Sculpture Commons^™

Snow Yunxue Fu Interview, Noah Fornear

Asian American Art Oral History Project

Bio: Snow Yunxue Fu (b. 1987) is an artist who lives and works in Chicago. Her work approaches the subject of the Sublime using topographical computer rendered animation installation. She exams and interprets the world around her through virtual reality, where she draws a parallel to the realms of multi-dimensionality, the physical, the virtual, and the metaphysical. Fu has exhibited her work nationally and internationally including Hong Kong Arts Center, Yellow Peril Gallery, Expo Chicago, Digital Culture Center in Mexico City, Zhou B Art Center in Chicago, Chicago Artist Coalition, Chicago Filmmakers, Kunsthalle Detroit Museum of Contemporary Art, MoMA …

Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York

Theses and Dissertations

Andrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel's works, and how it affects viewer-, author- and ownership.

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.

Cold Lapse, Tressa Jones

Graduate Student Theses, Dissertations, & Professional Papers

cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …

Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander

Senior Independent Study Theses

No abstract provided.

The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg

Schmucker Art Catalogs

The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.

The Artist, The Workhorse: Labor In The Sculpture Of Anna Hyatt Huntington, Brooke Baerman

Renée Crown University Honors Thesis Projects - All

Anna Hyatt Huntington (1876-1973) was an American sculptor of animals who founded the nation’s first sculpture garden, Brookgreen Gardens, in 1932. Hyatt Huntington, whose personal papers are housed at Syracuse University, is an important yet understudied artist. Focusing on Hyatt Huntington’s sculptures in Brookgreen Gardens and on the gardens themselves, which also included a zoo, this paper will examine themes of labor in the artist’s oeuvre.

Hyatt Huntington placed an emphasis on hard work as she fought to distinguish herself as a sculptor in a male-dominated field. The products of her labor often venerate the work of animals, from bulls …

Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg

Theses and Dissertations

This dissertation expands upon the definition of eco-visualization artwork. EV was originally defined in 2006 by Tiffany Holmes as a way to display the real time consumption statistics of key environmental resources for the goal of promoting ecological literacy. I assert that the final forms of EV artworks are not necessarily dependent on technology, and can differ in terms of media used, in that they can be sculptural, video-based, or static two-dimensional forms that communicate interpreted environmental information. There are two main categories of EV: one that is predominantly screen-based and another that employs a variety of modes of representation …

Assisting Miguel Palma, Sara Gevurtz

SWITCH

This article describes the author’s experience assisting Portuguese artist Miguel Palma during his 2010 residency at the Montalvo Arts Center. The author’s role included helping Palma secure materials, coordinating logistics, and assisting with installation both at SJSU and a satellite display at the San Jose Convention Center.

Dudelsacks: Sculptural Extensions In Blown Glass, Cristine C. Corcoran

Dissertations and Theses

This thesis project consists of 19 sculptures. The medium is hot blown glass. The work interprets and extends the visual and metaphorical qualities of bagpipes. The utilization of the German dudelsack references the playful improvisational nature of these international and culturally diverse forms.

Bronze Casting By The Lost Wax Method Employing Mixed Media, Donna M. Pickett

Dissertations and Theses

This thesis is for a Master of Fine Arts in Sculpture.

Seven Dyads, Donovan Peterson

Dissertations and Theses

This thesis is for a Master of Fine Arts in Sculpture.

Synergism Of Substance And Emotion, Carolyn Jean Mills

Dissertations and Theses

This thesis features the work of Carolyn Jeans Mills for a Masters of Fine Arts in Sculpture.

The Pursuit Of Form, Robert Allen Anderson

Dissertations and Theses

This thesis includes the work of Robert Allen Anderson for a Master of Fine Arts in Sculpture.

Adjustable Systems In Wood, James Richard True

Dissertations and Theses

A Thesis Report Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Sculpture.

Reconstructions : Humor Through The Use Of Ambiguous Images And Color, Karl J. Ross

Dissertations and Theses

A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Sculpture.

Transparent Sculptures, Lithographs, And Watercolors : A Personal Response To The Natural World, Stephan Spencer Soihl

Dissertations and Theses

The group of works that I am presenting as my Master of Fine Arts thesis exhibition is a selection of my best work from the past three years. It is made up of two different artistic forms: fairly small sculptures comprised of aluminum channel and plexiglas, on the one hand, and lithographs and watercolors, on the other.

Stone Sculpture, Laura P. Bogdan

Dissertations and Theses

A terminal project report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Sculpture.

Bronze Sculptures: A Thesis Report, Michael T. Story

Dissertations and Theses

The Thesis discusses sculptures completed during the period of study from October 1976 to April 1978 and presented at the Department of Art and Architecture Gallery April 10, 1978 to April 28, 1978.

The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.

The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …

The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.

The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …