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Articles 1861 - 1890 of 1914
Full-Text Articles in Painting
My Old Kentucky Home, Haddon Sundblom
My Old Kentucky Home, Haddon Sundblom
Morehead State University Art Collection
A 1958 print of a house with a carriage in front surrounded by trees by Haddon Sundblom.
A Comparative Analysis Of Individual Painting Styles Of Selected Artists And Students, Barbara Marx Fife
A Comparative Analysis Of Individual Painting Styles Of Selected Artists And Students, Barbara Marx Fife
Masters Theses
No abstract provided.
School Of Practical Art Course Catalog (1954-1955), School Of Practical Art
School Of Practical Art Course Catalog (1954-1955), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
Dali Lecture Is Unusual, College Eye, February 8, 1952
Dali Lecture Is Unusual, College Eye, February 8, 1952
Art on Campus Documents
Various articles on art at the University of Northern Iowa (also formerly known as Iowa State Teachers College).
Famed Artist Featured In Lecture Demonstration, College Eye, February 1, 1952
Famed Artist Featured In Lecture Demonstration, College Eye, February 1, 1952
Art on Campus Documents
Various articles on art at the University of Northern Iowa (also formerly known as Iowa State Teachers College).
School Of Practical Art Course Catalog (1952-1953), School Of Practical Arts
School Of Practical Art Course Catalog (1952-1953), School Of Practical Arts
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
Kentucky Map, James Ewen, James Coleman
Kentucky Map, James Ewen, James Coleman
Morehead State University Art Collection
A 1951 copper plate carved with a map of Kentucky by James Ewen and James Coleman.
A Graphic Interpretation Of Four Pueblo Indian Corn Dances, Robert L. Smith
A Graphic Interpretation Of Four Pueblo Indian Corn Dances, Robert L. Smith
Art & Art History ETDs
The purpose of this paper is to supplement what the author has already attempted to express in terms of paint. Therein he gives a personal interpretation of four Pueblo Indian Corn Dances; here he presents such factual data and explanation as he feels pertinent to his emotional appreciation of the dances. It is perhaps equally important to state not only what is the intent in this paper but also what is not intended. The writer does not attempt to give an exhaustive treatment of the subject-- geographical, ethnological, or archaeological. As any student of Indian culture knows it would be …
Uncle Sam, Leonardo Artwork Inc.
Uncle Sam, Leonardo Artwork Inc.
Morehead State University Art Collection
An undated statue of Uncle Sam produced by the Leonardo Artwork Incorporated.
Untitled, Francoise Gilot
Untitled, Francoise Gilot
Morehead State University Art Collection
An untitled 1950s lithograph of a girl holding something in her hands by artist Francoise Gilot.
Unicyclists, Chaim Gross
Unicyclists, Chaim Gross
Morehead State University Art Collection
An undated color print titled "Unicyclists" by Chaim Gross.
School Of Practical Art Course Catalog (1948-1949), School Of Practical Arts
School Of Practical Art Course Catalog (1948-1949), School Of Practical Arts
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
School Of Practical Art Course Catalog (1947-1948), School Of Practical Arts
School Of Practical Art Course Catalog (1947-1948), School Of Practical Arts
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
School Of Practical Art Course Catalog (1946-1947), School Of Practical Arts
School Of Practical Art Course Catalog (1946-1947), School Of Practical Arts
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
School Of Practical Art Course Catalog (1945-1946), School Of Practical Art
School Of Practical Art Course Catalog (1945-1946), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation of basic work in graphic analysis, principles of freehand drawing, constructive design, composition, perspective, lettering, color theory, anatomy and life drawing. This is followed by the practical application of fundamentals. Here problems are assigned which are in every …
School Of Practical Art Course Catalog (1944-1945), School Of Practical Art
School Of Practical Art Course Catalog (1944-1945), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The School of Practical Art was established in 1912 by Roy Atherton Davidson. For twenty-nine years it has regularly and consistently trained its students to engage in remunerative work in those branches of art which are necessary to business and industry. Today it occupies an important position in the training and placing of artists in this work.
The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should …
School Of Practical Art Course Catalog (1943-1944), School Of Practical Art
School Of Practical Art Course Catalog (1943-1944), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The School of Practical Art was established in 1912 by Roy Atherton Davidson. For twenty-nine years it has regularly and consistently trained its students to engage in remunerative work in those branches of art which are necessary to business and industry. Today it occupies an important position in the training and placing of artists in this work.
The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should …
School Of Practical Art Course Catalog (1941-1942), School Of Practical Art
School Of Practical Art Course Catalog (1941-1942), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The School of Practical Art was established in 1912 by Roy Atherton Davidson. For twenty-nine years it has regularly and consistently trained its students to engage in remunerative work in those branches of art which are necessary to business and industry. Today it occupies an important position in the training and placing of artists in this work.
The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should …
The Angelus, Jean Francois Millet
The Angelus, Jean Francois Millet
Morehead State University Art Collection
An undated color print of "The Angelus" by Jean Francois Millet.
School Of Practical Art Course Catalog (1937-1938), School Of Practical Art
School Of Practical Art Course Catalog (1937-1938), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should not expect too much of your untrained efforts, for finished artists are not born any more fhan are finished doctors, lawyers, or followers of any other vocation. However, your early efforts, though they may appear weak to you, are definite indications of the field of endeavor which you should follow if future success is to be assured. …
Jesse James, Thomas Hart Benton
Jesse James, Thomas Hart Benton
Morehead State University Art Collection
A 1936 lithograph titled "Jesse James" by Thomas Hart Benton.
Frankie And Johnnie, Thomas Hart Benton
Frankie And Johnnie, Thomas Hart Benton
Morehead State University Art Collection
A 1936 lithograph titled "Frankie and Johnnie" by Thomas Hart Benton.
Huck Finn, Thomas Hart Benton
Huck Finn, Thomas Hart Benton
Morehead State University Art Collection
A 1935 lithograph titled "Huck Finn" by Thomas Hart Benton.
School Of Practical Art Course Catalog (1933-1934), School Of Practical Art
School Of Practical Art Course Catalog (1933-1934), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
The School of Practical Art was established in 1912 by Roy Atherton Davidson, who saw the great need of a school where young men and women could receive vocational training in practical art. The School is a pioneer in this line of work, and its twenty years of experience in teaching art that is practical has made its courses not only of permanent worth, but of immediate commercial value.
What can I do? This is a question that every high school boy and girl must answer sooner or later. Many have discovered during their high school years that they have …
The Relation Of French Poetry And Painting To The Development Of French Impressionistic Music, Phyllis Elaine Threlfall
The Relation Of French Poetry And Painting To The Development Of French Impressionistic Music, Phyllis Elaine Threlfall
University of the Pacific Theses and Dissertations
As far as the writer could find in her reading no one has ever written a finished study of this phase of Music, Art, and Literature. Of course, there are hints of it here and there in many books, but in no one in particular was a detailed study given. Paul Landormy’s book, A History of Music, seemed to carry the heart of the subject, however, in an extremely miniature style.
When we think of French music, our minds are generally centered in Paris, for it is here that the greatest organizations have been sponsored, and the important musical ideas …
Morehead Normal School Campus, Unknown
Morehead Normal School Campus, Unknown
Morehead State University Art Collection
A 1922 colorized landscape photograph of Morehead Normal School in Morehead, Kentucky by an unknown artist.
Montmartre, The Cabaret Of The Lapin Agile And Saint-Vincent Street In Winter, Maurice Utrillo
Montmartre, The Cabaret Of The Lapin Agile And Saint-Vincent Street In Winter, Maurice Utrillo
Morehead State University Art Collection
A 1920s painting of Montmarte by Maurice Urillo.
George Washington, School Decoration Company
George Washington, School Decoration Company
Morehead State University Art Collection
An undated etching of George Washington produced by the School Decoration Company.
Morehead Normal School, Unknown
Morehead Normal School, Unknown
Morehead State University Art Collection
An undated black and white print of Morehead Normal School by an unnamed artist.
November 15, Usm Special Collections
November 15, Usm Special Collections
Batchelder-Haley Letters
In this letter, dated to approximately 1916, Abbie writes to Mrs. Tibbets about several topics, including her teaching job, attending an exhibition, seeing the Emperor pass on the street, tea services, and describes in detail her accommodations. She says that she is very happy in Japan now that she is more used to the climate.