Interior Design Commons^™

Hayley Breshears Senior Interior Design Exhibit 2017, Hayley Breshears

Interior Design Senior Projects

MY DESIGN PHILOSOPHY

Midway through my college career, I began working as an assistant to an Independent Living Specialist. He is very active in assisting disabled individuals find and receive the resources they need to live independently. He had me drawing floor plans to show his disabled clients how to follow the concept of "Aging in Place." The concept basically means that a home should function for the length of a life, childhood to old age. By incorporating simple elements such as 3-foot doors, walls enforced for handrails, and at least one entrance without a step you can eliminate some …

Zoe Foster Senior Interior Design Exhibit 2017, Zoe Foster

Interior Design Senior Projects

Design Philosophy

I value design as a tool to create spaces that help my client live more comfortable lives. First, I believe that to create a better tomorrow we need to construct sustainably today to preserve our remaining resources. Secondly, I believe that spaces should be designed universally so that they support the client throughout the lifespan. Lastly, I believe that both sustainable and universally designed spaces should reflect imagination and beauty; everyone is entitled to good design.

Abigail Gearld Senior Interior Design Exhibit 2017, Abigail Gearld

Interior Design Senior Projects

DESIGN PHILOSOPHY

I believe that every interior should embrace a simple, sophisticated, and refreshing environment. Everything I create should meet the clients style and personal needs. By designing an atmosphere that reflects an individuals personality and enhances the functionality of the space, the user is left with a fun and organized environment that is truly their own unique home.

Haley Gibbert Senior Interior Design Exhibit 2017, Haley Gibbert

Interior Design Senior Projects

DESIGN PHILOSOPHY

"Interior Design is not always what we see on TV. The beauty of this career is much more than aesthetics like people think. Design is all about the process behind the results. Great design considers the function and human use. The future and sustainability should always be considered in design because the goal is to create spaces that can be used for years and years to come. To become a great designer, one must consider the wants of the client before the wants of oneself. As a designer, the goal is to design spaces that are livable and …

Brittany Rathbun Senior Interior Design Exhibit 2017, Brittany Rathbun

Interior Design Senior Projects

DESIGN PHILOSOPHY

Design is creating a space that is sustainable, serviceable, and stylish. Design reflects where clients have been and what inspires them. There are countless styles from which people may choose to reflect who they are. The designs must be innovative and efficient throughout the design process to manage client requests with good design practice. The result is a space that is not only aesthetically pleasing and functional but good for their health, and for the environment.

Jared Ragsdale Senior Interior Design Exhibit 2017, Jared Ragsdale

Interior Design Senior Projects

“Inspiration for design comes from within. Without passion, a design is nothing but ordinary.”

-Jared Ragsdale

Brittni Ring Senior Interior Design Exhibit 2017, Brittni Ring

Interior Design Senior Projects

Philosophy Statement

In the creative side of the world, it is fairly common for one to be “innovatively altered” and “unusual” if a designer or an artist. As designers, we are imaginative individuals that recognize a level of emotion beyond the structure needed to design for function and safety. The strong connection to emotion is what compel us through our design process. Designers are alike for which we do not design for ourselves; we create for others. Some designers and artists may be “unusual” and “strangely different” but it is not a flaw. This is part of the individual nature …

Dalila Ventura Senior Interior Design Exhibit 2017, Dalila Ventura

Interior Design Senior Projects

Design Philosophy

IN THE WISE WORDS OF ROBIN SIEGERMAN, “DESIGN IS ABOUT MAKING PEOPLE HAPPY, EITHER FUNCTIONALLY, AESTHETICALLY OR EMOTIONALLY.” OUR PERSONAL SPACE CAN REFLECT WHAT WE FEEL ON THE INSIDE BUT ALSO WHO WE ARE AS PEOPLE. MY DESIGN PHILOSOPHY IS TO CREATE AN AURA FROM WHICH NO INDIVIDUAL EVER WANTS TO ESCAPE. I WILL ACCOMPLISH THIS THROUGH SMART AND SIMPLE PLACEMENT OF SPACES, COLORS AND TEXTURES. I WANT EACH SPACE, HOME, AND OFFICE TO HAVE ITS OWN LIFE THAT EMBRACES THE HUMAN WHO OCCUPIES IT. MY DESIGNS WILL BE SIMPLE BUT SIGNIFICANT AND HARMONIZE THE MOOD WITH THE …

Madison Stewart Senior Interior Design Exhibit 2017, Madison Stewart

Interior Design Senior Projects

No abstract provided.

Veronica Gilliams Senior Interior Design Exhibit 2017, Veronica Gilliams

Interior Design Senior Projects

Design Philosophy

I believe that design should provide creative solutions to suit the needs of others. Designers should observe and understand the problems and approach it in a creative perspective. Not only should it be designed for present, but also the future. By thinking long term, I believe that a designer is preparing for what can happen. A well thought out design should be timeless yet be unique, functional and comfortable. I also believe that simplicity is key to design. Adding a lot of elements can overpower the main focus of the design. Designers should not only collaborate with other, …

Research: Student Resident Research, Brittany Rathbun

School of Human Sciences Research Showcase

The first step for any project is the research to fit the needs for residents and staff alike. South Hall was built in the 1950s providing a historical aspect to it. It was built with a post-modern design using brick and concrete. Although it is important to keep the flavor of the original post-modern exterior design, the importance of renovating the building to accommodate security, bringing up to code, technology, security, better retention, and comfortable environment is crucial to this design.

Increasing Retention Rates For South Hall Residency, Cody Johnson, Catherine Rivette

School of Human Sciences Research Showcase

Stephen F. Austin State University's Residence Life Department aims to improve resident retention in South Hall through renovation and interior design. By improving the spaces meant for student use, we hope to increase the involvement and comfort of the residents. The existing structure was not designed for today's amenities and accessibility standards. By enlarging doorways, adding an elevator, and de-compartmentalizing the community spaces, the building becomes much more accessible to people with disabilities. These open spaces also fit into the contemporary styles of living and promote interaction between the residents and other occupants.

Design For Dementia, Remy Follmar, Veronica Gilliams, Jennifer Gregory

School of Human Sciences Research Showcase

Our team was challenged to design an assisted living (AL) facility for county residents with dementia when their condition ultimately prevents their continued participation in the Nacogdoches Treatment Center's (NTC) Day Activity Program. The NTC is a non-profit facility founded in 1972. Its mission is to provide needed services that are not being met by the community. With the new facility, patients may transition seamlessly from the daily program to a permanent living space, surrounded by familiar faces and loving care.

Pattern Project - Woodland, M Olsen

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - French Press, Vanessa Nesbitt

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Change, Heewon Kim

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Antithesis, Naredeen Mikhaiel

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Disruptive Camo, Kyle Webber

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Seamless, Dozy Du

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Coded, Glenn Porter

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project -Glove, Hamila Sesay

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - The Great Peanut Dream, Noshin Faruque

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Transportation I & Ii, Grace Ditthardt

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Days In Hong Kong, Tonyee Ng

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Eyes, Kathleen Gardner

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …