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Articles 391 - 420 of 936
Full-Text Articles in Illustration
Thank You, Sarah Dusek
Blue Octopot, Jackson Shaner
Night Drive, Renata Buffalino
Fixations, Camiell Foulger
Red, Annah Love
My Fruit, Evan Myers
Plastic, Jordan Winiski
Almirante Nieto, Ian Mcpherson
Dirty Dishes And A Suicide Attempt, Nicole Annone
The Everlasting, Adare Taylor
Fearless, Anvitha Yalavarthy
Risen, Adare Taylor
Red Exit, Jacob Rabinovich
When Your Lover Tells You She Doesn’T Love You Anymore,, Braedon Mcconnell
When Your Lover Tells You She Doesn’T Love You Anymore,, Braedon Mcconnell
The Echo
No abstract provided.
Squalene, Jacob Rabinovich
Danny The Davidson Tiger, Ciaran Francis
On Top Of The World, Elias Makhoul
On Top Of The World, Elias Makhoul
be Still
Elias Makhoul felt like he was on top of the world at his medical school’s white coat ceremony, where he was dressed in his white coat for the first time. His fellow classmates and he officially became recognized for becoming student physicians. More than that, it was also a call for celebration, as each of them has endured hardships and overcame numerous obstacles to be there that day. He took the MCAT three times, applied in two application cycles, and was rejected by over 60 schools. Now, he is studying in his second year at NSU-KPCOM. His white coat ceremony …
The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer
The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer
Achieve
Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn No. 2, Alone (Not Alone), and The Inauspicious Present No. 2.
Cat & Mouse, Leah Flook
Cat & Mouse, Leah Flook
Art Theses and Dissertations
An early and pervasive paranormal experience cements my interest in the invisible link between predator, prey, and bait. My sculptural installations and drawings create spaces to evade, lure, misdirect, and trap my elusive phantom. I divide my research into three sections; The Stadium, The Players, and The Game. The Stadium is a separate world, one that holds different laws and physics. Here, I explore the correlation between Slapstick Comedy and Horror genres and their ability to bend reality in order to create a story arch. The Players references tropes played out within these genres, Ophelia and the Final Girl, and …
Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson
Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson
War, Diplomacy, and Society (MA) Theses
The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …
Noah Fidlin Senior Art Portfolio, Noah J. Fidlin
Noah Fidlin Senior Art Portfolio, Noah J. Fidlin
Senior Art Portfolios
An art, photography and design magazine that combines analog and digital media.
Pieces Of The People, Benjamin Wylie
Pieces Of The People, Benjamin Wylie
Senior Art Portfolios
21 portraits of people that have had an impact on me here at SNC.
Light In The Dark, Nichole Schiff
Light In The Dark, Nichole Schiff
The Messenger
Cover illustration for the Spring 2020 issue of The Messenger.
Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy
Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy
Special Collections
In 2020, LSU Libraries Special Collections presented the exhibition “Louisiana’s Natural Treasure: Margaret Stones, Botanical Artist” at Hill Memorial Library, featuring selected original watercolor paintings and archival materials related to the Native Flora of Louisiana project.
A native of Australia, Margaret Stones (1920-2018) achieved an acclaimed international career that spanned three continents. Commissioned by LSU and funded by private donations, more than 200 watercolor drawings of Louisiana plants produced by Stones during the 1970s and 1980s are among the most treasured holdings of LSU Libraries Special Collections.
The Native Flora of Louisiana project was grounded in a long historical tradition …
Surrogate Memories In Animation And Sound, Jared Duesterhaus
Surrogate Memories In Animation And Sound, Jared Duesterhaus
Theses and Dissertations
A document in support of my exploration into memory in relation to the mediums of animation, sound, and theater. A reflection on remembering as a creative act.
Out Of The Box: Hiraeth: The Nostalgia Within Abandoned Homes, Jessica Mcdaniel
Out Of The Box: Hiraeth: The Nostalgia Within Abandoned Homes, Jessica Mcdaniel
The Journal of Purdue Undergraduate Research
Student researcher Jessica McDaniel explains why abandoned houses obtained a reputation for horror, as well as how this fear is not all that remains in what were once homes.
Heather C. Lou Interview, Katie O’Reilly
Heather C. Lou Interview, Katie O’Reilly
Asian American Art Oral History Project
Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as an administrator. …