate various materials that create a reference of specific moments from my past. The artworks draw from principles rooted in Buddhism, affect theory, phenomenology, and materiality; incorporating them as tools to comprehend my position in the world and …

Encapsulating Scars, Ashley Smith

College of Graduate Studies: Theses & Dissertations

My work explores scars through encapsulation, a desire to enclose and express the emotional scars of memories or physical scars of the body. Life’s experiences impact the living, leaving behind scars that we feel the need to understand. Through the mediums of metal and mixed-media photography, I utilize found and created imagery, as well as a triality of text in order to preserve and remember these scars.

(Meta-)Physical Artworks: Digital Augmentation In Art Observation, Macy A. Toppan

Dartmouth College Master’s Theses

Augmented art— the subgenre of art that incorporates physical and digital artwork— is a rapidly growing field driven by advancing technology and a new generation for whom that tech is a given. Yet the presence of media like augmented and virtual reality in exhibition remains a controversial subject. Rather than focusing on the many theoretical debates about whether digital pieces can qualify as "good" art, we study it in practice through the eyes of the casual art observer. This paper highlights the audience in a within-participant study that asked viewers to take in a physical sculpture intentionally built with virtual …

Recollection, Shelby Ann Theis-Lukenbill

Graduate Theses/Dissertations

My work is inspired by life's transient nature and objects' enduring capacity to house memories. The delicate sculptures I create combine second-hand objects with paper to capture the essence of moments and possessions that define personal histories. The objects I use represent more than their form or chemistry; they are imbued with fragments of history and memory that I am driven to preserve. In this work, the sentimental nature and purpose of my belongings hold an equal or greater value than the physical nature and purpose of those belongings. I illuminate an object’s sentimentality by combining its form with painted …

Return To Soil, Lindsay Jo Mccarty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document outlines my artistic research on building a symbiotic relationship with land throughout life and death, eco-philosophy, and the significance of natural decomposition. It explores green burial practices in Western society, delves into the history of basketry, and draws inspiration from the mutualistic effort of returning our organic energy to the Earth. The recontextualization of what “death” is and reciprocal outlooks are central to this work. My aim is to honor this cycle through creations that incorporate plant matter in hopes that, one day, I can create artwork with completely compostable materials.

My art embodies these themes and is …

Retrospective Student Projects, Sally Brown, Stewart Plein

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of student projects.

"Where Did Your Christ Come From?", Kamara V. Townes

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written document is the accompanying thesis for my Master of Fine Arts Exhibition, “WHERE DID YOUR CHRIST COME FROM?”, shown at Gallery 937 in downtown Pittsburgh, Pennsylvania (displayed April 5th-June 9th, 2024). Through painting, sculpture, and installation, I rely on an intuitive artmaking practice to create work that makes commentary on race, gender and identity. This thesis documents my research on contemporary influences, experimentation with materials and my point of view in conversation with intersectional feminism while navigating institutional racism.

Conceptually the work of my thesis is deeply influenced by womanism and Black culture, which informs my exploration …

Shinners, Alexis E. Mabry

Theses and Dissertations

Shinners is a project that aims to examine the position of women in subcultures and capture conversations of women in subcultural sports. Within feminism, sociological constructs, campy horror, and personal experience I am manifesting the physical and mental obstacles faced in the subcultural sport of Bicycle Motocross (BMX) through photography, painting, collage, video, and sculpture. I interpret images posted to social media of injuries obtained while riding BMX as forms of empowerment, bodily gore as extreme evidence of participation, performative violence, valorizing the understanding of both the physical and psychological pain of failure, and the use of failure as a …

Politics Of Being A Lover: In Art, (Space) And Kink, Rabeeha Adnan

Theses and Dissertations

Politics of being a lover: in art, (space) and kink explores my relationship with my practice through observations and stories that draw parallels with romance and kink. Narrated as love affairs turned into complex commitment, it shuffles through logics of structural power, control, and communication in the context of praxis and art institutions.

Fear Of God: Exploring Transformative Potential, Misunderstanding, Systemic Challenges, And The Future., Jermaine Ollivierre

Theses and Dissertations

This personal journey is a testament to the transformative power of play within my practice. It is a love story between me and the institution, sparked by my fervor for communal creativity in a graduate school environment. Through creative endeavors like public art installations and silent artist talks, I confront racial dynamics and institutional reluctance to engage with complex issues like Black Lives Matter. My personal experiences of alienation are woven into the broader themes of community building, communication, and systemic change. I navigate the complexities of group mentality and exclusion by deliberately using unconventional forms of expression, such as …

An Uncanny Perspective: Sculptures By Martin Puryear, Jake B. Demartini

Dissertations and Theses

An Uncanny Perspective: Sculptures by Martin Puryear will demonstrate how Puryear (b.1941) both aesthetically and conceptually evokes narratives found in Sigmund Freud’s (1856-1939) theories of the uncanny, specifically signifiers of darkness, unfamiliarity and secrecy. This employment of the uncanny in sculpture aids Puryear’s ability to address a range of aesthetics and provides a striking lens through which he addresses the collective history of violence and servitude within the African American experience. In applying Freud’s theories to several works by Puryear, this thesis will reveal how elements of the uncanny activate a questioning of narratives around terror and fear. Using methods …