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Interdisciplinary Arts and Media Commons™
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Evangelizing The ‘Gallery Of The Future’: A Critical Analysis Of The Google Art Project Narrative And Its Political, Cultural And Technological Stakes, Alanna Bayer
Electronic Thesis and Dissertation Repository
This thesis explores the digitization initiative Google Art Project and the ways in which the Project negotiates its place between rapidly developing Web technologies and the often-contradictory fine art tradition. Through the Project’s marketing and website design, Google constructs a narrative that emphasizes the democratization of culture, universal accessibility and a new progressive future for the art world while obscuring more complex political, social and cultural questions. Bringing together scholarship from various disciplines including library studies, digital studies, art history, and cultural studies this thesis highlights how the Project might open up a space to talk about art publics and …
A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner
A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner
Electronic Thesis and Dissertation Repository
What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …
Liquidation, Amanda A. Oppedisano
Liquidation, Amanda A. Oppedisano
Electronic Thesis and Dissertation Repository
This dossier is an accompanying document to my MFA thesis exhibition, Liquidation (2014). Within my dossier, I articulate the formal and material considerations of my art making practice in which everyday household goods acquired primarily from the dollar store are manipulated in order to consider the “abject” qualities inherent to these items. Observed through the theoretical work of Julia Kristeva in her essay, Powers of Horror, the “abject” as a term is critically and historically applied to the art objects I create in order to explore the dollar store as the basis for my material selection, but also as a …