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Articles 1681 - 1710 of 1914

Full-Text Articles in Painting

Portrait Of James Still, Sam Mckinney Jan 1987

Portrait Of James Still, Sam Mckinney

Morehead State University Art Collection

A 1987 color print portrait of James Still by Sam McKinney.


Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums Jan 1987

Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums

Exhibition Brochures

Janet Fish: Paintings and Drawings Since 1975

September 10 to October 3, 1987

Marsh Art Gallery, University of Richmond Museums

Introduction

The Marsh Gallery takes pride in opening its 1987-88 season with the first Virginia exhibition of paintings and drawings by Janet Fish, acknowledged master of the contemporary still life according to art critic Gerrit Henry.

While this exhibition is intended to emphasize her current work it is also slightly retrospective, including work dating from 1975 to 1987, so that the viewer will understand the progression as well as the increasing depth of the artist's oeuvre.

In the midst …


Ideas And Perceptions Of The Australian Landscape, Bill Hawthorn Jan 1987

Ideas And Perceptions Of The Australian Landscape, Bill Hawthorn

Research outputs pre 2011

This book is like an anthology of Australian landscape painting; it brings together for the student a range of works by artists of diverse backgrounds and different levels of commitment to the landscape as a source of imagery and it invites consideration of the paintings from a number of points of view.

The vigorous descriptions of the works together with the interesting black and white illustrations of them will focus the reader's attention on the particular quality of each. Armed with the insights and detail provided a student should find the works more accessible and more intriguing. In other words …


Brochure: A Florida Landscape By Louise Freshman Brown, University Of North Florida Foundation, Inc. Jan 1987

Brochure: A Florida Landscape By Louise Freshman Brown, University Of North Florida Foundation, Inc.

UNF Foundation Art

A brochure about the painting "A Florida Landscape" by Louise Freshman Brown


Structuralism, Charles N. Smith Aug 1986

Structuralism, Charles N. Smith

Theses

Structuralism is an interdisciplinary form of modern painting that suggests the illusion of movement and growth through the conscious manipulation of flat colors and abstract geometric forms. The practice of Structuralism involves more than a grasp of the craft of painting. The artist is required to understand and practice the laws of proportion as founded by the early Egyptians and Greeks. He must have an understanding of modern color theory and he must master and practice the laws of visual perception as stated by the Gestalt psychologist, David Katz.

I have tried to recreate the chronological development of Structuralism by …


Jerome Witkin: Moral Visions, University Of Richmond Museums Jan 1986

Jerome Witkin: Moral Visions, University Of Richmond Museums

Exhibition Brochures

Jerome Witkin: Moral Visions

September 04 to September 25, 1986

Marsh Art Gallery, University of Richmond Museums

Introduction

Jerome Witkin's works were first brought to my attention when I stepped off the elevator into a 57th Street gallery with business on my mind. Just then I was caught by lingering hallucinations from morning dreams, or was it actually a large painting on the wall in front of me echoing my own psychic drama? While processing loans and shuffling slides moments later, flashes of Subway: A Marriage before my eyes lured me around the corner and back into the gallery. Witkin's …


So This Is Progress, Edmondson?, Simon William Edmondson Jan 1986

So This Is Progress, Edmondson?, Simon William Edmondson

Masters Theses

No abstract provided.


0415: Sloan-Wyatt Family Papers, 1841-1983, Marshall University Special Collections Aug 1985

0415: Sloan-Wyatt Family Papers, 1841-1983, Marshall University Special Collections

Guides to Manuscript Collections

The Sloan-Wyatt family papers mainly center around the marriage of Charles Russell Wyatt (Sr) and Sarah Paisley Sloan-Wyatt. The bulk of the collection is related to Sarah P. Sloan-Wyatt, her children Morton Sloan Wyatt-Davis, Joseph Willard Wyatt, and Charles Russell Wyatt (Jr), her brother Charles Wortham Sloan, and her parents Capt. John Alexander Sloan and Mary Morton Wortham-Sloan

This collection consists of 13 boxes, 136 folders, and measures approximately 7 linear feet. There are two full Hollinger boxes, 9 half Hollinger boxes, a quarter Hollinger box, and a small multipurpose box. The collection contains personal and professional correspondence, business and …


Rock Art In Malaysia, Paul Faulstich Apr 1985

Rock Art In Malaysia, Paul Faulstich

Pitzer Faculty Publications and Research

Very little is known to the scientific world on the rock art of Malaysia. It might therefore be worthwhile on a site in the state of Perak, just outside of the town of Ipoh. The rock is limestone, and there is a quarry about 1/8 of a mile down the hill from the paintings. Flaking of the cliff wall and the limestone excretions have badly damaged the paintings; rain also falls directly on the paintings. As far as we know, the site has never been adequately documented.


Untitled, Jeanette Stone Jan 1985

Untitled, Jeanette Stone

Morehead State University Art Collection

A 1985 painting of country farmhouse by Jeanette Stone.


Street Journals: An Exhibition Of Paintings And Drawings By Robert Birmelin, University Of Richmond Museums Jan 1985

Street Journals: An Exhibition Of Paintings And Drawings By Robert Birmelin, University Of Richmond Museums

Exhibition Brochures

Street Journals: An Exhibition of Paintings and Drawings by Robert Birmelin

September 5 to September 29, 1985

Marsh Art Gallery

Introduction

It is with great excitement and anticipation that the Marsh Gallery presents this exhibition of Robert Birmelin's work, STREET JOURNALS. We recognize his work as having a significant place in the tradition of art, and have seen the need to introduce the man and his art to the Richmond community. We eagerly await the reverberations from this event and the impact that Robert Birmelin will make on our students and colleagues.

Like Cezanne, Picasso, and Braque, Birmelin is …


Transparent Landscape, Elizabeth Harris Jan 1985

Transparent Landscape, Elizabeth Harris

Dissertations and Theses

This thesis is for a Master of Fine Arts in Painting and features the work of Elizabeth Harris.


Photo-Realist Portraiture, Elaine R. Fleskes Jan 1984

Photo-Realist Portraiture, Elaine R. Fleskes

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.


No Title, Lana Hake Jan 1984

No Title, Lana Hake

Morehead State University Art Collection

A 1984 color print of three men on a fire escape by Lana Hake.


A Harmony Of Opposites, Patricia Reppenhagen May 1983

A Harmony Of Opposites, Patricia Reppenhagen

Dissertations and Theses

The central concept of my work is to bring opposing visual elements into harmony with one another. I feel that every aspect of life is composed of contradictory components or forces: order vs. chaos, the beautiful vs. the offensive, work vs. leisure, excitement vs. stability, method vs. chance. The examples are endless. These opposing elements are components in life which need to be balanced against each other to achieve harmony and order, as opposed to strife and conflict. Personally, the need for order and control in my own life is important and, I feel, is reflected in the above classical …


Image Development Through Process, Jean Handwerk Lee May 1983

Image Development Through Process, Jean Handwerk Lee

Dissertations and Theses

No abstract provided.


Images From The Horse Heavens, David Thornock Apr 1983

Images From The Horse Heavens, David Thornock

Dissertations and Theses

The Horse Heavens and the surrounding region in central Washington mean a great deal to the author. The contents of this exhibition deal mainly with this area and the characteristics it contains which reflect and illuminate their evolving concept of reality.


Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens Jan 1983

Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens

Masters Theses

The purpose of this thesis is to discuss how external sociological factors inevitably have a profound effect on current art.

Much great art has been created against the flow of what is critically "popular" or "fashionable," but as these external factors become more prominent so the art work produced inevitably suffers.

The exhibition of Frank Stella's black and aluminum paintings at the turn of the 60's, in my own opinion, provided something of a landmark in the history of art. These works, in all their stark, flat, geometric nakedness denied both "form" and "content." They bare no illusions, no mythology, …


The Kentucky Tradition In Landscape Painting To World War I, Arthur Jones Jan 1982

The Kentucky Tradition In Landscape Painting To World War I, Arthur Jones

The Kentucky Review

No abstract provided.


The Photograph And Superrealism, Christopher Stokes Jan 1982

The Photograph And Superrealism, Christopher Stokes

Masters Theses

In 1968 an exhibition entitled "Realism Now" was held at Vassar College under the direction of Linda Nochlin, a noted art historian and professor at the school. The exhibition sought to present a cross-view of recent American painting in the realistic mode. Included in the catalog were twenty-five artists including Jack Beal, Robert Bechtle, Richard Estes, Alex Katz, Alfred Leslie, Malcom Morely and Philip Pearlstein, as well as many other artists who, at the time, were relatively unknown. The exhibition generated a great deal of attention, not only because of its recognition of contemporary representational painting as an influential movement, …


"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck Oct 1981

"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck

Institute for the Humanities Theses

Many scholars have discussed the meaning of Hieronymous Bosch's The Garden of Earthly Delights concluding that Bosch's works were of a conscious nature relating to the real world. By contrast, this study, using the theories of Carl Jung, fragments Bosch's work and sees the milieu of his art through the eyes of the collective unconscious. Accordingly, a number of explanations of Jungian ideas are presented with the view to better understanding Bosch: Jung's theory of the archetypes, his view of Christianity, his analysis of medieval alchemy, as well as matrix archetypes and symbolic forms relating to The Garden. Through this …


Cordray Simmons (1888-1970) And Lue Osborne (1889-1968): Two American Artists: Inventors Of A True Synthetic Resin Paint, Pamela E. Mayo Mar 1981

Cordray Simmons (1888-1970) And Lue Osborne (1889-1968): Two American Artists: Inventors Of A True Synthetic Resin Paint, Pamela E. Mayo

Theses & Honors Papers

With the 1908 exhibition of "The Eight" (Robert Henri, A. B. Davies, Maurice Prendergast , George Luks, John Sloan, Everett Shinn, Ernest Lawson, and George Bellows) at William MacBeth's New York gallery, American art received new inspiration . Ac ademicism was repressed and originality and artistic freedom were encouraged . Under Robert Henri's leadership, a new American outlook had developed. Paintings began to report individual views of life in America and describe the realities of life in the new century. Life in modern America became the new subject of art, as artists became commentators on human interest scenes.

Lue Osborne …


School Days, Bill Granstaff Jan 1981

School Days, Bill Granstaff

Morehead State University Art Collection

A 1981 print of miscellaneous items by artist Bill Granstaff.


Toward Improvisation, Sandra Janeen Howe Jan 1981

Toward Improvisation, Sandra Janeen Howe

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.


The Photograph And Photo-Realism In Painting, Nancy G. Odom Jan 1981

The Photograph And Photo-Realism In Painting, Nancy G. Odom

Masters Theses

This thesis is an attempt to substantiate the legitimacy of the photograph as a source and aid to painters.

Chapter 1. reviews various artists and major art movements of the Nineteenth and Twentieth centuries influenced by the photograph. Since the invention of photography in 1839, artists such as Manet, Delacroix, Corot, Degas, Picasso, and Dali have used photographs as a source of inspiration and help in achieving the qualities they desired in their paintings. Most major art movements since the middle 1800's were influenced in some way by the various developments of the camera and photography.

Photo-Realism, a style of …


Painting From Photographs, Judith A. Poynter Jan 1981

Painting From Photographs, Judith A. Poynter

Masters Theses

Based on the premise that all paintings should be derived from what can be visually observed at length, this paper explores the use of photographs as a painting aid to the artist. The paper has three main sections. The first section contains historical data, the second contains advantages in using photographic assists, and the third contains personal experiments by the author.

The paper incorporates a brief survey of twenty-five major artists who have worked from photographs with the benefits they obtained from this approach. The artists surveyed were from the seventeenth through the twentieth century.

The second section of the …


Bronislaw M. Bak Papers, Zach S. Henderson Library Special Collections Jan 1981

Bronislaw M. Bak Papers, Zach S. Henderson Library Special Collections

Finding Aids

Spanning 1942-2010s, this collection consists of the professional papers and works of Georgia Southern College faculty member, Bronislaw Marion “Bruno” Bak. Materials include correspondence, teaching samples, class lecture notes, 2-D and 3-D studio technique posters, student papers, and original artworks. Of particular note are documents pertaining to Bak’s work on the window for St. John’s Abbey in Collegeville, Minnesota, and the 1980 biography written by his son, Clemens R. Bak.

Find this collection in the University Libraries' catalog.


The Influence Of Structural Painters On My Work, Susan Crotchett Jan 1981

The Influence Of Structural Painters On My Work, Susan Crotchett

Masters Theses

The purpose of this thesis is to analyze influence exerted on my painting by Charles Sheeler and Edward Hopper, and to pursue the development of my work.

In the first two sections of the thesis brief overviews of the work of Sheeler and Hopper are presented. Sheeler, classified as a Precisionist, was drawn to paint in a precise, sharp-edged, hard surfaced style that was itself machine-like in character. Edward Hopper, painting at the same time as Sheeler, was not classified as a Precisionist, but his art contains many of the same elements. Though he did not paint in a sharp-edged, …


Brochure: The Osprey By Frederick William Wetzel, University Of North Florida Foundation, Inc. Jan 1981

Brochure: The Osprey By Frederick William Wetzel, University Of North Florida Foundation, Inc.

UNF Foundation Art

Painting of an Osprey by Frederick William Wetzel for University of North Florida fundraising


Portrait Of Patti Bolin, Unknown Jan 1980

Portrait Of Patti Bolin, Unknown

Morehead State University Art Collection

An undated portrait of Patti Bolin by an unknown artist.