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Articles 481 - 510 of 629
Full-Text Articles in Sculpture
Skinny In Denim, Amy Tackett
Life's Folder, Scott Huffmaster
Mourning The Coon, Marti Miles
Untitled, Marla Knowles
Envy Of An Apology, Jeannette Baillie
Browning's "Confessions": A Curious Monologue, Tony Jack Howard
Browning's "Confessions": A Curious Monologue, Tony Jack Howard
Forces
No abstract provided.
Familial Hypercholesterolemia: A Killer That Will Be Understood, Jean S. Helgeson
Familial Hypercholesterolemia: A Killer That Will Be Understood, Jean S. Helgeson
Forces
No abstract provided.
Alone In The Dark, Lin Kaillies Kasian
Untitled, Adanna B. Craft
Untitled, Marla Knowles
A Portrait Of Polluted Water, Jeff Speed
Some Of Us, Scott Dwight Huffmaster
Untitled, Bill Wilkinson
1991 Forces, Peggy Brown
Sky Full, Patrick Hughes
Sky Full, Patrick Hughes
Morehead State University Art Collection
A 1991 color print titled "Sky Full" by Patrick Hughes.
Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums
Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums
Exhibition Brochures
Voyaging: William Bennett and Elizabeth Schoyer
February 14 to March 07, 1991
Marsh Art Gallery
Introduction
For both William Bennett, sculptor, and Elizabeth Schoyer, painter, art is a voyaging: invoking, acknowledging, celebrating the forces and mysteries of life's passages.
Bennett builds up, with stone, glass, copper, lights, and wood, exquisitely crafted monumental forms: The Voyage, The Boat over Ocean over Ocean, Stigmata, Bed of Dreams, Belly Scepter among them. The titles signal the theme of quest, while axial forms draw the viewing into ritual alignment. One come to Bed of Dreams as an altar; Stigmata, part anchor and part …
1990 Forces, Peggy Brown
Portrait Of Cora Wilson Stewart, Sam Mckinney
Portrait Of Cora Wilson Stewart, Sam Mckinney
Morehead State University Art Collection
An undated portrait of Cora Wilson Stewart by Sam Wilson.
Bald Eagle, Hugh Hirtle
Bald Eagle, Hugh Hirtle
Morehead State University Art Collection
An undated color print of a bald eagle by Hugh Hirtle.
Portrait Of James Turner Morehead, Unknown
Portrait Of James Turner Morehead, Unknown
Morehead State University Art Collection
An undated portrait painting of James Turner Morehead by an unknown artists.
Eagle Statue, Unknown
Eagle Statue, Unknown
Morehead State University Art Collection
A metal statue of an Eagle looking to the left. It sits above the free speech area on Morehead State University's campus.
On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané
On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané
English Publications
"On Art: by Lydia Douce" provides coverage of a year (1990) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Christopher Silliman and Javier Tapia; many notable fixtures of the Richmond scene (Wolfgang Jasper, Andras Bality, Diana Detamore, Davi Det Hompson); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.
Portrait Of Charles Slaughter Morehead, Unknown
Portrait Of Charles Slaughter Morehead, Unknown
Morehead State University Art Collection
An undated portrait painting of Charles Slaughter Morehead by an unknown artist.
1989 Forces, Peggy Brown
Untitled (Red), G Brunken
Untitled (Red), G Brunken
Morehead State University Art Collection
A 1989 untitled lithograph by artist G. Brunken.
On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané
On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané
English Publications
"On Art: by Lydia Douce" provides coverage of a year (1989) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as James Bradford, Reni Gower, Richard Carylon, and Richard Kevorkian; and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery, such as Clemens Weiss. The September issue features a discussion on the controversy around the National Endowment for the Arts (NEA) as it came under pressure from Senator Jesse Helms. Authorship was at the time anonymous.
No Title, Mell Popenic
No Title, Mell Popenic
Morehead State University Art Collection
An untitled 1988 painting by Mell Popenic. Presented in Memory of Miss Patti Bolin by Ginny Hudgens Ellington in June of 1992.
On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané
On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané
English Publications
"On Art: by Lydia Douce" provides coverage of a year (1988) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Barbara Tisserat, Gerald Donato, James Bradford, Joe Seipel; many notable fixtures of the Richmond scene (Mary Holland, Joan Gaustad, Donald Crow); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.
Mallard, Unknown
Mallard, Unknown
Morehead State University Art Collection
A 1988 wooden sculpture of a mallard duck by an unknown artist.
Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums
Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums
Exhibition Brochures
Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing
November 29 to December 18, 1988
Marsh Art Gallery
Introduction
The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …