Sculpture Commons^™

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius

Theses and Dissertations

I am not quite sure how to be a woman. It’s complicated, contradictory and highly surveilled. I make videos, sculptures and wearable objects that attempt to rationalize my female identity. The body is a sustained fixture in my work: as an armature, as an absent actor for constructed environments, as fragment and as the literal inclusion of my image. It is through these various modes of dis/embodiment that I negotiate the complexities of gendered existence. Crumbling ceramic and paper objects, pieced fabric forms, videos, beauty products, and delicate flowers reference splintered narratives and unwieldy terrains. I consider the idea of …

Skinface, Islam Shehab

Theses and Dissertations

Throughout history, skin manipulation was primarily practiced for cultural, tribal, or religious purposes. In the contemporary landscape, skin manipulation has been objectified and commercialized. This is exemplified through bio-upholstery, foreign materials under our skin and changing the skin structure.

This thesis investigates skin manipulation, with the intent to focus experimentation on the skin’s lines of cleavage, a topographical map drawn on our skin and used to define the direction where skin has the most and least flexibility. The aim is to connect and explore materials that can be used as a second skin, while at the same time examining and …

Sub For More, Chelsea Lee

Theses and Dissertations

This written thesis unpacks the thoughts and motivations behind the decisions I have made in my artistic practice that have ultimately culminated in my M.F.A. Thesis Exhibition: Sub for More. By merging images of my own work as well as internet sourced images of the culture that drives my work, I have created a platform to begin to understand my experience during graduate school. This text examines and explores my belief in the inherent power in pop culture, my obsession with fame, celebrity, and my self-identity as a participant in current pop-culture.

Open / Close: Assimilating Immersive Spaces In Visual Communication, Anika Sarin

Theses and Dissertations

I am interested in two spaces obverse to each other: open and closed. An open space develops organically based on how people inhabit it. Interacting with an open space is a dynamic, sporadic, multisensory, immersive, and subjective experience. In such spaces, we are confronted with an alternative aesthetic, one that is in conflict with the seamlessness of a closed space. A closed space is anchored on definite variables like structure, use and boundaries. While interaction between people and space is important, the space is tightly controlled and interaction is designed. Through this thesis project, I present a method that metaphorically …

Your Turn, Doctor, Leyla Mozayen

Theses and Dissertations

Between incurably degenerative illness and the graffiti which ignited the Syrian Civil War, YOUR TURN, DOCTOR complicates hope. When myths of revolution, of wellness, no longer console—love as measured in anything but loss. Within a multidisciplinary project how an increasingly painful embodiment intersects the material excess of capitalism is explored. Can objects function as a political demand, necessitating changes in the way the world is ordered? Who for? To understand one kind of oppression in necessary sterility and another in marginalization so profound blindness can result. That is to ask, how long must one be told they do not see …

Holistic Products: Designing With Time, Gifts, And Ritual, Jeremy P. Zietz

Theses and Dissertations

The notion of “you are what you buy” is an updated adage from “you are what you eat”. It makes a connection between our everyday objects and their effect on our lived experience. Looking at our relationships with our things as a type of contract, we must be intentional to shape these object contracts for our own good and health. Instead of our society’s design talents being put toward a consumerist agenda, designers must direct research and development which addresses the effects of our products holistically.

Various concepts have emerged in my creative practice which demand a deeper research and …

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …

A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams

Theses and Dissertations

A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the object-among-objects as the phono-present stretches the discursive …

Sensible Nonsense, Timothy J. Woodbrey

Theses and Dissertations

“Truth happens only by establishing itself in the strife and the free space opened up by truth itself. Because truth is the opposition of clearing and concealing, there belongs to it what is here called establishing.”[i]—Martin Heidegger

All things contain their own individual existence. When I look at objects I notice material, tradition, individual history. These are starting points for my imagination to seed and germinate. My ideas are fragmented, nonlinear and nonsensical to others but they hold honesty to me. Honesty is powerful and is worth sharing.

This document is an examination of my work during …

Avatar, Cyborg, Icevorg: Simulacra’S Scion, Guido E. Alvarez

Theses and Dissertations

I propose a theoretical framework that describes how avatars incorporate media as an inherent part of their nature and find a hosting body in cyborgs to navigate and spawn in media. I propose the birth of a new scion that combines avatar, medium and cyborg into a conceptual being that I call “ICEVORG.”

The ICEVORG expands beyond representation into the actual physical world by means of media transgression—more specifically, by the use of the Strange Loop also known as Metalepsis ICEVORG find an effective soil to thrive and interrogate our ideas of reality by means of iteration, expansion, fragmentation and …

Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg

Theses and Dissertations

This dissertation expands upon the definition of eco-visualization artwork. EV was originally defined in 2006 by Tiffany Holmes as a way to display the real time consumption statistics of key environmental resources for the goal of promoting ecological literacy. I assert that the final forms of EV artworks are not necessarily dependent on technology, and can differ in terms of media used, in that they can be sculptural, video-based, or static two-dimensional forms that communicate interpreted environmental information. There are two main categories of EV: one that is predominantly screen-based and another that employs a variety of modes of representation …

Searching For Green, Santiago Cal

Theses and Dissertations

A thesis submitted in fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.

On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1990) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Christopher Silliman and Javier Tapia; many notable fixtures of the Richmond scene (Wolfgang Jasper, Andras Bality, Diana Detamore, Davi Det Hompson); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.

On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1989) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as James Bradford, Reni Gower, Richard Carylon, and Richard Kevorkian; and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery, such as Clemens Weiss. The September issue features a discussion on the controversy around the National Endowment for the Arts (NEA) as it came under pressure from Senator Jesse Helms. Authorship was at the time anonymous.

On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1988) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Barbara Tisserat, Gerald Donato, James Bradford, Joe Seipel; many notable fixtures of the Richmond scene (Mary Holland, Joan Gaustad, Donald Crow); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.

Four Objects: A Visual Hearing, Katharine Nuckols Gilbert

Theses and Dissertations

This thesis statement is of a two part nature. The first part shows photographs of my creative products in the process of making them and in their completed state. The second part deals with the process involved in my mental activity as these objects were created.

I have presented the photographs of my work first because I feel that viewing the work before reading the text is of primary importance. Visual comprehension of my work is my major purpose.

The photographs in the visual appendix are objects that exist within my world. They are abstractions. They are but a few …