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Articles 1111 - 1140 of 1913
Full-Text Articles in Painting
Elements Of Art, Mike Doyle
Elements Of Art, Mike Doyle
The Transdisciplinary STEAM+ Journal
Through these paintings and my writing I share how elements of art and science overlap in the strokes of paint that create the perceptions of something familiar in our minds.
Invisible Invisibility, Eugina Song
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
High-Di-High-Di-High-Di-High, Low-Di-Low-Di-Low-Di-Low, Daniel Figueredo
High-Di-High-Di-High-Di-High, Low-Di-Low-Di-Low-Di-Low, Daniel Figueredo
Theses and Dissertations
I am a believer in our image culture and its capacity to be liberating, exploratory, and critical. I also believe in its ability to overwhelm. My own work is a reaction to this over saturation. It is equally influenced by childhood exposure to remedial computer graphics and cartoons, as well as formative experiences traveling, an in-depth Art Historical education, and a love for art developed over time.
Inside The Aviary, Nikki Mehle
Inside The Aviary, Nikki Mehle
Theses and Dissertations
Modularity and movement of energy are two key concepts in the construction of Nikki Mehle's paintings. Painting is an act of both processing and creating reality – the duality of reflection and invention.
Southern Grotesque, Maggie Ellis
Southern Grotesque, Maggie Ellis
Theses and Dissertations
The scenes I paint are submerged in specific landscapes I have encountered in Georgia. Honoring my experiences from this vantage point, I depict the rough and tumble attitude of my upbringing that is at odds with a rarefied New York art world I currently live in.
Deboer's "Visual Arts In The Worshiping Church" (Book Review), Darcy Gullacher
Deboer's "Visual Arts In The Worshiping Church" (Book Review), Darcy Gullacher
The Christian Librarian
No abstract provided.
Why Munch?, Robert Jensen
Why Munch?, Robert Jensen
Art and Visual Studies Presentations
Why Munch? was a keynote lecture for the conference "Marketing the North," sponsored by the society Munch, Markets and Modernism, in November 2017. In asking the question, the paper explores Munch's canonical status, especially vis-a-vis other Scandinavian artists of his time. In particular, the essay addresses the evolving nature of artistic professionalism at the end of the 19th century, and how Munch's personal and artistic behavior evoked a new definition of bohemianism that resonated deeply with the rise of European modernism and the post-1900 avant-gardes.
About Logan Weihe And Beloved Microcosm, Logan M. Weihe
About Logan Weihe And Beloved Microcosm, Logan M. Weihe
Steeplechase: An ORCA Student Journal
No abstract provided.
Stereotypes: What We Perceive Vs Actuality, Ricder Ricardo
Stereotypes: What We Perceive Vs Actuality, Ricder Ricardo
DHI Digital Projects Showcase
Stereotypes: What We Perceive Vs Actuality
Its important to bring awareness to the different minorities that are being affect by today’s turmoil that is our government system. We need work that exposes what we stand for as young artists without the modesty or fear of being direct, aggressive, or explicit. We need to make our voices be heard and enlarge the number of people who care about human rights and diversity.
Music And Art: An Aesthetic Experience, Samantha Martin
Music And Art: An Aesthetic Experience, Samantha Martin
Honors Projects
This project sought to pair art songs performed at my senior recital with paintings. The paintings chosen had to be within one hundred years of the songs’ composition, from the same country as the composer, and have a similar theme or meaning as the art song. The goal was to create an aesthetic experience, as well as making the meanings of the songs more accessible for the audience, especially if the songs were in a foreign language.
The Painter From Maine: From Mountains To The Sea, Marsden Hartley Portrayed His Home State Through The Lens Of His Singular Imagination, Gerry Boyle
Colby Magazine
Marsden Hartley left his indelible mark on the art world, traversing America, absorbing influences in Europe, joining the ranks of the greatest modernist painters of his time—and creating a vision of Maine that resonates powerfully to this day.
Commonthought (2017), Commonthought Staff
Commonthought (2017), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
El Arte De "Lágrimas En La Lluvia", Todd K. Mack
El Arte De "Lágrimas En La Lluvia", Todd K. Mack
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Uno de los elementos destacados de Lágrimas en la lluvia, la excelente novela de ciencia ficción de la madrileña Rosa Montero, es la genial inclusión de obras de arte con fines simbólicos dentro de la obra. Entre estas obras de arte se incluye el famoso cuadro de Johannes Vermeer, Una señora escribiendo una carta con su criada. En este artículo, el dr. Todd Mack muestra cómo este cuadro presagia el principal dilema de la protagonista de la novela. Bruna Husky es una replicante, y por eso sabe exactamente cuánto tiempo vivirá. El conocimiento de su inescapable fin hace …
The Musicality Of The Water Lilies/La Musicalité Des Nymphéas (Library Resources), Holy Cross Libraries
The Musicality Of The Water Lilies/La Musicalité Des Nymphéas (Library Resources), Holy Cross Libraries
Library Resources for Campus Events
A bibliography of resources available through the Holy Cross Libraries which provide additional information related to the Iris and B. Gerald Cantor Art Gallery exhibition “Gabrielle Thierry: The Musicality of the Water Lilies/La Musicalité des Nymphéas” from Aug. 30 through Oct. 7.
Thierry’s series of eight large-scale paintings were inspired by her rediscovery of the “Water Lilies” landscapes by Claude Monet on view at the the Musée de l’Orangerie in Paris. With special permission from the museum, Thierry painted in front of Monet’s originals over a period of 18 months from 2010 to 2012, where she explored the inner musical …
Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn
Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn
Exhibition Catalogs
"Emigdio Vasquez created artwork that challenged Orange County’s more prominent narrative of wealthy beachside neighborhoods. He painted the brown bodies and brown histories that defined our earliest communities and economy... Vasquez produced much of the local art history that Orange County should be known for and should protect. It is with this perspective that Chapman University is proud to present the exhibition, My Barrio: Emigdio Vasquez and Chicana/o Identity in Orange County, in conjunction with the Getty Pacific Standard Time: LA/LA initiative. We hope to initiate discourse not only about Vasquez’s prolific career, but also about the larger political …
Sunset Over Decaying City, Leah C. Nofsinger
Sunset Over Decaying City, Leah C. Nofsinger
Sierpinski’s Square
No abstract provided.
Dragon Mask, Leah C. Nofsinger
Matter Under Mind, John F. Lause
Matter Under Mind, John F. Lause
Electronic Theses and Dissertations
The artist discusses the work for his Masters of Fine Arts exhibition, Mind under Matter, held at the Tipton Gallery in downtown Johnson City, Tennessee. Exhibition dates are from March 27th through April 5th 2017. ‘Matter under Mind’ explores the balance of control and non-control within the art-making process. This technique creates an automatic dialogue resulting in abstraction guided by the subconscious. The title ‘Matter under Mind’ is a slight play on the phrase ‘mind over matter’ emphasizing how matter/material is manipulated by the mind through the making of artwork, and within the mind’s eye or imagination.
The video installation …
Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega Rodríguez
Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega Rodríguez
Art & Art History ETDs
In the middle of the eighteenth century, Franciscan martyr portraits became popular in monastic spaces of the Spanish viceroyalties of central Mexico. To visually construct the meritorious life of these martyrs, artists drew inspiration from hagiographic chronicles that described various Native rebellions, which featured the graphic depiction of the gruesome deaths of friars. The prospect of martyrdom enticed novices to follow in their footsteps in service to God, but also to the Crown, whose presence in the northern territories of New Spain intensified during the period of the Bourbon reforms. In my dissertation I explore this propagandistic approach to martyr …
Reflection Of Humanity, Srikanth Baratom
Reflection Of Humanity, Srikanth Baratom
The Hilltop Review
A happy school-going girl who is warmhearted try to help people within in her capabilities. Once she saw a poor kid who is waving his hands to school children showing his interest to school. Hence, the girl tried to get admission in her school for the poor kid. Finally, she got admission after so many hurdles. This art shows the happiness of girl that her dream was achieved and showing the poor kid on a rusted mirror that how he looks with uniform. Thus, you can see the reflection of humanity in the mirror. Here the reflection of humanity is …
The Light, Gauri Manohari Nk
The Light, Gauri Manohari Nk
The Hilltop Review
The Light — Signifies the simplicity behind the concept of light that many people fail to embrace and admire. This painting shows a terracotta lamp used in India from ancient times. A cotton wick burns with the help of the oil poured into the lamp to give a serene yellow light. The light from the sun, the light from a camp fire, the street lights, the light from a humble study lamp or the light from grand chandeliers; all have the same purpose. It illuminates and it enables us to see the world as it is. This simplicity and unbiased …
Anthropo-Scenes, Ibel M. Sinohuiz
Anthropo-Scenes, Ibel M. Sinohuiz
Electronic Theses, Projects, and Dissertations
ARTIST
My work is a melding of mythology and personal experience. Growing up in the harsh desert of the Coachella Valley, I found refuge in music and art. My desire to become a drummer has leaded me to create a persona called Baby Lamb. Baby Lamb is a symbolic representation, as well as a physical manifestation of this desire and she is slowly evolving, eventually becoming my alter ego. Currently, the artwork that I create is a chapter in the life story of Baby Lamb.
BABY LAMB
Baby Lamb's art shows have included a collection of relics that have been …
Domestic Disturbance, Tanner J. Mcguire
Domestic Disturbance, Tanner J. Mcguire
Electronic Theses, Projects, and Dissertations
My work explores domesticity, the role reversal happening in the family dynamics, the banality of home life, and the common escapism that occurs in parents. Men play a larger role in the home and women play a larger role outside the home blurring the lines of responsibility and changing expectations. This emasculating process often creates a power struggle within the home. These common issues are the fodder for my artistic practice. Domestic pattern, utility, sexual frustration, chaos and contentment all play a part.
The Shrine System: Votive Culture And Cult Sculpture, Enshrining Space In 11th To 13th Century France, Kristen N. Racaniello
The Shrine System: Votive Culture And Cult Sculpture, Enshrining Space In 11th To 13th Century France, Kristen N. Racaniello
Theses and Dissertations
Possible relationships between northern and southern French shrines are examined in this paper through case studies of the shrines at Chartres and Conques. The materiality of cult statues and votive objects, the body as performative tool, and institutional motivations are considered for their bearing on the shrine as a system.
From Florine To Flocking : Observations Of A Painter - Printmaker - Embellisher, Elizabeth King
From Florine To Flocking : Observations Of A Painter - Printmaker - Embellisher, Elizabeth King
Masters Theses
I am a painter-printmaker-embellisher. The hierarchy of these labels shift to best suit the needs of each piece. Making an image that encourages looking takes precedent over how it is labeled. A quickly read painting is the enemy. I weave together complex passages on the surface to function as a speed bump, to slow down the viewer’s navigation of my paintings. I value color, pattern, and texture above a narrative. Borrowing the palette of Florine Stettheimer and the repetitive touch of Edouard Vuillard, my paintings teeter dangerously between being about the idea of decoration and being decorative. Domesticity, femininity, and …
The Little Girl (Kinda), Hanna Kim
The Little Girl (Kinda), Hanna Kim
Masters Theses
My work has always been about the personal relationships I've had in the past. It is driven by the
nostalgia of what was, and how it came to be within the present. It is not the act of languishing in a better time or the need to replay a scenario from when life was thought to have been easier. It is replaying the past that makes me chuckle, even if at the time the said event was not so hilarious or amusing. While I am heavily influenced by the psychological workings of the human mind and sociology, I ultimately decided …
Art Loser, Laura Jasek
Art Loser, Laura Jasek
Masters Theses
In my work, I aim to historicize the mechanics of misogyny. Through appropriation and re- authorship, the work interrogates and exposes the discreet erasure of contemporary gender inequalities and the societal attempt to obscure the historical origins of these inequalities.
My thesis work has been focused on Frederick W. Macmonnies, a predominant beaux-arts sculptor responsible for many early-twentieth-century American fountains and monuments. Many of his sculptures were embroiled in controversy, on grounds ranging from their aesthetic competence to their alleged misogyny. Macmonnies’ staunch academicism ran parallel to the birth of modernism, effectively expelling his name from the contemporary canon of …
Surface, Object, Space, Susan Doe
Surface, Object, Space, Susan Doe
Masters Theses
Considered primarily a form of painting, my practice adopts the languages of sculpture and installation to explore abstract constructions of personal and societal hierarchies. In this current body of work, I am crocheting architectural forms that blur the distinctions between surface, object, and space. Whether occupying pictorial space or actual space, simple patterned units coalesce into emergent forms through repetition and accumulation. I am drawn to malleable materials that allow for an indexical registration of the force of my hands and body. Working in a wide range of materials including paper, mylar, fabric, foam, plastic, sheet metal, wire, monofilament, and …
A Theatrical Life : Negotiating Biracial Identity, Timothy Lai
A Theatrical Life : Negotiating Biracial Identity, Timothy Lai
Masters Theses
My paintings and drawings use autobiography, fiction, and theatricality to examine biracial-identity formation and the negotiation of different cultural ideologies. The personification of these ideologies in narrative accounts pose questions to which the characters must answer and respond. This leads to humorous, sad, problematic, empowering, and chaotic compositions that become an intimate chronicle of my own endeavor to find those “perfect” answers.
In my practice, painting and drawing are ways to explore a broad range of topics that stem from personal and familial stories. Using allegorical personifications, symbols, and metaphors derived from my family, I see the home as a …
Anthro/Post/Cene, Sofia Ortiz
Anthro/Post/Cene, Sofia Ortiz
Masters Theses
My project proposes a ‘deep-time’ lens, both in geological as well as cellular terms, as a strategy for dealing with an anxious contemporary world. By practicing the contextualizing of self within a multiplicity of worlds, one is able to be humbled, empathetic and (hopefully) conscientious. My work develops across multiple mediums, and seeks out different paths for creating immersive experiences that both highlight and promote interconnectivity. I endeavor to find dynamic systems that can accommodate multiple subjectivities, ideally fostering consensual indeterminacy between the work and its participants. With this in mind, my work unfolds as series of reconfigurable fragments, where …