Illustration Commons^™

Entombed, Grayson Jarrell

The Echo

No abstract provided.

Faltering Creation Self-Actualization, Zoee Lawrence

The Echo

No abstract provided.

Switzerland, Reagan Kennedy

The Echo

No abstract provided.

The Way Up, Ava Shutze

The Echo

No abstract provided.

There's An Itching In My Eye, Kayla Burrell

The Echo

No abstract provided.

There's A Method To His Madness, Sophie Ngo

The Echo

No abstract provided.

The Listener Ii, Grayson Jarrell

The Echo

No abstract provided.

The Listener I, Grayson Jarrell

The Echo

No abstract provided.

Bless Your Heart, Alex Lewis

The Echo

No abstract provided.

Anthropocene, Anna Timbes

The Echo

No abstract provided.

Moving Parts, Ava Shutze

The Echo

No abstract provided.

10" Sun Pot, Jake O'Connor

The Echo

No abstract provided.

Bee And Fern, Noel Duclos

The Echo

No abstract provided.

Baby Giraffe, Kayla Burrell

The Echo

No abstract provided.

A Day At The High, William Nix

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Preface & Table Of Contents, Gabriella Williams

The Echo

No abstract provided.

Echo 2024 - Complete Issue

The Echo

No abstract provided.

Call And Response : Experiments In Storytelling, Deanne Fernandes

Masters Theses

Being part of RISD's inaugural Masters of Illustration cohort has been an immense honor. This journey has been nothing short of transformative and healing, as it has allowed me to unearth layers of self-discovery through my creative practice.

In my thesis, I introduce a fresh research methodology rooted in the principles of call and response, with adaptability, creativity, and storytelling as its foundational pillars. Through the lenses of visual storytelling, experimental animation, graphic journalism, and fictional world-building, I demonstrate how these techniques can effectively bridge the gap between theory and practice. This dynamic approach fosters meaningful connections among diverse perspectives …

From Here To The Ground, Courtney Mccracken

Masters Theses

Art, for me, is a thinking process. It is also a process of connection to body and place. It directs my fractured attention toward the things I care about. As I labor through process, I am gifted with a moment of attentiveness. In a time where everything feels urgent, and our perspective can be warped by the endless flood of information, making art is a chance to stop, to think, and to feel.

It is a space for holding, and a space for being held.

Recently, I have been working primarily in animation and sound design, experimenting widely across media …

No Longer On Fire, Vikki M. Parker

Ought: The Journal of Autistic Culture

Capturing the poetic, lyrical essence of the ethereal universe, the pencil portal births whispers of the self in these Sourcedoodle collections, beginning as intuitive drawings and revealing their deeper essence through digital wizardry, healing art comes through for remembering the soul's purpose. A journey to gently collect the fragmented parts of a broken self. Like little souls dancing, each image has a story, a capturing of energy, an anchoring of light intensity, a glorious weaving of fluidity and a playful curiosity. A permission to be whole & a celebration of source discovering embodiment underpins this spiritual quest for discovering existence …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

How Visual Narrative Can Elevate Immigrant Food, Yiting Chai

MFA in Illustration & Visual Culture

Throughout the history of immigration, visual cultural products have provided channels for them to express their voices in North America, helping audiences understand immigrant culture and situations to promote social equality. Photography and cookbooks, as traditional expressions of food art, provide insight into the vitality of food and the way people treat food.

Graphic memoir and social engagement, as emerging categories, have emerged in the post-pandemic period. These diverse creative forms discuss individuals and food deep connections, such as interactions between people and community or a sense of belonging. For immigrant groups, Food is the quintessence of human existence, which …

Handwoven Drawings, Lynn Bennett Carpenter

Textile Society of America: Symposium Proceedings

In my Handwoven Drawings series, I developed an innovative method that unifies drawing and weaving. I draw and paint on the surface of soft wood, hand cut the wood into thin strips, and then weave the painted strips back together on a floor loom. The Handwoven Drawings teeter between drawing and textile and beg categorization. The drawing on wood could be thought of as traditional cartoons that instead of guiding a tapestry become the textile itself. The horizontal cuts across the wood articulate lines of weft undulating across the work creating a new sensibility within a woven structure and a …

Fr1: Comics, Cyborgs, And “In Between” Identities, Ella Lehavi

Scripps Senior Theses

As a queer Jew who grew up surrounded by immigrant cultures and communities, I find myself in a liminal space between my identities and the dominant culture of my country– one where my perspective on gender and my cultural experiences aren’t fully understood by the world I exist in. Comics and cartoons are an explorational platform for concepts of reality and identity; they are one of very few spaces where I see my identities explored with so much depth and care.

Cartoons and comics exist in between realistic depictions and abstraction. This makes them a great place to express all …

The Birth Of "A Painting": You Yong Solo Exhibition, Dongpeng Wang

MA Projects

Curator Wang Dongpeng takes great pride in unveiling "The Birth of 'A Painting'," an exclusive solo exhibition by the renowned painter You Yong. In this thoughtprovoking display, You Yong harnesses the simplicity of the iPad to craft vivid artworks that capture the essence of individual lives amidst the pandemic. His pieces offer a window into the lived realities within mainland China during these challenging times. This exhibition is an invitation to an extraordinary art experience that breaks free from the confines of traditional art space, promising to leave viewers with lasting impressions. The Birth of "A Painting" stands as a …

Emirati Comics & Illustrations, Sarah Laura Nesti Willard

CoHSS Faculty Work

No abstract provided.

Hacking The Library Exhibition Pdfs, Sally Brown, Christine Hoffmann, Lois Ann Raimondo, Karen Diaz, Sarah Pahlfrey

Faculty & Staff Scholarship

The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. L Hacking the Library presents artwork that highlights the intersecting values that shape our libraries through an artistic lens, reflecting on challenges and definitions of libraries past and as we move into the future. To provide personal context, "Community Connections" complement the art from librarians across the nation who responded to the artwork.

Artists included: Jackie Andrews (Maryland, mixed media), Trudy Borenstein- Sugiura (New Jersey, book arts), Sally Jane Brown (West Virginia, drawing), Shan Cawley (West Virginia, painting), …

Something Beautiful Is Going To Happen, Eric Neumann

The Echo

No abstract provided.

Each Other's Nerves/Pile Of Flesh/Fuse, Emily Clancey

The Echo

No abstract provided.