Sculpture Commons^™

Median, Amy Petit

Graduate Student Theses, Dissertations, & Professional Papers

Median reflects my observation of changing forms of communication in the digital age and how that affects personal interaction, expression, and the value that we assign to objects. The sculptural objects in this exhibit stem from my formative experiences of frequent relocation, as well as a professional background in the fast-paced technological world. These factors, combined with contemplative and repetitive sculptural practices, help illustrate the anxiety and discomfort that can accompany rapid advances in communication practices. My research situates my work within contemporary art by drawing on the relevance of indexical signs, reliquaries, current discussions of communication in the digital …

Fear And Nostalgia In Immigration, Daniel A. Matthews

Theses and Dissertations

Fear and Nostalgia in Immigration is a project that uses re-occuring memory and experiential memory to help us understand our common histories. The projects asks individuals to first share a re-occuring memory by writing it on a chalkboard. The next step is to then write an experiential memory about immigration, this can be a story you might have heard or it could be something from your own family history. These two tasks are done on a communal table where several individuals are engage in the same task at the same time. This aim of this exercise is to have something …

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, Catherine Bourg Haws

University of New Orleans Theses and Dissertations

ABSTRACT

This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatriates in New Orleans, Louisiana, and examines their illustrative and educational usefulness. Results reflect …

What's Left Over, Bryanna Jaramillo

Graduate Theses and Dissertations

The MFA thesis exhibition titled, What's Left Over, is comprised of a series of drawings as well as a large painted sculptural installation assembled as a child's fantasy world. The work explores the roots of creativity through the lens of childhood play by assembling an invented world named Lola. By exploring the relationship between the real and the imaginary, the work manifests childhood memories into a form that can be studied and better understood. Lola is an elaborate but clearly handmade world that explores an unresolved past.