Interior Design Commons^™

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Unframing Venus: Redefining The Female Nude, Sage Leafsong

Masters Theses

Historically women have been excluded from becoming acclaimed artists due to societal, educational, and institutional barriers. This exclusion has had many repercussions in Western art––in a large part it has made celebrated male artists the norm, while celebrated female artists are the exception.

These same barriers often precluded women from depicting themselves in art. When women did paint, they were encouraged to paint domestic scenes such as flowers or still lifes and were prohibited from studying or depicting the nude form. This gap of representation was filled by male artists who have felt empowered to sexualize women with no consequence. …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Locally Stranded - Addressing Rural Cases Of Domestic Violence, Owen Phillips, Robin Puttock

Symposium of Student Scholars

Domestic violence is a nationwide crisis affecting millions of women each year and saw an increase in severity during the Covid-19 pandemic (2020-2022). In Georgia, 37.4% of women report experiencing physical violence by an intimate partner. The situation is especially dire in rural areas, where women experience 150% more incidents at a more intense level than their urban counterparts and must travel three times farther to access resources. Rural women are also nearly twice as likely to be turned away from services due to a lack of space, staffing, and resources. Existing shelters often fail to meet victims' needs because …

Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith

Masters Theses

What does it mean to feel represented in a space?

What does a trans space look like?

How can we queer our interior spaces?

Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.

Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …

Overlooked Modi Vivendi, Natalia Silva

Masters Theses

Traditional gender roles, performance of heterosexuality, marriage, parenthood, and a large variety of other societal expectations manifest themselves in the domestic realm, both intangibly and spatially. The design of domestic spaces has historically catered towards heteronormative living stereotypes, marginalizing people whose way of living challenges the norm. Even in the present day, designers with non-user clients — developers, investors, real estate firms, etc. — will design with heteronormative households in mind. The rise in feminist and LGBTQ+ rights movements has allowed for non-heteronormative modi vivendi (ways of living) to be more vocally and visibly present in the sociopolitical and cultural …

Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl

MFA in Illustration & Visual Culture

Since the rise of consumer culture in the late 19th century, Americans have had a complicated relationship with decorative objects, the idea of taste, and the cycle of trends within our classist society. This essay examines some of the decorative objects in my childhood home such as patterned wallpaper and an antique chair as well as a contemporary brand name mascara. While these objects do not have major functional properties, their decoration and superficiality bring me joy. To better understand my appreciation of decoration and aesthetics, I assess how an object or fashion is considered in good or bad taste. …

Space-Praxis: Towards A Feminist Politics Of Design, Mary C. Overholt

Masters of Environmental Design Theses

Outside of the academy and professionalized practice, design has long been central to the production of feminist, political projects. Taking what I have termed space-praxis as its central analytic, this project explores a suite of feminist interventions into the built environment—ranging from the late 1960s to present day.

Formulated in response to Michel de Certeau’s theory of spatial practices, space-praxis collapses formerly bifurcated definitions of ‘tactic’/‘strategy’ and ‘theory’/‘practice.’ It gestures towards those unruly, situated undertakings that are embedded in an ever-evolving, liberative politics. In turning outwards, away from the so-called masters of architecture, this thesis orients itself toward everyday practitioners …

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …