Illustration Commons^™

Front Matter

Inscape

No abstract provided.

Art, Brant Day

Inscape

No abstract provided.

Untitled, Hirofumi Hohsho

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Hirofumi Hohsho (Untitled pg. 18) is a Senior from Kanagawa, Japan.

Alley-Way, Matthew Tucker

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Matthew Tucker (Alley-way pg. 24) is a Junior from Rutherforton, North Carolina.

Florence, Clare Backer

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Clare Backer (Florence pg. 28) is a Senior from Jasper, Indiana.

Contours, David Mann '92

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

David Mann '92 (Contours Cover)

Untitled (Marker), Elisabeth Simeri '91

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Elizabeth Simeri '91 (Untitled, cover, Fish, p. 20) is an Art major from South Bend, IN.

Spherical Gravity, David Mann '92

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

David Mann '92 (Spherical Gravity, cover) is an Art major from Euclid, OH.

Exploration Of Directions And Philosophies Of Two-Dimensional Media, Michael James Murphy

All Master's Theses

My thesis show records the exploration of directions in two-dimensional visual experience with particular emphasis on the perceptual experience of space.

A Use Of The Visual Metaphor: The Relationship Between The Figure To The Environment, Betty Anne Skalicky

All Master's Theses

In this study the human figure was used as a departure. I imposed my own style of drawing on the human form in order to achieve not only the illusion of a threedimensional quality, but to create a personal identification with the image on the part of the artist and the viewer.

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.

Expansion Systems In Drawing, Anna Jane Licka

All Master's Theses

Drawing as a creative mode of expression has maintained in some artistic circles a "puristic doctrine." "Puristic doctrine" in this case means the utilization of characteristic drawing implements and techniques (ie. pen, pencil, ink, charcoal, crosshatching, shading). In contrast to this "puristic doctrine" is what can be termed an "eclectic expression" in art. As applied to drawing in this thesis, an "eclectic expression" will go beyond the traditional techniques by the application of other media such as photo-stencil, stuffed fabric, and three-dimensional tableau considerations. The purpose of this creative thesis is to expand the two-dimensional quality of drawing into a …

Rb005: Anatomia In Qua Tota Humani Corporis Fabrica... Amstelodami, Ioannes Ianssonius, 1617, Andreas Vesalius 1514-1564, Thomas Geminus D. 1562

Anatomical Texts

A paper affixed to the rear free endpaper of the item states that is edition contains “fine reproductions of the Gemini plates.”

“Thomas Geminus was a a pseudonym for Thomas Lambrit, an engraver and printer…shown as active from about 1540; he died in May 1562.” http://www.arsanatomica.lib.ed.ac.uk/geminus.html accessed 11/20/2012. Geminus (Lambrit) printed Compendiosa totius anatomiae delineation aere exarata in 1545 copied from Vesalius’ 1543, De humani corporis fabrica . (Wellcome Library catalog, accessed 11/20/2012.)

This book is a 1617 reproduction of the engraved copperplates which Lambrit himself copied from the original woodblock prints of the Vesalius’ book.

Because the illustrations were …