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Sculpture Commons

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2020

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Articles 151 - 155 of 155

Full-Text Articles in Sculpture

Untitled, Unknown Jan 2020

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated stone sculpture that stands outside ADUC by an unknown artist.


Untitled, Unknown Jan 2020

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated piece of a paratrooper jumping from a plane done by an unknown artist


Accumulation, Erin Mccarty Jan 2020

Accumulation, Erin Mccarty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written Thesis is the supporting documentation for Accumulation, a Master of Fine Arts Thesis Exhibition at West Virginia University. This exhibition creates an environment in which a viewer can enter. This installation environment is created based on formal elements combined with fantastical elements from the imagination of the artist. The formal choices in the work provoke a positive otherworldly and whimsical response in the viewer. The environment is designed to provide relief from problems in the everyday world through patterns, forms, colors and surfaces. These elements are harvested from the natural world and recombined in a fantastical way. …


Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near Jan 2020

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.

Kruizenga Art Museum Online Collection - Exhibition Gallery


A Girl Is A Girl Is A Girl, Paige Lizbeth Morris Jan 2020

A Girl Is A Girl Is A Girl, Paige Lizbeth Morris

Theses and Dissertations

It is well known that Western society uses men’s visual pleasure as a means to determine womxn’s value; her success is dependent on her compliance with culturally determined beauty standards. This process turns womxn into commodities and reinforces notions of gender complementarity, perpetuating a lifetime of servitude to patriarchal ideologies. It reminds the non-male that she is incomplete, insufficient, insignificant, and so easily dismissable. It forces her to be dependent, to shut up, to sit down, and to enjoy it.

In an effort to reject these presumed histories and narrow connotations of womxn, I have analyzed my gender performance in …