Painting Commons^™

Hortus Conclusus 囚, Lantian D.

Artists-in-Residence Programme : Exhibition Catalogues

The Work of Lantian D.

One of the most basic things to understand about Lantian D.’s work is that it is born out of an acute awareness of the weaknesses inherent in contemporary art. The sorry state of the contemporary artworld is even the theme of one her earliest paintings, Crime and Punishment, which contains some suggestive depic­tions of artists and intellectuals who may bear some responsibility for the present situation: Jacques Derrida, Marcel Duchamp, Tracy Emin, Michel Foucault, Clement Greenberg, Damien Hirst, Jeff Koons, Charles Saatchi, and Andy Warhol are all depicted as witch-like creatures from one of …

Bird Symbolism In Italian Devotional Paintings From The Thirteenth To The Seventeenth Century, Sarah Poisner

Renée Crown University Honors Thesis Projects - All

Madonna and Child images represent a significant portion of the paintings produced during the Medieval and Early Modern periods. Beginning in the thirteenth century, Italian painters began to embed symbolic birds into these works to create further points of reference and significance. This paper will examine the long history of bird symbolism and why Christian artists used different species of birds to create specific meanings. Hundreds of Madonna and Child paintings which include a bird were made between the thirteenth and seventeenth centuries, but there has been no in-depth analysis of this motif in over seventy years. Since the publication …

Experience Bobo Experience, Sara Smith

Capstone Projects and Master's Theses

Experience Bobo Experience -by Sara Marie Smith (Artist Statements and Images of work)

Spring 2018-CSUMB Undergraduate Capstone Project/ Visual Public Arts Department

My Senior Capstone is about using inspirational wisdom from acknowledged sources to address the quandaries of our human experiences. I have chosen a cognitive clown, named Bobo, to investigate Henry David Thoreau, Jack Kerouac, and Allen Watts. Bobo, my character, goes on a journey of learning. Bobo is a line drawing, rendered in marker, with a circular head, two dot eyes, three puffs of hair with a clown smile and clown clothing. Experience Bobo Experience speaks to …

Title., Douglas Miller

Electronic Theses and Dissertations

Title is a series of drawings that explores the aspects of failed projects and the complications of representation within literary and visual practices. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions. Through an investigation of the 19th Century Russian author Nikolai Gogol’s unfinished novel Dead Souls, I situate this series of drawings as a means to conflate literary theories with visual representation. In this way, the Title series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled …

It Can't Leave You The Way It Finds You, Kyle Nobles

School of Art, Art History, and Design: Theses and Student Creative Work

There’s a beautiful innocence in childhood where, although the world is large and new, it feels as though your place in it and the roles that you play are stable and unchanging. In our youth, outside of extraordinary circumstances, we are unburdened by the awareness that everything and everyone is subject to radical change—including our own sense of self. As we grow older though, looking back it becomes clear that this was never the case. In a matter of years, you can change so dramatically that you did not even notice as you became an entirely new person. For me, …

Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof

Artl@s Bulletin

How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.

The Us’S Economic Promises Are Over: An Interview With Miguel Luciano, Marisa Lerer, Conor Mcgarrigle

Articles

Hurricane Maria struck Puerto Rico in September 2017. The island was left without electricity and clean water for months. However, the natural disaster was not the only cause of this lasting devastation. The financial fall-out from predatory loans, which led to Puerto Rico’s inability to invest funds in its own infrastructure, caused an enduring humanitarian disaster. Artist Miguel Luciano (b. 1972) in this interview discusses his work in relation to the 2017 Puerto Rican debt crisis and the legacy of the over 100-year span of Puerto Rico’s colonial status as a US territory, which gives the US disproportionate control over …

The Significance Of Cloth In The Narrative Of The Life Of Christ As Represented In Dieric Bouts' "Life Of Christ Altarpiece", Mary-Margaret Mcleod Pilling

Undergraduate Honors Theses

This thesis explores the materialistic importance of cloth in the life of Jesus Christ and relates it to the disassembled Life of Christ Altarpiece painted by the Renaissance artist Dieric Bouts. References to cloth in the scriptural accounts of Christ’s life support the claim that there is deep theological significance to fabric. The medium of each of the paintings that comprised the altarpiece is a flax linen canvas, which, combined with the references to cloth throughout the compositions, parallels these references to cloth in the scriptures. The entire artwork serves as a metaphor for the Eucharist resting on linen on …

The Rhetoric Of Landscape: Through Oil And Water, Alexandrea Davis

Honors Theses

“The Rhetoric of Landscape: Through Oil and Water” analyzes five water resources—Lake Erie, Lake Powell, the Aral Sea, the Gulf of Mexico, and the Great Barrier Reef—and uses the visual rhetoric introduced by an accompanying series of oil pastel illustrations to compare how the beauty of the landscapes equates to their true states. This project discusses the harmful effects of human activities on water bodies, first through direct pollution and ultimately through anthropogenic climate change. Furthermore, a final summary covering the history of environmental initiatives in the United States and the idea of “wicked problems” offers an overview of reasons …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Two Ducks, Lauralyn Lin '18

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Moonrise, Anisha Sharma '19

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Girl Amidst A Sea Of Blue, Mishelle Mironov '18

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Radha Krishna, By Anonymous

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

The Unknown, Katya Bezugla '18

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Bun, Jessica Lee

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Warm Night, Diego Alanis '18

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Study Of Random Hand In Room, Angitha Bright '18

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Exodus Continues, Scott Peek

Toyon: Multilingual Literary Magazine

n/a

Making Visible: More Of The Picture, Sarah Slavick

Lesley University Community of Scholars Day

In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …

Trisha, Gilbert Hu

Forces

No abstract provided.

The Chinese Ghostbuster, Peizhao Li

Forces

No abstract provided.

2018 Forces, Scott Yarbrough

Forces

No abstract provided.

Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li

Forces

No abstract provided.

Fun In The Botanical Garden, Gilbert Hu

Forces

No abstract provided.

Introduction, Scott Yarbrough

Forces

No abstract provided.

Katie, Gilbert Hu

Forces

No abstract provided.

Zooairyland- Xinjie Yin Mfa Thesis Show, Xinjie Yin

CGU MFA Theses

During the process of discovering myself in my art world, I have determined to use cuteness as a way to express my worldview, values, and experiences. Cuteness is my own philosophy and language in the interpersonal communication. I intend to make cuteness meaningful to me as well as to the rest of the world. I believe cuteness contains a power to bring people back to their original simplicity regardless of their age, it is the idea of innocence. Cuteness is like a shield for me to protect myself from the tough, scary and crazy reality; and it is a positive …

None Of Us Faces Judgment Alone: ‘Zurbarán’S Jacob And His Twelve Sons’ At The Frick, Griffin Oleynick

Catholic Studies Faculty Publications

Our turning to God during Lent, and our experience of new life at Easter, either happens together, as part of a family of faith, or not at all.

A new exhibition of Spanish paintings by the Golden Age master Francisco de Zurbarán (1598–1664), “Jacob and His Twelve Sons: Paintings from Auckland Castle,” on view through April 22 at the Frick Collection in New York City, provides a refreshing reminder of this dynamic by bringing us into conversation with our religious ancestors, the Old Testament Patriarchs.

The Forgotten : Child Soldiers, Sam Fee

UNO Student Research and Creative Activity Fair

Child soldiers have been slowly forgotten about by the public over the last century. There are only a few groups of people are trying to fight for these children. As a visual artist, I created a painting, my work entitled Invisible Children utilizes acrylic and wildfire blacklight paint to symbolize the underreported presence of children in global conflict, the hidden image represents the light we need to shine on these issues.