Painting Commons^™

Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox

Landscape Architecture Undergraduate Honors Theses

This capstone investigates the unique relationship between Vincent Van Gogh and planting designer Piet Oudolf's vibrant use of color and contrast in their work as it relates to their perception of the landscape. The project is mainly a comparison of the two artists, exploring Van Gogh's use of complementary colors and brushstroke techniques to create vivid contrast in his renderings of agrarian landscapes, and Oudolf's parallel approach to creating painterly meadows and prairie gardens. The project focuses on Van Gogh’s study of wheat field landscapes, which are essentially the same in structure and composition but can be used to compare …

My Spring 2023 Honors Thesis, Callie Honaker

Undergraduate Honors Theses

For my thesis project, I displayed fifteen printed photographs of self-portraits that I have made outside of class. In these self-portraits, I have applied special effects makeup to my face to create different portrayals of myself. These range from more abstracted makeup to characters. The majority of these makeups are from the chest up and created with face paint and self-made prosthetics. In this imagery, I have also chosen accessories and the background to coincide with the makeup and the mood that I am conveying. Minor adjustments have been made digitally in order to enhance how the image comes across. …

The Buried Body, Oscar Morel

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Plein Air Painting In An Anthropocentric Era, Emily Marie Charles

Honors Theses

Our relationship with the natural world is defined by our set conceptions of it. These conceptions tend to objectify and idealize nature and fuel the anthropocentric era we live in. Ecophenomenology provides us with a new way of interacting with the earth; this school of thought revolves around reshaping our perceptions of the natural and developing a symbiotic relationship with it. This exchange that happens between us and the earth is invisible, so engaging in it can seem absurd and a bit abstract but in understanding that the world acts upon us as we act upon it, the agency that …

Bath Time, Samantha Goodale

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Untitled, Samantha Goodale

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

M0mentary Lapses, Alice Salyer

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition Momentary Lapses, held at Tipton Gallery, February 25-March 8, 2019. The mixed media works and video examine the intersections between digital, somatic and societal decay through the mediation of the digital image by physical anthropogenic efforts.

Themes in the work include glitch art and theory, entropy, memory, decay, and loss. Contemporary American society’s desensitization associated with the oversaturation of digital imagery is discussed, as well as Guy Debord’s theory of the Spectacle, and the artistic practices of Kurt Schwitters and Robert Rauschenberg.

Throne, Joslyn Fox

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Untitled 2, Daniela Chapparo

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Diego Rivera-Throwing Eggs, Summer Pappachen

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Stories Untold: Art From Syria, Manas Ghanem

New England Journal of Public Policy

In Damascus, a group of artists created paintings of startling intensity, rich in texture and bold to the eye, suffused with light and reflecting alternate realities: the resilience of a highly cultured people with a civilization of seven thousand years and a history of survival and reinvention. While the machines of war produced death, amid the blood and terror, the devastation and savagery, these artists produced images of hope and beauty that were brought together in an exhibition held in Athens and other parts of Greece. The paintings that accompany Ghanem’s article, “Stories Untold: Art from Syria,” also the name …

Between And Beyond, Noah F. Heil

Art and Art History Honors Projects

Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …

(Un)Bound : Disrupting Notions., Reid Broadstreet

Electronic Theses and Dissertations

(un) bound: disrupting notions is a selection of art work that explores gender identity through the act of interpellation and the semiotics of clothing. The project aims to clearly define how concepts of “gender” and “sex” function in our language and, in turn, how the binary terms of these concepts (man/woman; male/female) enforce our genders rather than express them. Clothing is a particularly productive form for this investigation because clothing is often the way we express our gender, and yet it is also often produced for us along strict, socially-prescribed gender lines. Typically, conversations around gender are very black …

Works In Process - Scholar Edition, Pablo Galindo Aragon, George Garrastegui Jr.

Publications and Research

The creative field revolves around many professions. Creatives share a lot of common themes that are part of their process. It is with these themes that we establish a more impact way to listen to a podcast. Reviewing and breaking episodes up into chapters can effectively guide a student, aka a Scholar, in their path to establishing a creative career.Some of the most powerful ways to get ahead in the creative field is by networking, and obtaining valuable knowledge from other creatives. Gathering this information and making these connections can be quite the task. Not all young creatives are aware …

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

Law Library Blog (May 2019): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Simply Mo., Marjolijn Jaliene Oskam

Creative Activity and Research Day - CARD

Small portfolio presentation of design work by Marjolijn Oskam, branded under simply mo. The poster includes school work as well as professional work.

From Lace To Chains. The Making Of A Print, Alison G. Stewart

Zea E-Books Collection

How have printed works of art changed over time? Do printmakers today work with the same materials and techniques that printmakers used centuries ago? And does printmaking involve the same motivations, concerns, or methods of distribution today as it did in the past?

These were questions asked by University of Nebraska–Lincoln students in a history of prints class in the School of Art, Art History & Design taught by Hixson-Lied Professor of Art History Alison Stewart during fall semester 2018. For this curatorial project, students selected one set of old master prints (pre-1850) and one modern (post-1850) print from Sheldon’s …

The Artist Behind The Cover Art: An Interview With Tiffany Day, Tiffany Day

Steeplechase: An ORCA Student Journal

No abstract provided.

The Impact Of Patronage On Contemporary Visual Arts, Emily Coats

Honors College Theses

Patronage is vital to the art world and the success and notoriety of its artists. From straightforward patronage during the Renaissance of the Medici Family, the independent artists of modernism, to contemporary crowdfunding, it is important to note the changes in the art world throughout history to truly understand how artists and patrons have grown and continue to evolve in our contemporary society. Considering how patronage has changed and adapted throughout history and understanding the influence it has, not only allows a deeper understanding of the art world but also the world’s culture.

To Japan And Back: The Art Of Orr Marshall, Orr Marshall

Archives & Reprint Series (imprint)

How many ways are there to interpret an idea, to present a vision? The artist Orr Marshall's exploration of these questions is the subject of this book in text and images. Like most children, he began drawing pictures as soon as he could hold a pencil or a crayon, depicting the weird creatures of his imagination. He maintained a concentration on art through school, majoring in painting at Yale School of Art and Architecture where Josef Albers was his most inspiring teacher. Another interest of his was language study, especially Japanese and Chinese with their writing systems and calligraphy. He …

Malleable Perspectives, Erik White

School of Art, Art History, and Design: Theses and Student Creative Work

I attentively paint hastily formed figures, symbols, objects, and scenes that were modeled with never-dry clay onto stretched canvases of various sizes. I paint the malleable character of the clay by depicting its bumps, marks and dents, which emphasizes the fragility, impermanence, and the physical construction of the forms. Those visual attributes serve as a metaphor for the social construction of the concepts within the chosen imagery. To create my images I build clay up and physically move it around—in a similar way, ideas and concepts get built up, manipulated, and changed over time. These paintings serve as a cultural …

Thesis/Thesis Document 2, Jessamyn Plotts

Art Theses and Dissertations

Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …

Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee

Department of English: Dissertations, Theses, and Student Research

This thesis examines William Blake’s verbal and visual art from the perspective that disability is a physical and mental condition that is viewed by society as deviant. Prior to modern conceptions of disability in Britain, the deviation was labeled as “deformity.” This thesis demonstrates various ways in which Blake illustrates deformity, and through this, prefigures the modern sense of disability in his art. I argue that Blake’s representation of deformity in his poetry and drawings is intended to reveal the precariousness of the “normal” human body and inform the reader and viewer that normality is an illusion. The age of …

Crushing Caution, Lindsey Day

School of Art, Art History, and Design: Theses and Student Creative Work

I am preoccupied with the nuances of ordinary risk. I view this not as paranoia, but as prudence. To live without fear is a privilege, to be arrested by it is paralyzing. I often encounter two competing ideologies, two lenses, through which risk is evaluated. The first lens is for the victim, the person being crushed by, or blinded from, cautiousness. They see life as something happening to them, and avoid active risk-taking. The second lens is held by the person dominating apprehension, taking action in spite of consequence. I am inclined to find and maintain a balance of these …

'Blind Consumption' And 'Squished' Series, Olivia Carlson

Undergraduate Research Symposium 2019

My work explores humankind’s complicated relationship with the natural world, bringing attention to the sometimes heedless or reckless interactions between humans and insects or nature, and broader issues of a viewer’s role in the environment. Within this larger theme, my subjects are human figures and insects, separated visually, but related by ideology. These humans are using their smartphones (their bodies are slouching, necks bent awkwardly), but where their dead-looking eyes would be, are a species of fungi called cordyceps. The cordyceps fungus doesn’t infect humans in real life but is parasitic on insects. The fungus attacks and invades the host, …

A Dark Side, Gilbert Hu

Forces

No abstract provided.

2019 Forces, Scott Yarbrough

Forces

No abstract provided.

Bad Flood, Good Colors, Gilbert Hu

Forces

No abstract provided.

Conversation?, Gilbert Hu

Forces

No abstract provided.