Industrial and Product Design Commons^™

For Now, Eriq Wities

Masters Theses

…For Now follows a body of furniture made as the culmination of four years of intense transition. Through personal narratives, I reflect back on my work, investigating and recognizing the value of impermanence in relation to hand handcrafted heirloom furniture, using beautiful, functional, livable pieces as tools able to register time rather than resist it.

This thesis considers what it means to make heirloom objects for lives that are never fixed. The pieces are meant to be touched, used, altered, and continued. They are finished only for now.

Chair For Workplace Morale, Alicia Lee

Masters Theses

Is absurdity frivolous? In contemporary workplace contexts, office workers– from new hires to mid-level managers– are required to maintain composure, attention and productivity amid bureaucratic instability, distractions, and disruptions. This expectation manifests in the form of an office chair.  Since its inception, chairs have represented and disseminated power. Within bureaucratic systems, chairs discipline the body physically and metaphorically, creating the conditions for workers to optimize workflow by remaining comfortable and still for long periods of time.

CHAIR FOR WORKPLACE MORALE disturbs the act of sitting, producing a bounded and altered perceptual environment. Operating within an institutional logic in which humor …

Outside_In, Zixuan Zhang

Masters Theses

In the post-COVID era, the importance of maintaining a connection with the external environment has become even more prominent. Outside_in is a series of ongoing installations located at the openings of modern buildings (spaces in between the interior and exterior) that can connect with or receive climatic resources such as wind, rainwater, sunlight, and more. Its purpose is to rethink and challenge how we can enhance the relationship with and awareness of climate and nature in our future indoor spaces through innovative experiential methods. This approach prioritizes the use of natural materials, supplemented by modern materials, and emphasizes the empathic …

Furnicreature, Yijing Huang

Masters Theses

Project "Furnicreature" reimagines domestic furniture and furnishing as unique 'creatures' with anthropomorphic features such as 'facial' expressions, 'body' gestures, dynamic movements, as well as distinct personalities, to foster interactive experiences. By blending the inanimate with the animate and adding humor into the approach, the 'Furnicreature' project not only cultivates mindfulness, empathy, and care towards possessions but also promotes humility and responsibility. Its storytelling and dynamic design inspire imagination and prompt reflection on oneself, surroundings, and relationships. With sustainability as a long-term goal, Furnicreature aims to encourage a departure from everyday challenges and foster a more mindful and empathetic engagement with …

Postindustrial Playbook++, Maxwell Fertik

Masters Theses

There is no such thing as an undisrupted ecosystem. Every inch of the planet is impacted by industrial development and its chemical legacy has mutated the soil and water. As a response, this thesis is designed to promote abundant over extractive resources and visualize a post-industrial reality. It consists of a series of objects, writing and design research on the relationship of industry and ecosystem.

In many ways it is a playbook++, laying out possible strategies or “plays’’ for making do with what exists around us amid collapse.

Japanese knotweed (Reynoutria japonica)(ي'ڑ*), a plant that grows in the most degraded …

Ido Posture Chair, Justin Grambor

Program of Industrial Design Capstones

Through movement, Ido seeks to engage and support the development of young children’s healthy work habits.

The Manhattan Collection: A Study On Furniture Design, Gabriel Anderson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

I have designed a series of pieces of furniture that all share some key similarities, not in form or even style (though my personal aesthetic will be seen in all of them), but rather in materials. All of my pieces use a combination of metal, wood, and stone. Obviously, this is not remarkable as these materials have been used to build furniture for as long as furniture has been built. However, I have endeavored to explore how these materials can interact with one another within a piece of furniture. My goal was to create furniture where the materials do not …

In The Living Room

SIGNED: The Magazine of The Hong Kong Design Institute

Salone del Mobile is the biggest event in Italy's furniture design calendar -- and now the world. We explore the great innovations from this April's packed-out fair in Milan and look forward to its exciting Shanghai debut.

Let The Chair Speak

SIGNED: The Magazine of The Hong Kong Design Institute

Boris Berlin co-founded Komplot Design in 1987 with Poul Christiansen and in 2010 he joined with Aleksej Iskos to launch Iskos-Berlin Design. Together the two companies have focused on creating inspirational works that act as an antidote to the excessive noise of modern culture, expressing a "philosophy of silence" that Berlin explained to Summer Cao.

Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal, Katie Jo Niang

Interior Design Program: Student Creative Activity

Baye Fadioul Niang described himself as a traditional European designer of wood furniture, doors, and trim. In 1945, at age 22, Fadioul began designing furniture as an apprentice in the state labor department of Kaolack. He settled in Dakar, where Fadioul not only designed and constructed furniture, but was a popular informal educator in the business. His furniture shop became a center for education in Menuserie and Ebenisterie, which is the art of furniture making. In 2005 Fadioul retired from furniture making because of deteriorating eyesight. Includes photos taken in February 2013 in Dakar, Senegal.

The Presence Of The Past: Conference Proceedings, Barry Sheehan

Books/Book Chapters

Is architecture design? Where does it begin? Where does it end? With every iconic architect comes an iconic chair. Mies Van Der Rohe's Barcelona Chair, Aalto's Artek stool. Where is the furniture by Irish Architects? As Irish architecture has become internationally recognised what has happened to our furniture? Is furniture design oflittle interest to current Irish architects and will this change with the current market conditions?