Painting Commons^™

Hands 2 Paws – A Canine Artist Story, London Labrador, Leza Labrador

The Transdisciplinary STEAM+ Journal

Artwork made by London, a canine artist.

Jaguar Sun, Anya Nadal

The Transdisciplinary STEAM+ Journal

Cymatics, is derived from a Greek word, meaning "wave", is a subset of modal vibrational phenomena. The term was coined by Hans Jenny, a Swiss follower of the philosophical school known as anthroposophy. This is a visual representation of the frequency field. I created this piece from acrylic on canvas based on the subtle energies I can see and feel.

The Art And Science Of Light Painting, Reid Godshaw

The Transdisciplinary STEAM+ Journal

A short overview of the making of light painting portraits explained by the artist.

Inner Beauty, Kayla Darbyshire

The Transdisciplinary STEAM+ Journal

The artist references images captured by electron microscope photography of Dopamine, DNA, and the process of Mitosis (specifically occurring in the human body). Through the use of photoshop the artist was able to manipulate the images of Dopamine, DNA, and Mitosis to create low polygonal artwork. The artist created 15,000-30,000 individual triangles, piecing them together using photoshop to create the images that they were referencing. The body is an amazing spectacle rarely looked at from within by artists. Many find beauty on the surface of the body, but when explored further, the body has much more to offer. The artist …

Transformations, Brian Metzger

Curating Contemporary Art: Documents & Writings

Sotheby's Institute of Art is pleased to present TRANSFORMATIONS, a group exhibition curated by Brian Metzger, Master of Art Business candidate class of 2016. The exhibit is on view from November 29 to December 5, 2016.

P-10 Painting Horizons, Kari Friestad

Celebration of Research and Creative Scholarship

My current work investigates the limitations of paint and mark-making that carries the potential to be read as various aspects in various types of oil painting, such as the particular tenants of landscape painting that evoke surface or atmosphere. These material explorations look at how the various types of marks and texture indicate recognizable forms or space that can be attributed to various qualities of the textures of nature, such as the surface of water or the fog of a hazy morning. Simplification allows stroke, texture, and value, or the inherent nature of the paint, to be isolated and thus …

Master Strokes

SIGNED: The Magazine of The Hong Kong Design Institute

A new exhibition at HKDI will reveal how one of China's most famous contemporary artists created a unique synthesis between East and West

Creative Revival

SIGNED: The Magazine of The Hong Kong Design Institute

Differences in time and space can distance us from the great art of the past but the Hong Kong Museum of Art has used animation and e-books to bring a collection of ancient Chinese painting back to life.

The Tao Of Giving

SIGNED: The Magazine of The Hong Kong Design Institute

With help from HKDI, the Hong Kong Museum of Art has created a trail-blazing application that is set to galvanise the public's interest in its Xubaizhai Collection of traditional Chinese art.

Private Matter

SIGNED: The Magazine of The Hong Kong Design Institute

The artist Christopher Le Brun came to HKDI in September to share his idea that art is quintessentially private, rooted in emotion and that artists must have the courage to keep their work alive even if the world does not yet appreciate their vision.

Painting With Scissors

SIGNED: The Magazine of The Hong Kong Design Institute

During the summer months a seven foot tall calligraphy brush drew the eyes of visitors to the HKDI campus and led them to work by Wu GuanZhong (吳冠中, 1919-2010), a Chinese painter who is suddenly back in vogue as a new generation of artists appraise his contribution to contemporary art.

Fresh Strokes

SIGNED: The Magazine of The Hong Kong Design Institute

A HKDI project to breathe new life into the work of two famous Chinese artists has sparked fresh interest in traditional cartoons and painting techniques, while providing an international showcase for the ground breaking work of local design students.

Puzzleart Therapy: Connecting The Pieces In Search Of Answers, Jennifer Fortuna

Open Journal of Occupational Therapy: Occupation and the Artist

Alli Berman has been an artist, educator, author, and lecturer for more than 25 years. Her art can be found in private, corporate, and nonprofit collections around the world. Berman is the creator of PuzzleArt, a series of small abstract paintings that combine to form a modular puzzle. When a stroke impacted Berman’s quality of life, she turned to art for answers. Engagement in a meaningful activity, such as painting, provided her motivation and strength for continued physical and psychological healing. The PuzzleArt concept evolved from a simple exercise that helped Berman to fit all of the missing pieces back …

Puzzleart Therapy: Connecting The Pieces In Search Of Answers, Jennifer Fortuna

The Open Journal of Occupational Therapy

Alli Berman, a New York based artist, provided the cover art for the Fall 2016 issue of The Open Journal of Occupational Therapy (OJOT). “Sunlight Underwater” is a 12 piece PuzzleArt painting made from acrylic on American maple that measures 22x30. The PuzzleArt concept began as a simple exercise that evolved into a therapeutic modality. When a sudden stroke impacted Berman’s well-being and quality of life, it was art that helped her to make connections during recovery.

Realizing Urban Water Pollution Impact In Melbourne, Australia Through Painting, Gregory Suplinskas

Independent Study Project (ISP) Collection

Throughout the month of November 2016, I undertook a creative environmental art project in Melbourne, Australia. I chose to create a water-soluble oil painting (dimensions 3 ft. x 4 ft.) that represents water pollution problems in the city of Melbourne, particularly in Port Phillip Bay. These problems include toxic stormwater runoff, plastics pollution and plastic nurdles, as well as nutrient buildup and algal overgrowth. The painting includes messages regarding sustainability; sustainable action limits the use of our natural resources so that humans can preserve the environment for future generations rather than degrade it. In the painting, I combine conceptual and …

William Clutz: Crossings, Shannon Egan

Schmucker Art Catalogs

This exhibition by renowned American artist William Clutz celebrates his recent gift of artworks to Gettysburg College and is organized in partnership with the Washington County Museum of Fine Arts (WCMFA) in Hagerstown, Maryland.

The exhibition features twenty-four pastels, drawings and large-scale paintings from the collections at the WCMFA, Mercersburg Academy, and Gettysburg College. Clutz arrived in New York in the 1950s as a peripatetic flâneur, walking through the streets of his Lower East Side neighborhood, astutely observing his fellow passers-by, and depicting them with a concerted awareness of the concentrated colors and painterly directness of the contemporary Abstract Expressionists.

It Could Have Been Great: An Examination Of Kandinsky's Bauhaus Paintings And The Great Synthesis Of The Arts, Deanna Brooks

Institute for the Humanities Theses

When Nazism descended upon the German art world in the late 1920s and throughout the 1930s, artists were treated as an expendable group of "political undesirables." Among them was Russian painter Wassily Kandinsky (1866-1944), who experienced firsthand the political pressure placed on his career, as he attempted to visualize a weltanschauung or "world view," that involved the marriage of different types of art, media, and practices. For Kandinsky the "Great Synthesis of the Arts" revealed the collective historical narrative, to which all artists contributed, and he strove to actualize this lifelong goal over the course of his teaching career at …

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Performing Ourselves At The Center, Shawn(Ta) Smith-Cruz

Publications and Research

This interview sits alongside an extended version edited for Amanda Curreri’s solo exhibition, The Calmest of Us Would be lunatics, which took place from January 21–May 8, 2016, at Rochester Art Center, in Rochester, Minnesota. Curreri dug through the archival collection of the Daughters of Bilitis, the first lesbian organization in the country, and their journal, The ladder, at the Tretter Collection in LGBT Studies at the University of Minnesota. The exhibition is titled after a line in Emily Dickinson’s 1877 letter to Elizabeth Holland which reads, “Had we the first intimation of the Definition of Life, the calmest of …

Rendering, Katrina Flood

The Anthology

Artwork

Untitled, Kaitlyn Walters

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

Interdisciplinarity, Christina G. Collins

The Hilltop Review

No abstract provided.

The Future Is Fire, Ariel Berry

The Hilltop Review

No abstract provided.

Luminous Luminosity, Thomas Seay

The Anthology

Artwork

Future, Rachel Sullivan

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

The Excitement Of Life, Jacob D. Soukup

Celebration of Learning

These recent paintings explore the presence of excitement, energy and adrenaline rush one can capture in a moment. Oil paints have a quality that can make a painting come to life. This lifelike quality is exactly what I strive to capture in a way that allows the viewers to put themselves inside the painting. The inspiration for these paintings came from my own experiences of adventure and risk-taking. The use of foreshortening and distortion helps give the figures a sense of energy and create movement throughout the composition. By portraying the various situations through a warped lens, I believe that …

Francisco Pedro Do Amaral (C. 1780-1830), Amy J. Buono

Art Faculty Books and Book Chapters

A biographical essay on Francisco Pedro do Amaral (c. 1780–1830), Afro- Brazilian painter, stage designer, and decorative artist.

[Sabbatical Report], Yvonne Petkus

Sabbatical Reports

Project Title: Processing the 'Scape': Studio Research

The objective for the sabbatical period was to conduct this research in the form of paintings, drawings, and installations with an emphasis on examining new sources for the environments within the work and to explore shifts in figure/ground relationships within the formal structuring of the work. An extension of my previous studio efforts, this includes the use of serial painting and installations (on plastic) as a way to wade through philosophical and formal questions, explored through the additive and subtractive act of painting and a resulting, recurring figure held in expressly ambiguous spaces.