Painting Commons^™

Morehead State University - Bald Eagle, Gene Gray

Morehead State University Art Collection

A 1970 color print of a bald eagle by Gene Gray.

Ashland, Woody Huston

Morehead State University Art Collection

A 1970 color print of Ashland in Lexington, Kentucky by Woody Huston.

Japanese Watercolor, Unknown

Morehead State University Art Collection

An undated watercolor of a bluebird perched on a plant from an unknown artist.

Morehead State University, Morehead State University

Morehead State University Art Collection

An undated colored map of Morehead State University published by Morehead State University.

Main Entrance Obelisk, Unknown

Morehead State University Art Collection

A very large dark obelisk that resembles the Washington Monument that sits beside the Morehead State University entrance sign.

Untitled, Howard & Assoc.

Morehead State University Art Collection

An untitled, undated painting of the Johnson Camden Library Tower by Howard & Assoc.

Botherum, Woody Huston

Morehead State University Art Collection

A 1970 color print of Botherum in Lexington, Kentucky by Woody Huston.

Portrait Of Mignon Doran, Watson Jones

Morehead State University Art Collection

A portrait of Mignon Doran by Watson Jones. Oil on canvas.

White Hall, Woody Huston

Morehead State University Art Collection

A 1970 color print of White Hall near Richmond, Kentucky by Woody Huston.

Teacher's Desk, Charles Spaulding

Morehead State University Art Collection

A 1970s print of a teacher's desk by artist Charles Spaulding, complete with miscellaneous items scattered around the top of the table.

Wires Emitting From Marble Base, Unknown

Morehead State University Art Collection

An undated piece of art from an unknown artist.

Addition To Lappin Hall - Morehead State University, Andrew Lynn

Morehead State University Art Collection

An undated color print of the addition to Lappin Hall on the campus of Morehead State University by Andrew Lynn of Associated Designers Inc.

Parody As The Ironic Mode Of Existential Art, Delma Ward Tayer

All Master's Theses

This study was commenced as an investigation into the aesthetics of existentialism as applied to contemporary art in America, particularly painting. This student believes that to the artist who recognizes the absurdity of his existence, irony is the natural mode of expression. It is also the belief of this student that the form of irony in recent American art, expressed primarily in parody and black humor, indicates America’s own particular brand of cheerful nihilism. The purpose was to better understand the aesthetics of existentialism, to apply these to contemporary art, and finally to apply these influences to the student’s own …

An Exploration Into Aspects Of Broken Color As Exemplified In The Works Of The Impressionists And Neo-Impressionists And The Application Of These Theories Within Painting Experiences Of The Adolescent Student, Frank Edwin Handy

Dissertations and Theses

I. Statement of Research Problem.

The research was an exploration into the broken color technique within the paintings of the Impressionists and Neo-Impressionists and the application of their techniques within the painting experiences of the adolescent student.

II. Resume of the Data.

The application of pure pigment directly, without blending, constitutes one of the major aims of the Impressionists and Neo-Impressionists. The breaking of color was done in many methods by juxtaposition of hues and values in various combinations to give the desired effect; it was applied through a wide range of brush techniques such as comma-shaped, spots, hatchings, and …

A Ritualized Approach To A Series Of Mixed Media Watercolor Paintings, Richard K. Miller

All Master's Theses

The thesis problem involved the development of a series of watercolor paintings within a ritualistic format; the standardization of approach resulted in the development of a personal iconography. This iconography was secondary to the total work however. The thesis involved the development of a series of paintings with identical preparations and preliminary developmental stages, all of which, at a certain point in development, became totally dependent regarding further work on an intuitive development and a reliance upon epiphanic insights for completion.

The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler

All Master's Theses

The purpose of this study is (1) to investigate the principles of automatism, (2) to apply these principles and means in developing a series of original mixed-media watercolor paintings, and (3) to draw conclusions relevant to the process.

Figure Painting In The High School: Experiments And Recommendations, E. Leonora Perron

Dissertations and Theses

My research problem was to experiment with four high school art classes in drawing and painting the figure, to draw conclusions about how they relate to working with the figure, and to recommend methods that appeared to be most successful in broadening viewpoints, developing skills and increasing interest and involvement in art. This problem was selected because teenage students, in the vast majority of cases, have great difficulty in drawing or painting figures and, therefore, strenuously avoid it.

I discovered that a subjective approach that recognizes personal feelings, along with one that requires close looking, seemed to get the most …

The City, Lee Merriwether Clark

Dissertations and Theses

This thesis is composed of five oil paintings and four synthetic paintings. The works are arranged in a sequence beginning with distant over views of the city and progressing toward more immediate views. Techniques change also, from the suggestive impressionistic mode, a style I explored in my early years of art education, to a studied application of large, solid, simplified shapes of color. In my work, realism is sacrificed for a decorative arrangement of color patterns.

From this creative experience I have reached conclusions about art education and my responsibility as an art instructor. Motivation is essential when introducing all …

Portrait Of Mignon Doran, Personal Development Office, Watson Jones

Morehead State University Art Collection

A 1969 portrait of Mignon Doran by Watson Jones.

The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.

The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …

A Study Of The Life Of John Hafen: Artist With An Analysis And Critical Review Of His Work, William Lee Roy Conant Jr.

Theses and Dissertations

This study presents the life facts of John Hafen and examines his attitude changes as well as the changes in his art throughout his life. It catalogs with photographs the majority of Hafen's paintings.

John Hafen's personal letters were searched, as well as books, manuscripts and newspapers for information germane to this thesis. Personal interviews were held with people who knew him best and his paintings were found, photographed, and examined for use in this thesis.

John Hafen's life of fifty-four years was dedicated to his family, his church, and his art.

A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson

All Master's Theses

This thesis was a creative investigation of mixed media using water soluble paints in order to further develop experimental techniques. Painting was limited to watercolor pigments, tempera, polymer tempera, acrylics, Elmer's glue, water, ink stick, or other materials that relate to water soluble media. The development of the problem helped the candidate to draw conclusions about the technique, development, application, and experimentation of this mixed media. This study was written so that one can understand the terminology and investigation procedures and use this as a departure point for further study using water soluble mixed media.

The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones

All Master's Theses

The thesis problem involved the investigation of figure-ground relationships in painting. This study dealt with varying experiments in space, color relationships, the juxtaposition of form, and value relationships. The media used were those common to oil, watercolor and drawing. The investigation entailed the development of form and space relationships in a series of paintings. The study included a critical evaluation regarding achievement of the expressive aims, and the conclusions drawn from individual paintings, as well as from the series. The fundamental locus lay within the figure-ground relationship and that has been the emphasis.

A Series Of Original Oil Paintings, Donald John Campbell

All Master's Theses

It was the purpose of this study: (1) to examine, through visual and written form, the process of externalization-- the painting process, and (2) to, as objectively as possible, analyze the paintings, as objects, that are separate from the self of the artist.

Native Son, Austin Productions, Inc.

Morehead State University Art Collection

A 1968 bust of a boy titled "Nature's Son" by Austin Productions, Inc.

Frederick Douglass, Austin Productions, Inc.

Morehead State University Art Collection

A 1968 bust of Frederick Douglass by Austin Productions, Inc.

The Art Institute Of Boston Course Catalog (1968-1969), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

An Investigation Of The Structural Qualities Of Certain Technical Elements In A Series Of Oil Paintings Related To The Figure, Gretchen Hartsock Teague

All Master's Theses

The purpose of this study is (1) to investigate structural qualities of certain technical elements of oil painting, (2) to apply these qualities and means to a series of oil paintings related to the figure, (3) to evaluate the quality of structure achieved by these means, and (4) to arrive at conclusions and suggestions for future modifications of the candidate's paintings techniques.

Landscape And Figure Composition In Relation To Space, Color, And Line, Perry Theo Carandanis

Dissertations and Theses

The thesis is an empirical analysis of eight paintings in which the problems to be examined are the relationships of the expressive visual elements of composition with the subject matter. An attempt will be made to examine some specific problems encountered with individual works, which will include emotional involvement as well as aesthetic, and arrive at some generalizations. The paintings selected to comprise this thesis are four figure compositions and three landscapes. The medium used to execute the paintings is Acrylic-Polymer, a Hyplar Product, and they are painted on Upsom Board, for which considerations are given.

Miss Pigtails, Austin Productions, Inc.

Morehead State University Art Collection

A 1967 bust of a girl by Austin Productions, Inc.